hrkepler 'The Return of Frank James' is sequel to 'Jesse James' where Henry Fonda reprises his role as Frank. The film follows Frank's life after his brother Jesse is killed by the Ford brothers, and his chase of cowardice gunslingers. John Carradine (probably one of the greatest coward in Western history) again plays Bob Ford, and these two great players are supported by magnificent cast - Gene Tierney in her first film role, Henry Hull and Jackie Cooper.Visually striking (like one can expect from Lang movie), but substantially shallow, and historically incorrect, but whole lot of fun. This film is probably one of the best examples of mindless popcorn movies of 1940's. But it also proved that lighthearted westerns were not Fritz Lang's strongest genre.

dougdoepke Frank James sets out to avenge the cowardly killing of his brother Jessie by the Ford brothers. In the process he gets in trouble with the law.When you hear western, you probably don't think Fritz Lang. Instead, moody, unstable noir was the German émigré's specialty. Looks like this was Lang's last oater and I can see why. Despite TCF's big production values, the script and acting undercut results, while the director adds little. Fonda's fine in the central role, his usual persuasive low-key self. Also, Cooper as the callow kid manages some affecting scenes with Fonda, before the surprise ending. However, Hull as the defense attorney doesn't just chew the scenery, he eats it, turning things into a near joke. Too bad we don't see more of Carradine. A verbal face-off with him and Fonda would have salvaged a lot. The Technicolor, however, is vivid, the scenic shots in and around Lone Pine real eye-catchers. Too bad we don't get more of that instead of the near silly courtroom scenes. At the same time, luscious Gene Tierney is almost as scenic as Lone Pine, even if her performance is still at a beginner's stage. Anyway, the screenplay never does generate much tension or suspense, and even the showdown's pretty tame. All in all, the film's something of a disappointment given the talent and production values involved.

secondtake The Return of Frank James (1940)The Western is back, as of 1939 when four big ones were released, including John Ford's "Stagecoach" with John Wayne, which has lasting critical acclaim, and also "Jesse James" which was the fourth largest moneymaker for that blockbuster year. Maybe it was the war breaking out in Europe, or just a realization that if you lifted a Western from its usual B-movie status the public would respond. Henry Fonda starred as Frank James in that one, and so this is really a sequel with the same chronology and feel as the first one. It is clearly A-list movie material with genuine Technicolor, a year after "Jesse James," "The Wizard of Oz," and "Gone with the Wind" had all made clear Technicolor was no passing gimmick.Frank James is now out to seek the killers of the more famous outlaw. The fact we are rooting for the renegade through his surviving brother is slightly odd--the anti-hero or negative stereotype as protagonist wasn't really respectable (or possible) until the 1960s, full fledged. Jesse James was a brave Civil War guerrilla fighter but he became an uncommonly violent criminal and murderer after the war. Frank James was probably as ruthless and bad (he was part of the same gang), but after the death of Jesse he escaped prison (in real life) and lived into the Twentieth Century.In this movie, Frank is not portrayed as a bad person. He just wants his brother's killers dead. And Henry Fonda is a kind of low key, determined fellow throughout. We naturally run into the standard assortment of types that are almost required in period Westerns--drunks and sheriffs and pretty girls out of place in this rough manly world. And there are shoot outs and a court trial and so on.Of all people to approach this genre, and in color, you'd least expect Fritz Lang, the recent émigré with "Metropolis" and "M" and "Fury" all in his portfolio. He gets rising star Henry Fonda in the loner lead for this sequel, naturally, and Fonda is the meat of it, really terrific (in an echo, actually, of the loner lead in John Ford's "Grapes of Wrath" in the same year). And then there's Gene Tierney playing a pseudo-reporter in her very first film role, showing early on that she is mostly a pretty face, but a decent actress at least. There are other great character actors (like John Carradine, fresh off of "Stagecoach" as well as "Jesse James") but specially notable (to me) is the African-American farm hand Ernest Whitman, who has to suffer from some awful stereotyping, but who is malleable and likable (and turns a verbal mistake into a catchy little song without a hitch).I love Lang's movies, even his weaker ones, and I really think he didn't quite "get" what a Western was about the way Ford did in the same period. It becomes something like a Hollywood drama that happens to be set in this post Civil War place west of the Mississippi. The stereotypes and archetypes are in play, but he misses the combination of grit and certitude that is part of the scene. Even Fonda comes across as slightly underplayed, a rather nice fellow who just happens to be out for blood. The photography is strong and vivid even though trapped to some extent on being "pretty" because of the rich color and beautiful scenery and by the bright lights so often used to blast the scenes for the tri-pack film. And then there is the ridiculous plasticity of the facts--most of what happens in the movie didn't happen at all in real life. Everyone is really just cashing in on the folk hero status of this killer, and on the success of "Jesse James" the movie the year before.

Michael_Elliott Return of Frank James, The (1940) *** (out of 4) Fritz Lang directed this sequel to Jesse James, which picks up right after the Ford Brothers shot Jesse in the back. Hearing that the brothers got off with murder, Frank (Henry Fonda) comes out of retirement to seek revenge. This film isn't quite as good as the original but it's still a very worthy follow up with strong direction and some really good performances. Fonda is good as usual but it's Henry Hull who steals the show as the grumpy newspaper owner. John Carradine, Gene Tierney and Jackie Cooper are all equally impressive. The ending is terrific but I personally thought the courtroom scene went a little too over the top in the comedy.