harbhippo This is the first time I have been moved to write a review immediately after seeing a film. "The Wait" is well-titled, because I kept waiting for this thing to get to the point - any point. Other reviewers are seeing artful imagery. I'm seeing self-indulgent clichés. We see film shot out of a car, from the side window, as the scenery flies by too fast to make out. We hear dialog delivered with unneeded, meaningless pauses that seem to be there just to slow things down even more than they already were. We see a tantrum of a phone conversation that makes no sense whatsoever, never explained, and not contributing to the plot, such as it is. Or isn't. Finally, the credits rolled, and I sat there for a moment, wondering what in the world was the point? So there's the spoiler, folks. Nothing. Happens. I can almost hear the makers of this film laughing "made ya look!"

gnaomi Emily Dickenson said something about knowing she'd encountered a true poem if it took the top of her head off, or something like that. I know I've encountered a real film, when immediately after the credits have rolled I need to watch it again. M. Blash's "The Wait" is one of those for sure. There was a moment when the sound changed and the image cut to an eerie moon, fire- orange and smoke-black, the clouds moving like a haunting. There was something Kubrick there. And again in the twinning of the blond mother and daughter pair, after a desperate trip to town, which culminated in twin curled coifs. I also loved the primal backdrop of fire, floral light piercing a cave's interior, a herd of horses running, a girl running, a girl dancing. I will put this on the list of my favorite films this year, which also includes Lars Von Trier's "Nymphomaniac" and "Blue is The Warmest Color".

samkan For starters, Sevigny and Malone look more like sisters than many actual sisters, adding more affect than one might expect. The introduction to THE WAIT is great, it's subtle yet captivating and anyone who's gone through the experience of a like death (usually the big "C" involving a parent or grandparent) will immediately pick up on the chilling vibe. From there we begin a trip with the three bereaving children, beautifully encased in a gorgeous Oregon setting that is alternately threatening, benign, active and sterile. Sevigny does her usual wonderful turn, herein as sort of a passive-aggressive sister. Was unfamiliar with Malone, who steals the show. Young brother also engrossing. On one hand, captivating this film is!; i.e., to the point that the viewer (certainly THIS viewer) may become indifferent to whether the major plot item - mom's dead! - is even resolved. On this thought I was almost disappointed at the head scratching, curious attempt at resolution at the very end. Yes there are plot lines and characters aplenty completely untreated when the credits begin to roll. But the virtual submersion into THE WAITS' atmosphere leads me to recommend a watching. PS/The comparison to a David Lynch film; e.g., both the ambiguity and the TWIN PEAKS setting, comes to mind, though those put off by Lynch's strangeness, violence, etc., need not fear herein.

brent0509-933-777627 I am highly confused by the Critics and scathing Audience reviews. This was a solid "A", for me, and a very well made film, with brilliantly acted characters, most especially, Jena Malone and Chloë Sevigny. Yes, this is not a movie for all but what movie is? It is a rather chilly, dark, lovely, and hypnotic piece of work and had quite a few unexpected scenes that were unfolding in front of me and kept me completely interested and invested in the characters in the film. If you like a Dramatic film, with a side of Psychological Semi-Thriller/Chiller, give this film a chance. I don't understand how most people who wrote reviews for this movie didn't get or understand it, as it was very clear to me and it also leaves you with quite a few possibilities on how you (the viewer) can leave to your own devices. The main plot is about three Siblings, who have lost their Mother, and how they, individually, cope and grieve shortly afterward. Like a well done movie, this one was gorgeously shot, has a haunting and hypnotic Score, by Owen Pallett, and truly captures the mood throughout. I could not say enough positive things about this movie! I watched it with a friend, who is 19 years older than myself, and likes the classics, like "Citizen Kane", etc., and was unsure of what he would think of this film. He loved it also and it made a great conversation piece, between us, for the rest of the evening. M. Blash, I think you did an outstanding job and was rather touched, moved, involved, and inspired by your Creation! A true gem!Grade: A