davidcarniglia An incredibly intense true-crime drama, let down somewhat by the drawn-out prologue. The violence is more pervasive than anything in its era, except perhaps for war movies. Maybe the social relevance of The Phenix City Story allowed for scenes that otherwise wouldn't become commonplace in movies until the 60s or 70s.The great thing about the documentary focus, with its real-life edge, is that there are no Rambo-like supermen cutting a swath through Phenix's dens of iniquity. We're dealing the Pattersons and Gages against Rhett Tanner and his underworld cohorts; some strong personalities, and some strong men. But just men. There is a danger, though, in true-crime adaptations, to reduce the conflict to a melodramatic contest of good vs. evil.Most of the characters have some subtlety. Even the ringleader Tanner initially allows the Pattersons some slack, hoping that they'll cooperate, or at least look the other way at his Phenix City mayhem. He doesn't overtly threaten and attack them until it's obvious that they will oppose him. I find myself thinking that the Pattersons are almost too good; by the time that their supporters gather at their front door, I wish John McIntire's character would assent to their desire to attack the gangsters.Something that's handled very well is the seamless inclusion of the black family. They are involved in some of the more memorable incidents: the little girl's body thrown from the gangster's car; the subsequent reporting of which the policeman casually tosses off as "somebody dumped a n**ga kid's body in a front yard" (paraphrased here). Then, near the end, the girl's father persuades Albert not to drown his nemesis. Having important and sympathetic roles for black actors was unusual for the time, especially in a movie set in the South.The sin-city locale is a lightning-rod for film noir, whether in a fictional El Paso of 1958's Touch of Evil, or an actual small Alabama town. But Phenix City also has elements of a horror or a sci-fi monster film. A malicious entity at large in a small community, the unwillingness of many citizens to recognize or take action against it; and the courageous ones who do oppose the evil. Calling out the Army is certainly the go-to solution to deal with most monsters (even those monsters of the human variety). As much as I liked The Phenix City Story, I couldn't stand the initial ten-minutes with the reporter. Why tell the viewer what's going to happen, when you're going to show us? We're given more than enough introductory material with the textual commentary and the very effective narrated scenes. Showing the mundane assembly of all the tools of the racketeer's trade was a unique experience. It's also the perfect lead-in to the first scene at one of the gambling clubs. I now realize that there's a version without the reporter's bit. I'd give that a '9'. A very good movie in any case.

mark.waltz Phenix City is a border town in Alabama on the Georgia border, separated by the Chattahoochee River, and over-run by a crooked vice ring. This documentary like film dramatizes the events which exposed the crooks who dominated the red-light district filled with gambling and prostitution, resulting in a mob-like rule and a horrifying murder. Real-life people involved in the case actually appear in the film, and the location shot footage at the very beginning only taps the surface of what the dramatized film will present.Right from the very beginning, you learn that the local attorney general candidate (John McIntire) will be murdered when he vows to break up this vice and how his son will organize the end of this mob, run by veteran character actor Edward Andrews. From the moment you see gambling house entertainer Meg Myles singing the "Phenix City Blues", you know there's something going on other than innocent crap games. Details go into how the cards are marked, how those who stand up to the machine are threatened, and in one truly disturbing sequence, the poor innocent young black daughter of a witness is abducted and disposed of like trash. Some of the sequences are not for the squeamish or sensitive, and the theme of the film will stay with you for a long time. A cameo by an obviously beloved local Phenix City resident Ma Beachie adds honesty and heart to the drama, telling the viewer that many of the town's residents were totally unaware of the corruption within their own community, and thrilled to see it brought down. The busty Myles stands out in her brief scenes, a thrill for 80's soap fans who remember her as the kindly restaurant owner Sid on "The Edge of Night" and the devious Joanna Yeager (Stuart Chandler's first wife") on "All My Children".

dougdoepke Sometimes rush jobs really work out, like Phenix City Story. Consider that the movie was scripted, shot, and processed in less than a year after the triggering event of Patterson's murder. Credit the producers or someone for coming up with a first-rate cast, a marvelous director, and a big enough budget for location filming in the actual Phenix City. The result is the best of the "city expose" movies so popular at the time.There's a rawness to the violence here that's more convincing than usual, in part because of director Karlson's "feel" for the material and also because it appears to grow organically out of the seedy surroundings of honky-tonks and carousing soldiers on leave from Fort Benning. Credit too the fine, underrated Edward Andrews for blending oily charm with ruthless violence, just the qualities needed to run an operation of that sort. Kiley too delivers in spades, his rage unusually intense and realistic. The only questionable note is Katherine Grant's Ellie, seemingly too sweet and naïve for a dealer in a crooked set-up.Getting Karlson was a real coup. He was just hitting his stride as a top crime drama director during this period. His staging of the little girl's murder is a real grabber, along with the parking lot beating. In fact, the movie has an unusually pervasive atmosphere of unrestrained evil. Credit should also go to screenwriter Dan Mainwaring for a good tight script and some timely notes on the downside of vigilantism. Apparently, the lengthy prologue was added to ease censorship concerns, and, aside from historical value, can easily be skipped.Anyway, the film's a must-see for B-movie fans, a happy coming together of a number of underrated Hollywood talents.

secondtake The Phenix City Story (1955)Wow, this one came from nowhere and blew me away. It's a rough and tumble, unbelievably violent, true story of a block in a little town in Alabama where gambling and corruption ruled and where some local people were failing to fight back.It begins with a very long (too long) series of interviews of real people involved in the very real story of Phenix City, on the border with Georgia. I would actually recommend skipping it--almost twenty minutes that was not in the original release of the movie--and start with the drama, which is dramatic above all. This is no film noir, but it's shot in that moody, graphic style, which is perfect. The bad guys--including both a ruthless mob leader with no class at all and a tough and reactionary henchman who gets away with murder--are a classic Southern good old boys network. The cops are in on the whole scheme, and this mini-Vegas runs with impunity, thriving mostly off the money of soldiers from a nearby army base. It's all extremely convincing, small time crookery.The good guys--and women, one woman working at a gambling joint being a key insider witness--are equally convincing and small time. There is no Bogart or Mitchum or Lancaster in the leading role, though the father son lawyer pair who eventually lead the resistance are familiar faces: John McIntire and Richard Kiley (Kiley had been doing a lot of early t.v. but was also in "Pickup on South Street"). You might expect a familiar battle between the forces of good and evil, with tensions and violence and the eventual triumph of justice. And while the end of the gambling joints (after 80 years) is a matter of history, it takes so many really awful and gut wrenching turns it's riveting. I mean, this movie is like no other in terms of facing the facts--sometimes that person who would never get bumped off in a Hollywood script does actually die in real life.And this is real life, scripted and filmed and acted and edited with the vigor of a great drama, but based on the ugly truth of it, and not looking the other way. Don't miss it.