Crapbabble 'The Last Word'(2008), starring my mate Winnie and one Wes Bentley (of 'American Beauty' fame), I read the description on IMDb.com, it went a little something, actually, exactly like this:"A man (Bentley) who makes his living composing other people's suicide notes enters into a romance with the sister (Ryder) of a recent client." Hmmmm, I thought!I added it to my favourites so that I could go back and watch should the mood take me, anyway it did, I've just watched it, and now I'm writing this.Bentley plays Evan… I must say that this was the first thing i've enjoyed seeing Wes Bentley in since 'American Beauty'. Probably because his character in this movie is pretty much an older Ricky Fitz! Evan is a loner, poetically deep, interesting and intriguing… Had an abusive father… Yadda-yadda-yadda.Evan writes suicide notes (hence the title: 'The Last Word') for clients who've contacted him through his website. One of Evan's current clients is a guy called Abel, played by 'Everyone Love's Raymond's Ray Romano. I've never seen Ray Romano play any other character before and I really enjoyed his performance in this film. Abel's friendship with Evan grows during Evan's developing relationship with Ryder's character Charlotte.I never knew this movie existed before this weekend, and everything in it is subtle and yet achieves maximum impact.'The Last Word' is unpredictable, funny, honest and sad. Well it's not very sad per say, considering it's main theme is death! But for a piece which walks hand in hand with suicide it is actually quite light, yet not at all offensive or disrespectful. It follows Evan's story and it has a happy ending. It's the type of film that I don't plan to watch again, but probably will do, and probably more than once.In my opinion this movie is a wee gem. It's strangely beautiful, a bit like that carrier bag blowing in the wind! I recommend it.I even feel a need to make a shout out to the guy who wrote and directed this movie, his name is Geoffrey Haley. He has two writing credits to his name, one short film and this one being his only feature film. His greatest plethora of work takes place within the camera and electrical department; if you check out his film credentials on IMDb, he has over 80 for camera and electrical, steadicam operations being his apparent forte. You will no doubt recognise a lot of the films Haley has worked on, one of which was 'American Beauty'…Swings and roundabouts folks. Swings and roundabouts.

pepekwa Every so often you come across a movie that no-one really saw or knows about, received little or no critical acclaim and it blows your socks off, its great to be surprised like that sometimes and this is one of those films for me.I should start by saying writer/director Jeffrey Haley should give up the day job of camera tech and do the film creating gig for real.Great script, great cast, fans of Winona Ryder's cleavage will have a field day here.Seriously though, this is very offbeat with a taboo subject but there are a few laugh out loud scenes here, mostly thanks to ray romano. I've always like wes bentley as an actor, he's perfect for dark roles and I liked the idiosyncracies like for example not having a car in LA.the only slight disappointment is the "hollywood" happy ending but the way it followed romano's dream to a tee was so well executed and OTT, it didn't detract from the movie for me.

Stepper_on_flowers Caution: spoilers ahead. This is a spoilered review, so be warned.The film starts out as original, even bold. The character of Evan is very well fleshed and sympathetic (at least from my standpoint). The premise is quite believable, with a certain slightly decadent/slightly post-modern charm, and definite intelligence.However, once the drama begins to unfold, the movie's charm slips away, while the gaping maw of Hollywood threadbare *romantic* morality looms into view. And promptly eats the main character.As it turns out, writing beautiful poetry or prose for someone's grand exit out of life is a shameful sin. Only depressed people with the obligatory abused childhood may contemplate doing this for a living. And that these people must be punished, and corrected in their ways.Charlotte (Winona Ryder) was deeply estranged from her brother, they haven't seen each other or talked for a long time, and she wasn't there for him when he chose to commit suicide. On his funeral, she spots Evan, the professional death note writer (accomplished, too, - as we're told, one of his notes won a writing award) and chases him relentlessly, ignoring his uncertainty and basically throwing herself at him. When Evan finally submits to her *charms* (after having been cornered on a roof, no less), the situation changes dramatically. Evan eventually becomes truly enamored with Charlotta, while she begins to demand total knowledge of his life. Out of completely misplaced chivalry (the usual plothole of Hollywood romances, and a definite hint at the travesties to come), Evan chooses to hide his occupation, in pointless hopes of avoiding the very questionable risk of causing psychological discomfort to his lover.Needless to say, Charlotte finds out, and of course, like in all those B-grade low-brow romances, she immediately throws her "love" towards Evan overboard under the double pretext of "deceiving" her and being a soulless jerk who dares to ornament people's deaths in beautiful poetry. At this point one might wonder why the work of the common undertaker or grave monument sculptor is not being so stigmatised, but someone writing "death notes" should be perceived as a deviant. Moreover, history knows plenty of brilliant poets that were obsessed with death to a certain degree (Poe, Baudelaire and Rimbaud to name but a few), and no one dares to label them soulless or uncaring.The crushed Evan is not allowed such blasphemous thoughts, however. After a pathetic encounter with a mugger, where Evan's emasculation is finalised (he cries like a child and says his sorry for hitting the mugger back after the bastard pistol-whipped him), he dutifully abandons writing, leaves town, and engages in a pointless, stupid Luddite-like business of letting raging morons throw electronic equipment that baffles their tiny minds off a cliff, while filming this ordeal. This final scene may very well be seen as a meta-comment on the movie itself, which abandons an intelligent and promising premise in favor of filming the pointless rage of a moronic woman and the damage it caused to a sophisticated piece of equipment that was the protagonist.All in all, while amusing (from an academic standpoint), it was really sad to watch. It sends a deeply flawed message. This movie and others like it have a lot in common with older, male chauvinist "taming of the shrew" scenarios, only with the roles reversed. It's quite shocking in this day and age to see such primal, degenerate values at work. I feel particularly sad for Winona's participation as in the past she played characters similar to Evan but from a female perspective, and usually managed to maintain the integrity of these characters. Too bad she didn't recognise this movie for what it really is - a low-grade "romance" replete with false morals, masquerading as something thoughtful and stylish.However, once you realise all this, you can appreciate the movie from a different angle - that of Fatum in the hands of moralising authors against the protagonist struggling to maintain his integrity. Like any Greek tragedy, this one ends tragically. I gave this movie an 8 due to the following: 1) good premise; 2) Wes Bentley is very good as Evan; 3) the movie may be appreciated on a different philosophical level once you come to grips with its skewed morality; 4) baby-scaring therapy was hilarious; 5) I adore Winona Ryder. If you have any comments on this review, feel free to check out the message board where I've posted a more erratic & angry version for discussion.

deschreiber Comedy? No, folks, there are no laughs here. Great ending? Hah! The bit of relief at the end weighs like a feather compared to the darkness of the movie as a whole. This is a drama, a dark one, with suicide and love deceived and betrayed constantly in the background, yet the plot is compelling, and love tries to wriggle its way to the surface amid the human refuse. An excellent script, particularly if this is the writer's first. Strong, touching performances by Wes Bentley, Winona Ryder and Ray Romano. Don't see it when you're looking for some light entertainment for the evening. But when you're ready for something serious and something that might stick in your mind, see it then. There won't be many movies of its quality this year.