vincentlynch-moonoi The opening scenes of this film reminded me a bit of how the much later "Airport" (1970) begins, where you learn a little about how the business works. In this case, the business is newsreels.This film was produced just a year before "Gone With The Wind", but what a difference with cinematography and general sophistication between the very 1930-ish "Too Hot To Handle" and the decades ahead of its time "GWTW". And, the aerial stunts Gable supposedly portrayed here just aren't believable.Nevertheless, it's an entertaining flick, despite its flaws. And one of the chief flaws is the likable scoundrel Clark Gable...and he was likable, but not lovable...so why exactly did Myrna Loy's character fall in love with him? Did women in the 1930s really have a total lack of good taste? Just when you think the film is preposterous, things begin to look up. Myrna Loy's brother is missing in South America, and our pals (Loy, Gable, and Walter Pidgeon) head for the Amazon where they encounter South American natives, all of whom happen to be African????? And what those African transplants fall for is just plain hokey; where in blazes does Gable's compadre get a movie projector in the middle of the jungle, let along the electricity to run it. Preposterous.The acting of Gable, Loy, and Pidgeon is all great. But the script is pathetically foolish. And speaking of acting -- kudos to character actor Walter Connolly, who turns in a heck of a performance as Gable's newsreel company boss.Perhaps if they had simply had Latinos playing the South American natives one could forgive the inconsistencies in this film. But this blunder is all too much.There's nothing wrong with this film...except 78 years of sophistication. Entertaining? Yes. Believable? No. NOT a flick for your DVD shelf!

albertoavio When I saw the first time this movie I was a teenager and now after 15 years I have the same feelings, it's a masterpiece, really a great movie of the '30s. Yes I'm a fan of Clark Gable and Myrna Loy. Everybody can enjoy the speech the timing, the screenplay. Gable at his best, don't forget that in '38 Gable and Loy were nominated King and Queen of Hollywood. Why?Just watch the movie and immediately realized!Let's have a lot of fun and malencony of a period that will never come back again.Walter Connoly was a great actor and his part of journalist was remarkable.Really a must to see for all of you who like the golden period of Hollywood and the movies of his king and queen.

bkoganbing I happen to be a big fan of old newsreels. From the dawn of sound films until around the mid-60s the newsreel was the source for visual news coverage. After that television and then cable television took over. I look at the educational channels when they have old 30s and 40s newsreels running.The cameramen played by Clark Gable and Walter Pidgeon are not too different from the print reporter characters that are a staple character in Hollywood films. These two have a friendly rivalry trying to scoop each other for news. The rivalry gets a little intense when aviatrix Alma Harding (Amelia Earhart) played by Myrna Loy gets ensnared in the rivalry and becomes the focus of their hormones.The writing is sparkling with zingers and the direction is crisp. The plot moves from one madcap situation to the next. Among the supporting cast I should single out Walter Connolly and Henry Kolker as the rival bosses of Gable and Pidgeon who are driven to their respective wits end by the antics of their cameramen.I defy anyone to watch this film and not split a gut laughing.

stills-6 A sometimes thrilling adventure that is first and foremost a Clark Gable vehicle. He's as cocky and quick-witted as ever. There are some good lines and a few good laughs, but his performance completely dominates and overshadows this movie, even when he's in a chicken suit. You would think that a movie with Myrna Loy would have some great zingers back and forth with the male lead. This happens too few times, however, and Loy looks like she doesn't want to be in this movie. This is some of the least amounts of chemistry from either of these two actors that I've ever seen.I liked the story a lot, with its focus on the "backstage" of early newsreels. Much of the satire is still true today, and this movie doesn't look dated because of it. There are some holes and only Gable is truly worth watching. There are also a few too many racist references that might make a modern viewer uncomfortable.It's still worth watching though, even if just for the antics of Gable and the jokes about the news business.