SnoopyStyle Slightly disturbed Virginia (Jennifer Connelly) lives with her protective son Emmett in a Virginian town. She's in a long-term affair with Sheriff Richard Tipton (Ed Harris) who is married to Roseanna (Amy Madigan) and has daughter Jessie (Emma Roberts). Emmett is in love with Jessie. Richard uses his powers to keep them apart. Virginia tells Richard that she's pregnant. He's running for the State Senate and pays her out of the campaign funds. She's actually faking it. There is also a cross dressing Max (Toby Jones) with his pink ferris wheel. It all ends with a bank robbery.This is filled with quirky characters that aren't funny. The story meanders a lot. There are a few surprises which don't do much. It's either a comedy that fails to be funny or a drama with too much chaotic quirkiness. Connelly projects a beautiful damaged soul which could be great for a sad drama. I'm just not sure what this movie is trying to be.

leplatypus This movie has good things but at the end, its defects are too important. The first thing I dislike is the photography and set design because as a 2010s movie, world has become blue / orange ! I'm fed up with those blue props, blue clothes, yellow skin, yellow light…. When my mind focuses on the story, i see an jobless mother which is indeed a change from the usual upper classes but one more time, this kind of family is plagued ! In a way, it's like being jobless and poor in America is the trademark of fragile, unstable people ! The kids stories could have been interesting if the daughter wouldn't have lost her faith at once, which is not really believable ! The use of flashback at the start of the movie is useless as well as the sheriff's wife part ! On the positive side, the cast plays really well : Jennifer as a deranged mother, Harris as a pervert sheriff… In conclusion, it's like Hollywood wants to do a tearing drama but as it has never experienced real life, the final release is more a collection of clichés.

williamtpace I watched Virginia in three parts, because it was slow enough that I kept drifting off. Jennifer Connelly did what she could with what she had. I found the overall story unmoving. I think if the focus had been more on Virginia, and had the story generated more chemistry between her and her son, it might have seemed more redemptive at the end. As it was, the film ranged from sad to emotionless.I was told that I should see Virginia just for the shoot out alone. In fact, some of the reviews talk specifically about the amazing 'shootout', which consists of Virginia firing one shot, followed by a montage of the Sheriff's department shooting at her windows. If that's what passes for a 'shootout'...well...it left me tired. Very tired.From the time the son put on the dress, I knew exactly where it was going.

napierslogs Virginia (Jennifer Connelly) is one seriously disturbed woman. One possible look at it is that she was screwed over by having an affair with an aspiring Senator, Dick Tipton (Ed Harris), who left her pregnant and alone to raise her son as a single mother. "Virginia" has a number of story lines, some in present time, some in flashbacks, but all resulting from the affair between Virginia and Sheriff Tipton.The first is one of a teen romance. Virginia's son, Emmett (Harrison Gilbertson) is in love with the Sheriff's daughter, Jessie (Emma Roberts). The problem is they are half-siblings and they're told they're not even allowed to see each other let alone be friends with each other. Nobody is supposed to know of the affair so their forced separation can raise a few eyebrows. Interestingly, it's Emmett who starts questioning what's really going on.What's really going on is that nobody is stable. The Sheriff is a devout Mormon and extreme conservative. In his Senatorial bid campaign, he needs a photo-op with a red, white and blue Ferris wheel, but the town's only Ferris wheel is pink and it's owned by an out-and-proud gay man. It is the simple conflicts like this which are resolved on the surface which lead to the very interesting dynamics in the film.Dustin Lance Black is a relatively young filmmaker who is making his directorial debut with "Virginia" and previously wrote the screenplays for "Milk", "J. Edgar" and the HBO series "Big Love". He was raised in a Mormon household and community and was worried about his sexuality. Most of his filmmaking career has been spent inspiring people to become LGBT activists. What is interesting about "Virginia" is that while none of the main characters are outwardly gay, the film appears to still be very personal with the boardwalk town likely doubling for Black's hometown of San Antonio, Texas. The religious undertones are very present but never over-powering. The overall plot of "Virginia" definitely has places to go but the story hasn't been too well received. What is more interesting is what the film is trying to say without actually saying it. Black is such a talented writer that there's lots to read in between the lines.