Nika Gigashvili (www.running-reel.com) The Chameleon is not as good as The Imposter, but still this movie is pretty clever. Actually, it gives you more doubts than documentary, cause it does not much follow the line of real story. The Imposter mostly concentrates on actions of Frédéric Fortin, on crimes he's committed and leaves Randall family beyond the interest. However, the movie itself is more complex giving a closer look to every character.Writers did a great job mixing documented material with fiction one. They clearly show development of main characters after Nicholas's comeback. The script makes you concentrate on three topics: first is Frédéric (or Nicholas) who is kind of shocked as he is introduced to family members closer. As time goes by, he understands that he came in "wrong" place, because they are definitely making his life worse. Every new family, Frédéric has "returned" to before, welcomed him, made him feel comfortable, but not Randalls, because they have their reasons, why Nicholas should not be back.Another story is how FBI thinks of this sudden appearance of kidnapped child. Famke Jensen is the only agent who does not believe in any words of Nicholas and his family. Therefore, she decides to hold an inquiry independently. This investigations lead us to the third story, which is story of Randall family itself.They seem to be not that happy by arrival of long lost child. But still they have no doubt that he, whoever came back, is their little boy and that is why they refused to do a DNA test, or cooperate with police. They know something that is hidden from everyone.These three stories make a superb and horribly interesting movie. Potentially, The Chameleon could be far more better film, because it can easily attract one's attention, thrill you and make you wanting more about this topic. But still I found it average. Mostly the reason is pure directing and acting. I believe that this film could be more engaging and powerful if Jean-Paul Salome had worked more on visualization of whole idea. The camera-work and acting panel could be better and yes! this kid of movie really needs better actors. The only performance I enjoyed was Emilie de Ravin as a sister of Nicholas. I have never seen Marc-André Grondin (Frederic, Nicholas) before and I think he was not the best choice for the role.The biggest dignity of The Chameleon is that in the final scenes, it almost clearly shows what really happened to real Nicholas Mark Randall

jm10701 I decided not to mark this review for possible spoilers, since this movie is about a true story and therefore most people who are interested in seeing it will already know how it ends. Besides, several previous reviews tell more than I will about the end, and they got through without spoiler warnings.First off, it's ridiculous to praise Ellen Barkin's acting just because she's practically unrecognizable: that's called makeup, not acting. Maybe she should be commended for allowing herself to look so awful, but she never was much in the looks department either. The best I can say is that she doesn't ruin this movie as she has some others. Her one-note performance certainly is unusual, but unusual doesn't necessarily mean great.Second, the problem with movies based on true stories is that if the story isn't interesting the movie usually isn't interesting either. At first I wondered why I had never heard of any of these people before, under any names, and now I know why: there's nothing interesting about them - not the screwed-up, depressed family and not the neurotic, narcissistic bozo who duped them.Famke Janssen adds a little bit of interest just because she's a charismatic person, but that plus Barkin's mousy, greasy, depressed, anorexic chain-smoking junkie are not enough to sustain a very boring story about very boring people.

Saad Khan La Chameléon – The Chameleon – TRASH IT (C) The movie is based upon the true life of European impostor Frédéric Bourdin. He has been in more than 100 houses all over the Europe pretending as their missing sons. His reason for living with different families is not because he wants to rob or hurt them but he just want to seek "Love and Affection". The movie takes place when he caught first time pretending to be teen missing child in taxes, USA in age 25. The premise of the movie is really interesting but poor direction and weak screenplay made it completely mediocre and sloppy. The director never knew whether he wanted this movie to be a family drama or a thriller. Marc-Andre Grondin was good but lacked proper direction as times he was sweet and at times he seemed psychopath. Emilie De Ravin, Famke Jensen and Brian Geraghty did a fine job. Nick Stahl and Ellen Berkin performance was over the top. On the whole, it's very mediocre and doesn't do justice to the story.

gradyharp CHAMELEON, we are told at the beginning of this film, is based on a true story about a French lad who disguises himself as other people as a way of gaining attention and 'love' which is apparently missing in his life as a near orphan. Written by Natalie Carter and writer/director Jean-Paul Salomé it misses the opportunity to use a factual story and transpose it to the screen in such a way that we care enough about the characters to become involved in the unfolding of this charade. Unfortunately the writing and the casting and directing work against this and the result is a surprisingly uninvolving, fairly boring tale. Nicholas Barclay (Marc-André Grondin) has been missing since age 13, for reasons unclear to the town's people in Baton Rouge. LA. Nicholas shows up in Spain after an auto accident, is treated for PTSD and is mutely amnesic until he suddenly talks and lets the hospital people know that he is Nicholas Barclay, a missing person. He states he was kidnapped and forced into a child prostitution ring that involved rape, abuse and torture - the reasons he gives for his lack of memory. Nicholas's sister Kathy (Emilie de Ravin) spends her last money to fly to France to pick up her lost brother and return him 'home' - to his chain-smoking depressed mother Kimberly (Ellen Barkin in a surprisingly monotone, phoned-in performance), Kathy's husband Brian (Brian Geraghty) and his sociopathic brother Brendan (Nick Stahl). Nicholas's identity is not clear to his family, except for his sister Kathy who offers compassion and fights for Nicholas' rights: the others doubt that their Nicholas is alive because of events they know to be true. The FBI in the persons of Tory Kittles and Famke Janssen investigate, doubting that Nicholas is who he says he is. After a dysfunctional attempt to relate to most of his family, his story starts to unravel and the true story of what happened to Nicholas starts to emerge: 'Nicholas' is Frédéric Bourdin, who after having plundered all the centers for runaway minors and delinquents in Europe, even though he has come of age, now passes himself off as Nicholas Barclay, shaves his body hair, and attempts to a carry off another 'chameleon caper' in the US. The cinematic aspects of the film fail to make the story involving: the colors are so washed out that it appears to be made on cheap film, the story is disjointed with such scenes as Nicholas shaving his body hair really adding little to the tale, the surprisingly dull performance by Ellen Barkin is a shock, and Marc-André Grondin is simply not up to making us realize the potential of this fascinating story. Famke Janssen and Brian Geraghty make the most of the roles they are given, but otherwise the cast is unremarkable. Grady Harp