West of Memphis

2012 "An examination of a failure of justice in Arkansas"
7.9| 2h30m| R| en| More Info
Released: 25 December 2012 Released
Producted By: WingNut Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The documentary tells the hitherto unknown story behind an extraordinary and desperate fight to bring the truth to light. Told and made by those who lived it, the filmmakers' unprecedented access to the inner workings of the defense, allows the film to show the investigation, research and appeals process in a way that has never been seen before; revealing shocking and disturbing new information about a case that still haunts the Unitedstatian South.

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Michael_Elliott West of Memphis (2012) **** (out of 4)This here is basically the fourth documentary to take a look at the West Memphis Three case, which gained worldwide attention after the PARADISE LOST trilogy. Countless celebrities including Johnny Depp, Eddie Vedder, Henry Rollins and Peter Jackson came to the three men's cause and they are also featured here.So what this fourth film basically does is give you an overview of the case as well as new bits of information regarding who the killer might be. Let me start off by saying that this is a wonderfully entertaining film even though it is hard to watch at times since crime photos are shown in great detail. In fact, I will say that all four films on the subject were wonderful and certainly highly entertaining.With that said, as they bring up in this movie, the case will always be controversial with some believing the three men are guilty and others believing that they were set up by some crooked cops. Some believe that the media attention got three killers off with murder while others believe that the media forced the state of Arkansas to set the guys free. Even at the end, the controversy continues as the three men admit to be guilty but take a loophole law to say they're also innocent.I must admit that the PARADISE LOST series tried to place blame on one of the stepfather's but that person is shown as a great guy here. A new suspect is brought into play with evidence linking him to the crime but due to this loophole he will never be brought to trial. All four movies have demanded that the three men be released from prison and they have been. My question is now: what about the person who committed the crimes? What about the parents to the three murdered children? Is anything being done for them?
TheGatsby 'West of Memphis', the latest documentary from Amy Berg, focuses on the story of 'the West Memphis Three' – Damien Echols, Jason Baldwin and Jesse Miskelly, three teenagers who were wrongly imprisoned in Memphis, Arkansas, in 1993, for being accused of brutally murdering three 8 eight year-old boys from the area. This documentary chronicles how they spent nearly two decades in jail before being released and also details the meticulous investigation that was carried out from the moment they were placed behind bars.The great miscarriage of justice is the primary focus here, as Baldwin, Miskelly and Echols suffer (the latter's health began to deteriorate) in prison for a crime they were blamed for because they are considered "the type of people who would do something like that", for example, Echols listened to heavy metal and was interested in the area of Satanism so the finger was instantly pointed at him. After the blame was eventually lifted from the three, it was then directed at one of the boy's fathers as he was, like Echols, considered "the type of person who would do something like that." When the documentary reaches its conclusion, it becomes apparent how ludicrous the accusations against both parties were because they were simply scapegoats and consequently very few people in the area questioned the credibility of them being the murderers. Simultaneously, we are offered a balanced look at the topic, frequently seeing opinions from both sides of the argument.The injustice that prevailed here was already explored in HBO's 'Paradise Lost' trilogy, but many have argued that this film presents a more compelling and thorough account of the 18 year saga. Produced by Peter Jackson (who appears throughout the documentary as one of the many famous guest stars) and Fran Walsh, the film expertly combines specially-recorded interviews, news and archive footage and forensic examinations. This combination results in a documentary that is by turns shocking, tragic, infuriating and always gripping.
Sindre Kaspersen American screenwriter, producer and documentary filmmaker Amy J. Berg's second documentary feature which she co-wrote with screenwriter and film editor Billy McMillin and co-produced, premiered in the Documentary Premieres section at the 28th Sundance Film Festival in 2012, was screened in the Mavericks section at the 37st Toronto International Film Festival in 2012, was shot on location in USA and is an American production which was produced by producers Peter Jackson, Fran Walsh, Damien Echols and Lorri Davis. It tells the story about American 16-year-old Charles Jason Baldwin, American 17-year-old Jessie Lloyd Misskelley Jr and American 18-year-old Michael Wayne Echols who in June, 1993 in the city of West Memphis in the state of Arkansas in Crittenden county, USA was arrested for the triple homicide of three 8-year-old boys named Michael Moore, Steve Branch and Christopher Byers whose bodies were found by a former Juvenile officer named Steve Jones and a policeman named Mike Allen in a pond in the Robin Hood Hills.Distinctly and subtly directed by American filmmaker Amy J. Berg, this fourth documentary about the now well-known West Memphis Three which was preceded by American filmmakers Joe Berlinger and Bruce Sinofsky's "Paradise Lost: The Child Murders at Robin Hood Hills" (1996), "Paradise Lost 2: Revelations" (2000) and "Paradise Lost 3: Purgatory" (2011), is narrated from multiple viewpoints, draws a more multidimensional portrayal of the place where two young men were sentenced to life imprisonment and one to death by the Arkansas Supreme Court in the year of 1994, focuses mostly on the story of Damien Echols and reexamines the case which has engaged filmmakers, actors, musicians, journalists, defense attorneys, activists and people from all over the world in a common action to get the three men who become preys of a satirical judicial system exonerated. While notable for its distinct and atmospheric milieu depictions and the sterling cinematography by French cinematographer Maryse Alberti and Irish cinematographer Ronan Killeen, this narrative-driven retelling of a criminal case which began two decades from today, which as the former documentaries proves how horrible things can turn out when people in power decides to play almighty and self-righteously impose their judgment on people they regard as inferior and which deprived the freedom of three American citizens and isolated them from the civilized society for eighteen years, introduces new interviews, theories and stories and contains a timely score by Australian musicians and composers Nick Cave and Warren Ellis.This investigative, educational and scrutinizing study of a 20th and 21st century tragedy which is set mostly in the American South and which through a wide range of conversations with people who has, still is and will always be connected to the case describes the significance of the media and politics in this matter and points pretty clearly as to who the real perpetrator might be, is impelled and reinforced by its fragmented narrative structure, subtle continuity and nuanced style of filmmaking. A lyrical, philosophical, humane and informative documentary feature which brings forth unheard voices, acknowledges the many people who stood by the three convicted boys who became the earliest and most accessible targets of hatred and condemnation until their arduous and disregarded call for justice prevailed and underlines how a pivotal union between a once aspiring magician and a woman who dedicated her life to a man on death row was born in the midst of this real life horror story which began on a day in May, 1993 when three boys went missing.
tomgillespie2002 The 'West Memphis 3' were first brought to my attention back in 2007/2008 when I viewed the astonishingly eye-opening documentary Paradise Lost: The Child Murders at Robin Hood Hills (1996), which I watched back-to-back with its sequel Revelations: Paradise Lost 2 (2000). The case was so fascinating due to its unbelievable revelations of the flaws in the American justice system that I was more than happy to spend over 5 enthralling hours of my night watching it unravel. Those films brought mass attention to the case, due to the fact that the three accused - Damien Wayne Echols, Jason Baldwin and Jessie Misskelley - were so blatantly innocent of this terrible crime. I assumed justice would prevail, and it soon left my mind. So it was shocking to learn upon the release of the third instalment of the trilogy, Paradise Lost 3: Purgatory (2011), and this, West of Memphis, that these three were still in prison, 19 years after the murders, with everything from mere bureaucracy and political motivations standing in their, and thousands of others, way.For those unacquainted with the case, back in 1993, the mutilated bodies of three young boys - Christopher Byers, Steven Branch and Michael Moore - were found in a stream in the Robin Hood Hills, West Memphis. With no evidence, prosecutors quickly deemed the murders a result of Satanic ritual, due to (apparently) sexual mutiliation, and sought out any locals known to practise such an art. They were given the names of three youngsters, Echols, Baldwin and Miskelley, who were known to listen to heavy metal music and act much like your typical isolated, 'gothic' teenagers. Through manipulation of the jury, and a trial by media, the three were quickly convicted (again, with no evidence against them, apart from a heavily dubious 'confession' by the borderline mentally retarded Misskelley). They were given life, with Echols possibly facing the death sentence. Interest in the case quickly gathered, due to many aspects not making any sense, and gathered support of musicians such as Metallica, Henry Rollins, Patti Smith, and Eddie Vedder of Pearl Jam. West of Memphis focuses on the fight to free the West Memphis 3, with new evidence gathered and possibly a revelation as to who the killer may actually be.West of Memphis doesn't spend much time treading the same ground as the Paradise Lost trilogy, and quickly covers the original trial. It consists mainly of original footage, such as the lawyers and investigators funded by supporters of the West Memphis 3 and various celebrities such as the film's producers Peter Jackson and Fran Walsh trying to find fresh evidence in favour of the 3, and footage of the various concerts designed to raise awareness and make money. But where West of Memphis truly invigorates is the alarming case built against Terry Hobbs, stepfather of Steven Branch, who was all but ignored by police in the original investigation. Paradise Lost 2 brought up the possibility of another stepfather, John Mark Byers, being the culprit, but often felt like he was a suspect due to him simply being quite strange, which seems hypocritical considering the West Memphis 3 were convicted for the same reason. But there is strong evidence against Hobbs, such as a violent past, the lack of an alibi during the time of the deaths, and his hair being found within the knot of the shoelaces to which the three boys were hog-tied with.Above all, West of Memphis is a staunch reminder of the darkness of this case. This was a horrific crime, almost beyond belief (and the sights of the three corpses really hammers this home), and an equally disturbing path of 'justice' that followed. This is a deep, dark stain on the American justice system, where political aspirations, ignorance and outright lying stand in the way of true justice. They do walk free in the end, but not without leaving a bitter taste in the mouth. They had 19 years of their life stolen from them, yet to be free they must plead guilty to a crime everyone knows they did commit. In the eyes of the law, the West Memphis 3 are child murderers, while the real murderer walks free with a clean name. The Paradise Lost films and West of Memphis, if anything, are a testament to the power of film, along with Errol Morris' The Thin Blue Line (1988), which exposed police ineptitude and helped set an innocent man free, but above all else, they are a terrifying and utterly depressing indictment of a country that needs to take a good look at itself.www.the-wrath-of-blog.blogspot.com