MulderManiac Rattle and Hum is a great movie for both hardcore and casual U2 fans. It's an interesting look at U2's musical exploration in the late '80s, and for younger U2 fans, like me, it's almost a way to experience The Joshua Tree tour. Seeing footage of some of their most popular and biggest songs being performed live is both fascinating and enthralling. U2 is probably the best live band still around today, and seeing them where they are most at home, on stage, is an experience in itself. Emotion is a big factor when it comes to their music, and you can feel it throughout the film. The black and white footage adds a nice touch of rawness, of sincerity. And although Rattle and Hum is essentially a concert film, it's also a glimpse at U2's growing maturity as a band. Rattle and Hum is a fun, fascinating, intense U2 experience. It's quite funny at times--like the first, hilariously awkward interview at the beginning of the movie--but it's also very serious. I think that the most powerful performance in the movie is Sunday Bloody Sunday. Bono's angry, outraged speech both before and during the song are stunning. I was left both in shock and awe at the sincerity and absolute frustration the band displays while they perform it....it's sure to give you goosebumps.My only complaint--and a minor one at that--was the shortage of interviews, but I can understand why they might have left it out to make room for more songs. So even if you're only a casual fan of U2, you should see Rattle and Hum. It's powerful, entertaining, and interesting. It's a look back at a much younger U2 (you might even laugh at both Bono and The Edge's hair, and at Adam Clayton's birdlime strut on stage) and a good one at that. To quote Larry Mullen Jr., "It's a musical journey."

Camille B. At first when I noticed this title on the cable menu, I wasn't sure what to make of it. I just didn't understand what it was. Was it a movie, a biography, what? I sat down to watch it after I had recorded it, expecting little.This turned out to be the best documentary I've ever seen on a band. I've always loved U2 and their music, but this made me fall in love with them all over again. The live performances, beautifully filmed in black & white, were the BEST VERSIONS of some of the songs that I've ever heard. 'Bad,' 'Sunday Bloody Sunday,' and the gospel version of 'I Still Haven't Found What I'm Looking For' were raw and powerful.But mostly what I enjoyed about this movie was that is was 99% music and little talk. The commentaries were short and the songs played all the way through. It was an intense two hours of nothing but great U2 music! I recommend this for any U2 fan, it will not disappoint!

Natja Kristy Tens of thousands of feet of film were shot during the making of 'U2: Rattle and hum', Most of it in black and white. Some of this was intentional, but allot of it was due to the fact that director Phil Joanou had a limited budget to work with and black and white film at least at that time was less expensive. Shooting in 16mm as well as 35mm was another reason that this film was shot almost entirely in black and white. About 90% of the footage was done in that format rather than color. From Watching the final cut of the film it would seem to suggest that it was more like 80% of the over all footage, but keep in mind there was allot more black and white footage cut from the film than color. I obtained a great amount of the footage that was never seen in the original version of 'U2: rattle and hum', 480 minutes of it to be exact. When I first saw 'U2: rattle and hum' In 1988, I was fortunate enough to see it at a 'century theater' complex in San Jose Ca. On the biggest screen they had out of the 2 blocks of 'century theaters' lining one side of Winchester blvd. There in San Jose. They even had a special concert PA system temporarily installed for this special feature. It was truly the best way to see this movie, and the experience has stuck with me ever since. For many years I have felt that this movie could very well be the best film about a band ever made. Maybe even possibly the best music related film ever made with the exception of 'Woodstock' or perhaps 'The last waltz'. The movie has at times a real gritty look to it due to the 16mm footage. It feels earthy, grounded, cultural, important. Especially the portion of the film where U2 put on the 'Free the yuppies' concert at the 'embarcadero center' in San Francisco. This was the portion of the film where the band performs 'All along the watch tower'. This concert was monumental (no pun intended) for the history of music in many ways. For one this concert was announced 2 hours prior to the performance over San Francisco's 'Live 105' fm alternative station. The concert was not scheduled prior to the two hour announcement. Bono, the edge, larry mullen jr., adam clayton as well as their management decided to put the show on the day before it actually took place. I was living in San Jose at the time and heard the announcement on the radio that day. I didn't have to work that day so I could have easily made it but a problem came up and to my bitter disappointment I was unable to attend the show. The entire show is truly wonderful (I have the entire performance on video). The monumental thing about this performance was of course the point in which Bono paints the Monument erected many years before in the embarcadero square by a french artistic designer. The now infamous "rock and roll stops the traffic" slogan that bono spray painted on the monument is one of the greatest moments in music history. What most don't know is that bono never left the stage during all along the watch tower, the monument was painted during another song. which one was it? Well you'll have to find out for your self, I'm not telling. I went to see the monument the next day late at night. A friend and I climbed the thing to see the painted area. It was already painted over but you could see where it had been painted from the color shades being off a bit. I did make it to the performance at Oakland Stadium the next day. This was of course the 'Joshua tree' tour. Bono managed to find the french artist who created the monument that bono had spray painted just the day before. After a short 'wave hello' the artist proclaimed "U2 can spray paint anything I create any time they want!". This was in retaliation to the mayor of San Francisco who banned U2 from returning to San Francisco for the deed. Later the ban was lifted. But now back to the footage cut from the final film released through 'Paramount pictures'. It is anybody's geuss as to why some of the best footage was cut from the film. Most notably 'the voices of freedom' performance at 'madison square garden'-performing 'still haven't found what I'm looking for' with the band. It is truly touching and would have been 'hands down' the best part of the entire movie had it made the final cut. directly after the group of church singers leave the stage U2 kicks into a rare live performance of 'Spanish eyes'. It is really a shame that these performances were left out of the fianl cut. I have 40 minutes of footage of U2 on their van ride to the church where they were to first meet the 'voices of freedom' as well as 40 minutes of footage after they arrive at the church. Also the entire graceland tour was filmed which I also have. I can understand why joanou left most of this out, it can be rather dull to watch, but it was interesting to hear allot of U2's questions and comments as they went along the tour. Hours of other precious moments are also seen in the deleted footage. 'U2: rattle and hum' is a true classic music film, but if phil joanou and U2 wanted to share those precious moments with the rest of the world they might think about releasing the entire thing in a directors cut. I had to pay allot of moola for the footage I have, and I mean allot!, all 480 minutes of it. Having seen it for myself in my opinion it is a crime to hide this footage from the public. U2: 'rattle and hum' is a great movie, a complete directors cut would make it a landmark in the history of the cinema.

G-Com The Irish band originally wanted a small, self-financed documentary of their landmark 1987 tour behind their outstanding Joshua Tree album and the songs they wrote and recorded after the tour. But, things got slightly out of hand as that small documentary turned into the idea of it being a full-blown concert film. Paramount came on board as a partner when the costs got out of hand.Directed by Phil Joanou, Rattle and Hum's black and white documentary footage is slightly grainy, while a bulk of the concert footage (from their Denver shows at McNichols Arena) was filmed in high conrast black and white. But, the footage dramatically morphs into the glorious color footage from tour's last two shows at Arizona State's Sun Devil Stadium.The "musical journey" focuses primarily on songs from U2's War, The Unforgettable Fire, and The Joshua Tree albums, and a behind the scenes look at the band recording material that showed up on the "Rattle and Hum" album from an abandoned train house in Dublin, Sun Studios in Memphis, and a black church in Harlem to rehearse and record a gospel version of "I Still Haven't Found What I'm Looking For" with the church's choir, who joined them later for the band's Madison Square Garden show.The major complaints of the film that I've heard seem to be that it's moody and over-dramatic at times, but I think that Joanou wanted it to be that way intentionally, but the humor is pretty much limited to the documentary portions.Of course, the music is the most important thing. I'm normally not a fan of "artsy" films, but the artsy-looking shots of Bono walking across the stage at the top of U2 classics "With or Without You" (the best live version of the song I've ever heard) and "Where the Streets Have No Name" works well and sets the mood for the songs perfectly. Another high point, their incredible performance of a revamped "Sunday Bloody Sunday" the day after a bombing in Northern Ireland.It's a shame the film was panned. As it is, Rattle and Hum ushered in an era where U2 took a huge financial hit by building complex stages and taking technology to overkill on tours supporting Achtung Baby and POP. U2 bassist Adam Clayton calls the film a mistake, but I disagree. The film is awesome and a must have for any music fan.My only real complaint: Why didn't the U2 include the awsome live version of "One Tree Hill?" I saw it on their Greatest Video Hits package and fell in love with the song.