Watermark

2014
6.9| 1h32m| PG| en| More Info
Released: 04 April 2014 Released
Producted By: Sixth Wave Productioins
Country: Canada
Budget: 0
Revenue: 0
Official Website: http://www.burtynsky-water.com/
Synopsis

Following their triumph with Manufactured Landscapes, photographer Edward Burtynsky and filmmaker Jennifer Baichwal reunite to explore the ways in which humanity has shaped, manipulated and depleted one of its most vital and compromised resources: water.

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Reviews

runamokprods Stunningly beautiful and powerful images highlight this examination of how mankind re-shapes water and how it flows – for good and ill, more often ill - and in turn how the water re-shapes civilization and human behavior. There's no real story, just a series of visits to locations around the world where water powerfully interacts with humanity, like the pilgrimage of 30 million people to bathe in the Ganges river.Without narration and a specific focus the film could be accused of being too diffuse. But for me the raw power of the images – Burtynsky is one of our greatest still photographers who has spent much of his career creating huge images of humans and nature clashing and interacting - give the piece a poetic, if not literal power and solidity. Also, if the film is not enough, there's an almost 40 minute gallery of Burtynsky's amazing still images, which look great blown up on a HD set, as he explains the photographs and how they were taken. That extra alone is reason enough to own the blu-ray. It's like the world's best photography book, with the images at least a little closer in size to Burtynsky's massive prints.
Horst in Translation ([email protected]) "Watermark" is the newest documentary by Jennifer Baichwal and you could probably take one quote from it to describe it the best way there is: It's about how water shapes us and how we shape water. Basically it shows us the different way in which water is used today in several branches. These include religion, science, economy, industry...There is really not a lot more to say. The film provides decent information, but it is by no means a must-see. Also I felt that something was missing for this to become a quality movie. It is difficult to name it concretely, maybe the lack of narration, maybe something else. Apart from the occasionally stunning photography and impressive recordings of water masses, this film is really only a must-see for people who live in the areas depicted in this documentary.
teaguetod That tens of thousands of dollars were spent, film crew and equipment dragged across the entire planet, only to produce something as insubstantial as this piece of empty eye-candy is rather amazing. Especially when one considers that it pretends to address some of the most crucial environmental issues facing the world in the near future.Hopping and skipping from one place to the next, cutting off stories and interviews right in the middle while never getting to the bottom of any single issue it raises, "Watermark" informs very little. The viewer is left still thirsty for something truly informative. Worse, it's actually boring after a while.In the end, this is simply a watered-down slideshow. Which is a tragedy, really, considering how truly serious are all the issues involved.Now if you'll excuse me, I have to re-watch Baichwal and Burtynsky's 2006 film "Manufactured Landscapes," to decide if perhaps I was wrong to give it such a high rating.
maurice yacowar Edward Burtynsky's and Jennifer Baichwal's documentary Watermark is a celebration of human stupidity. The film's explicit theme is the interdependence of man and water. It shapes us and we shape it. As an organism we're born in water and we can't survive without it. It's the essential bond not just between man and nature but between people. Burtynsky's whole career has centered on the world we found and how we are changing it. But the implicit theme is our folly. In the Vegas desert Bellagio's stages a magnificent exhibition of dancing, orchestrated fountains. With water. Brilliant that they have the imagination and technology to do that. Gob-smacking idiocy that they so wastefully do so. So too the aerial view of a private swimming pool in a backyard, that draws back to reveal a city full of separate homes with separate pools and separate marinas.Every twelve years 35,000,000 Indians make a pilgrimage to the Ganges, where they wash away their sins by washing their clothes, bathing, and filling their plastic water bottles in the -- may we surmise 'unclean' ? -- river. That they survive until the next festival measures out their imperviousness to logic and to care. We cut to the Western equivalent: a massive crowd gathered on the shore for the US Open surfboard competition. So many cultures, so many gods. To Burtynsky's credit he doesn't explicitly comment on these follies. They speak for themselves. Of course water gives us a chance to show our worth. A community of abalone-fishers link their nets and operations to help each other. They confirm their interdependence (unlike the community with as many pools as families). But the fishermen know their plenteous preserve is only for the while before it dies. As will their community. In Greenland scientists plunge down through millennia of ice to draw up analyses of historic climate readings. But having fine scientists doesn't mean we're not stupid enough to ignore them. As the filmmakers doubtless know, the Canadian government of Stephen Harper has been systematically throttling its scientists, both physical and social, reducing funds and freedom for their research, suppressing their findings, preventing any possibility of their science countering the government's ideology. For more see www.yacowar.blogspot.com.