Yankee Doodle Daffy

1943
Yankee Doodle Daffy
6.8| 0h7m| en| More Info
Released: 15 May 1943 Released
Producted By: Leon Schlesinger Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Daffy is an agent representing Sleepy Lagoon, trying to sell him to talent scout Porky. Daffy spends a great deal of time and energy explaining and demonstrating what the kid can do, while the kid sits on a couch licking a giant sucker.

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Leon Schlesinger Productions

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Reviews

utgard14 Despite the the title, this has nothing to do with the 1942 film biopic of George M. Cohan or the song. The plot has pushy talent agent Daffy trying to persuade producer Porky to give Daffy's client a job. The client in question is an adorable little duck with a lollipop named Sleepy Lagoon. It's not until the end of the short that we find out if Sleepy has talent or not as most of the time is spent on Daffy himself performing. This is a funny short with early Daffy, meaning more zany and silly than the later smart-mouthed foil for Bugs. Daffy's most of the show here but Sleepy is good, too, and Porky is fine as the ever-suffering straight man. The vocal talents of Mel Blanc are, as always, wonderful. The colors, animation, and music are all great. Not one of the best Daffy & Porky shorts but a good one.
TheLittleSongbird Yankee Doodle Daffy is an enjoyable cartoon. It isn't the best though, the pace is a tad too fast and the title is enough to leave you puzzled as it has little to do with the cartoon itself. But Daffy himself elevates it, he is absolutely brilliant here, uproariously funny as you'd expect. Porky is once again sidelined but he is good, and Sleepy is entertaining with a voice that is totally unexpected, though they could've perhaps made the ending longer I felt it ended rather abruptly. Other than Daffy, I immensely enjoyed the song and dance routines, especially the Carmen Miranda impression. The pictorial signs while maybe ambiguous to a newcomer to Looney Tunes were also a hoot. There are some great gags and the plot allows Daffy to have fun. All in all, I enjoyed the cartoon, in spite of the head-scratching title. 8/10 Bethany Cox
phantom_tollbooth 'Yankee Doodle Daffy' is probably the greatest cartoon Friz Freleng ever directed. As a Daffy Duck fanatic, I was bound to adore this film since it is basically a seven minute showcase for Daffy's wild energy. It's a fine script but it hinges on the execution, meaning the stars of 'Yankee Doodle Daffy' are director Freleng and voice artist Mel Blanc. The premise is simple; Daffy approaches talent agent Porky Pig with a new act but rather than let the act demonstrate his talents, Daffy insists on emulating everything he promises his client will deliver. This results in a sensational series of song and dance routines in which Daffy pursues a reluctant Porky, who is trying to get away on holiday. Finally, Porky agrees to see Daffy's client, resulting in one of my favourite climactic punchlines of all time.Friz Freleng is often considered a lesser director with many viewing his cartoons as formulaic and dull. While he undoubtedly lacks the monumental talents of a Jones, an Avery or a Clampett, Freleng is too frequently underestimated. In 'Yankee Doodle Daffy' he really shows his potential, beautifully directing a frantically paced script without any missed opportunities. The short just pulsates with energy and Mel Blanc's vocal tour de force is up there with some of his finest performances. In a list largely populated by his colleagues' work, Friz Freleng's 'Yankee Doodle Daffy' more than holds its own against the competition in my very favourite Warner Bros. cartoons of all time.
bob the moo Smeller Productions shuts it's doors early when Porky Pig stops auditions for the day in order to go and get his plane for a business appointment. However, his office is stormed by Daffy Duck - Actor's Agent, who is keen to push his young act in front of Porky.I love Daffy Duck, but I greatly prefer him when he is crazy, in his early days - not only do I prefer his character but also the cartoons seemed to have more value placed upon them. Here I wasn't sure what to expect as the cartoon had a structure that I didn't think would lend itself to a crazy duck - how wrong was I! The plot actually allows Daffy to be crazy (or screwball as his young client points out) in a very funny way. The various acts he puts on are all very funny and work well because he is such a good character. The cartoon dips a little bit when it leaves the office but it is still worth seeing.Daffy is brilliant. The material may not be the strongest he has ever had but it is he who uses it really well and carries the film. Porky is only really any good when he is reacting to the work of others and, for that reason, he is good here. The little act in question is a small black duck that sits silently for the majority. He is hilarious as he pulls out pictorial signs to comment on the relative sanity of his manager - it is not his fault that he is the focus of a punchline that serves as an anticlimax after such madness!Overall this is a fantastic little short that allows Daffy to demonstrate why I always prefer him in full `crazy' mode as opposed to his later incarnations. He may be a ham, a corn and a screwball, but Daffy makes this cartoon what it is - great fun!