Things to Do in Denver When You're Dead

1995 "Protect. Love. Honor. Avenge."
6.7| 1h56m| R| en| More Info
Released: 01 December 1995 Released
Producted By: Miramax
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Five different criminals face imminent death after botching a job quite badly.

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GwydionMW Definitely not realistic. Every damn character is improbable. A mob boss trusting a delicate operation to someone who's not worked for him for years is ridiculous. Likewise him recruiting three incompetents and not picking up obvious signs that one of them should be kept well away from the 'front line'.But if the intention was humour, there is a lot too much real suffering for any normal person to laugh.Also it's racist. There is a major black character, but he does nothing sensible. Other blacks are shown as incompetent.And evil characters get their own sort of heaven? What sort of fool scripted it?
brasco-63139 This movie has many outstanding qualities. It has a wonderful mix of actors who compliment each other well, and the writing/directing is very impressive. I have always been an Andy Garcia fan, but the supporting acting of Christopher Walken, Christopher Loyd, Treat Williams, Steve Buscemi, Bill Nunn, and William Forsythe are outstanding. I am a huge fan of Mafia movies, and this one, even though not your conventional mafia type flick, is very entertaining with a great story. If you watch this movie because you really like one of the actors, you'll probably come out of it with a new respect for a few more.
NateWatchesCoolMovies Things To Do In Denver When You're Dead is a crackling, explosively verbose, darkly comic 90's neo noir. In other words, right up my crime infested alley. It operates on a heightened plane of larger than life thugs, Machiavellian crime bosses and an almost beat poetry by way of Shakespeare writing style, courtesy of Scott Rosenberg's pen. The writing is one of the best quality's of this film, and when you watch it and find out what buckwheats and boat drinks are, you'll get it. Andy Garcia turns on the slick as Jimmy The Saint, an ex mobster on the path to enlightenment, attempting to open his own business, called Afterlife Advice, where dying people record pearls of wisdom for their loved ones to see after they're gone. He is called back into action for a job by his old employer, a creepy, all powerful gangster known only as The Man With The Plan, who is played by, you guessed it... Christopher Walken. He is a a perverted, unsettling ghoul in the role, paralysed from the neck down and confined to a blow tube operated wheelchair, lurking in his dimly lit, Gothic mansion and hurling threatening orders like Max Schreck from Nosferatu. He coaxes Jimmy into pulling his old crew together for one last job, a personal one involving Walken's even creepier son. Of course the job goes horrendously wrong, resulting in Walken's wrath raining down upon each and every one of Jimmy's crew, as they all scramble, most of the, unsuccessfully to escape Denver. It's a stark, largely unpleasant bit of violent fun with a snappy vernacular all its own, but don't mistake my review as making out as pure darkness, without a heartbeat. There's an incredibly romantic core, as Jimmy falls in love with two vastly different, beautiful girls at once: an angelic socialite from the other side of the tracks named Dagney, played by the ever gorgeous Gabrielle Anwar, and Lucinda, a scuzzy, spunky hooker with a heart of gold played with twitchy, heartfelt energy by Fairuza Balk. Jimmy's crew is a pockmarked landscape of rough and tumble character actors, all with their own distinct flavour. William Forsythe is aces as Big Bear Franchise, a family man thug, Christopher Lloyd displays warmth and feeling as Pieces, the veteran of the crew, Bill Nunn is great as Easy Wind, and Treat Williams comes out of left field as Critical Bill, a nickname reminiscent of the condition he puts people in, as he's an absolute live wire lunatic, who literally uses corpses at the morgue he works at for punching bags, because his shrink told him he needs an outlet for his rage. Yeah. Steve Buscemi has a sly role as dangerous hit-man named Mr. Shhhhh, because he barely says a word. There's also great work from Jack Warden, Bill Cobbs, Don Cheadle and Glenn Plummer. I have to reiterate again what a lovely script it has, like a particular lingo all its own, that the characters wear like a verbal glove, and share with you with every interaction they have. It's an extremely overlooked bit of hard boiled fun, with just the right touches of scary, shocking violence, world weary golden age regret, with a stable full of wild, wacky characters to keep you more than entertained. Check it out.
Richie-67-485852 This is a good movie. What is a good movie then? It is entertaining and has a good story line and is acted out and directed well so that you don't have to do a thing but sit back and let this movie pull you into its world. It doesn't fail on that pull either. You will be introduced to thoughts and ideas in the underworld that are only known by those thugs that hang out there. Of course, these are men and women with a soul too and that is what comes across. Sure, they are on the wrong side of the tracks, but think for a moment that "there go I but for the grace of god" and you will be alright watching them go through their daily messed up lives...There are some stand-out performances and I would say that all actors give them. When it is their turn to act and convince us, they do. This is entertainment. The title throws you off, but after seeing the movie, you make allowances for it. One last thing. If you like malts, you know ice cream malts, well, have a pitcher ready when you watch this film. It is no fun to drink alone....enjoy