ginmillcowboy Leyser is clearly a Burroughs acolyte, and he taps into the man's sensibility: The abstract stop-motion animation by Aimee Goguen and Dillon Markey creates aptly crazy interludes between interviews and archival bits, which include avantgarde movies Burroughs made when was a relative youth (even if he never quite looked like one). There is a wealth of anecdotal material. Like his subject, Leyser strives to disengage from the conventional, while still being lucid. He succeeds admirably.

tomgillespie2002 It's quite a brave idea to condense an incredible life into a 90 minute documentary. Yony Leyser has produced an interesting and sometimes enlightening experience even for myself, who has read much of Burroughs's work, and many books about him. For those of you who don't know, William Seward Burroughs was born in 1914 within a very prosperous family (The Burroughs Adding Machine Co.), but a perpetual rebel. Primarily a writer - most notably for The Naked Lunch, which was published in 1959 and immediately courted controversy due to it's explicit nature - Burroughs explored painting, film, amongst others, but always with the intention of experimentation and subversion. His writing technique, The Cut-ups (where pages of text can be cut up and rearranged to conjure word and sentence juxtaposition), was of course revolutionary, and the style was adopted from, particularly, musicians such as David Bowie and The Dead Kennedy's.Burroughs's life was lived very different from the rest of the world. A junkie, homosexual who fit in no group throughout the 1940's, 1950's and '60's, he used his alienation to create the persona that would later be called "Il Hombre Invisible" (amongst many other "nick-names"). He was a mentor to the Beat generation of writers, Allen Ginsberg and Jack Kerouac, who were also witness to a tragedy in 1951 at a party, when then wife Joan and Burroughs executed the William Tell trick, where an apple was placed on her head. Unfortunately he missed the apple and shot her in the head, killing her.Each "chapter" of the film are introduced with some nifty animations using coat-hanger wire, and the structure builds to Burroughs's rise in the New York scene of the 1970's. He was a celebrity within the world of punk rock, art and literature, and seemed for the first time to fit into the popular culture; his debased and transgressive imagery very fitting within this context. He would later collaborate with the (mostly) Seattle rock scene in the early '90's, even collaborating with Kurt Cobain with a sound scape to Burroughs' distinctive voice and words.Whilst the film cannot completely penetrate the full life, philosophy and art of this visually unusual man, it does produce an idea of him. The inclusion of new interviews with friends and colleagues does bring to the film a more emotional edge to the man. The past portrayals do focus on his "cool" in his later life; his celebrity. However, this does show the old man in a light I've never seen committed to film. We see him as an almost vulnerable man, lonely, and lost of love - his utter love for Ginsberg seems to have haunted his life. Essential viewing for any Burroughs fan, and an incredibly decent introduction of the man's genius to any Burroughs virgin. For those of you who have not reveled in his transgressive imagery, his paranoid fascination with control, and the governmental forces behind these, you need to get some of his brilliant, surreal, and disturbing writing.www.the-wrath-of-blog.blogspot.com

gavin6942 William S. Burroughs: featuring never before seen footage as well as exclusive interviews with his closest friends and colleagues...I was never huge into Burroughs, though my respect for the man was high, and he touched so much -- the beat generation, the hippies, the punks. Countless movies and bands were influenced by him, so we all owe him a debt even if we never heard of him. When I was a teenager, I explored Brion Gysin and Throbbing Gristle and other things and I am impressed to see that everything I thought was cool was all a part of Burroughs' world.Most interesting of all was Peter Weller, who appears and also narrates. When you think Burroughs, you do not think Weller. I mean, sure, he was in "Naked Lunch", but beyond that? And here we learn about Weller, his drug experiments and more. A guy known mainly for being "RoboCop" has quite an interesting personal life, it seems.

cuthebull Most insightful look into this multi dimensional brilliant, troubled, and troubling writer, as his friends, artists, fans, ex-lovers, experienced him, took from him, and gave him. His bizarre as well as very humane sides are are depicted in very thoughtful, some moving, interviews by John Waters, Genesis o'porridge, Patti Smith, Peter Weller,Iggi Pop, Laurie Anderson, and many other artists who were fascinated by his original, pattern- breaking style. Some interviews had to do with Burroughs daring, resilient character as he dared to confront the world of the 50's as a queer, who stripped the veil of hypocrisy from society before and during the Vietnam era with a piercing writing style. While observing himself become a hopeless addict, he was able to address his addiction as a metaphor for society's maladies in some transcending way... Killing his wife, Not being able to emotionally connect with his troubled son, fearful of love, he was described by genesis as "a sad man". This is the first Documentary depicting Burroughs as the complex man he was, defying every and any category of affiliation...meticulously done, a master-piece you want to watch more than once...