S.R. Dipaling This short-lived ABC offering that was pushed hugely,featured still Seinfeld fresh Alexander as motivational speaker--okay,HUGELY successful motivational speaker--Bob Patterson. Behind his outward appearance as a bright,charismatic seller of personal goals and dreams, he is underneath a wreck,reeling from divorce,unable to make a strong impression with his teenage son and facing a lack of respect among his own peers at the company he is contracted(a publishing company if I recall correctly). On paper,it probably should've worked:short,balding Alexander being exposed for all his insecurities and pathos(much like his George Costanza character on Seinfeld). But somehow--and I'm not exactly sure how it failed,though the segway music through each show,which was merely an a Capella group singing "Bob" was ANNOYING--the exposition of Bob's frailties seem to be of little surprise and the jokes,which seemed to show potential in the first couple of episodes,became flat and predictable in short order. It didn't help the show,either, that,when the six episode ratings results came in,rather than try to retool the writing,reconfigure the cast(though Robert Klein didn't hurt) or even resched the show to a more forgiving time slot,the network simply gave it the quiet ax.I'm not saying the show was ALL that worthy of more chances,but the way ABC pumped it,you would've figured the net would've at least TRIED to give it the investment it promised. The again,compared to their most recent bail on "Emily's Reason's Why Not",this probably looked like a full-season commitment by contrast.Mr. Alexander's first foray into TV regularity was,in all diplomacy,quite unmemorable. In my opinion,it wouldn't improve with "Listen Up!".

frankfob The "Seinfeld" curse strikes again, and thankfully this cursed show didn't last long. Absolutely painful, hugely unfunny mess about a successful motivational speaker whose own personal life is as chaotic as his professional life is organized. It's actually not a bad concept, but when they put this thing together, they forgot one minor detail--comedies are supposed to be FUNNY!!! The first episode of this show reminded me of that scene in "The Producers" after the "Springtime for Hitler" number ended: you see a shot of the several hundred people in the audience sitting stone-still, wide-eyed and open-mouthed, absolutely dumbfounded at the mind-numbing idiocy of what they had just seen. How Jason Alexander, the writers, the producers, the network, and anybody else who had anything to do with this show could have foisted it on an unsuspecting public is a complete mystery. Don't these people look at the episodes before they get broadcast? How could anyone who had seen this disaster waiting to happen let it go on the air? Did they actually think it was funny?Fortunately, this train wreck of a show didn't last too long before it was yanked. Thank heaven for small favors.

Ravenswing ... when the network was carpet-bombing trailers that were possibly the least funny and interesting promos in the history of cinema -- does anyone else think, for instance, that the plummeting of the credibility and popularity of Who Wants To Be A Millionaire dates from Regis Philbin hawking "Bob's book" as having made a huge difference in his life, on the Millionaire set yet, among other network celebrities pretending that Bob Patterson was a genuine motivational speaker? This show lived up to that degree of promise. I would say that Bob Patterson was a flaming heap of dreck, but that presupposes it was exciting enough to be considered "flaming." Dormant, washed-out heap of dreck is more like it. What I don't understand is this. Who were the network moguls who watched the rushes and signed off on it? Now for a big star, yeah, you take a dive on it because of the money invested and the name recognition. But this is *Jason Alexander* we're talking about. Who the hell cares whether you nark an Alexander off by telling him "The show bites, we're not even going to air it?"Rating: 2/10, and only that good because Moment By Moment still exists.

Doug Fish Jason Alexander does a good job especially when he sells bad jokes by underplaying them. The problem is I don't think they were intended as bad jokes. Klein has his moments but he's better foiling than being a foil. Contrived comes to mind but some of the best sitcoms were built on contrived plots. If this show can come up with some new contrivences it may have a chance. But so far it hasn't made me believe it will.