Boogiepop Phantom

2000
Boogiepop Phantom

Seasons & Episodes

  • 1

EP1 Portraits from Memory Jan 06, 2000

This episode starts with the sudden apperance of a mysterious pillar of light. The city is thrown into a blackout, but quickly recovers. We are then taken to a bathroom, where we hear several girls talking about an angel of death, Boogipop. Moto Tonomura remembers about a time when she still hated herself. This entire episode is a flashback.

EP2 Light in the Darkness Jan 13, 2000

This episode is told from Hisashi Jonouchi. He is running from someone...rather, something. He sees a strange bug in the alley way and eats it. He flashesback to when he first started seeing the bugs. They were spiders, over people's hearts. Only he could see them. Once he removed the spider, that person forgot about what made them sorrowful. However, Jonouchi grew an addiction for the spiders and started to crave for more and more. The episode ends with Jonouchi having an encounter with Boogiepop Phantom, where he is 'taken'.

EP3 Life Can Be So Nice Jan 20, 2000

This episode revolves around Misuzu. She had a friend a while ago, named Panaru. Panaru had a great loving for the world, but was killed by a serial killer. Misuzu then decided to take up Panaru's love, only it was not a true love that Misuzu had. By accepting everything, she opened herself to another entity, who manipulated her into luring Naghi Kirima to a location. However, Boogiepop Phantom prevented the meeting. Misuzu found herself in an allyway, where she met her doom.

EP4 My Fair Lady Jan 27, 2000

This episode is from Yoji Suganuma's point of view. He's mainly a loser a school, and only has his online buddies as friends. He is also a dating sim game addict, and has fallen in love with a girl named Rie (Ree-ae) who is actually just bits of data on his computer. He becomes addicted to 'Type-S' a so-called attraction device. A girl who applied to work at the resturant with him starts to look more and more like Rie, until the line of reality is forever blurred to Yoji.

EP5 Interlude Feb 03, 2000

This episode is quite a confusing one. It jumps from POV to POV, and the time is frequently changing. It mainly takes place in a police station, and is all about a conversation between Morita and another cop. Every time we return to the conversation, a little bit more is revealed, until at the end, we start all over again.

EP6 Mother's Day Feb 10, 2000

This episode revolves around Shizue, who died about 5 years ago. A girl named Rika shares the diaries of Shizue and herself with Shizue's mother. The diaries reveal much more about Shizue than her mother could have ever thought.

EP7 Until Ure In My Arms Again Feb 17, 2000

This episode revolves around a brother and a sister, who usually stick together, yet the brother is slowly rejecting the sister. The brother recently (after the pillar of light) developed a want to unassemble everything and remove the useless parts. When he thinks that Paisely Park is useless, he attempts to take it apart, yet relizes that he doesn't have any powers. His sister has the power to grant his wishes.

EP8 She's So Unusual Feb 24, 2000

This episode mainly revolves around Nagi Kirima, yet is told from the POV of Ichiro Kishida. He knew Nagi in the past, but he adopted a new alias and reentered her life as Ichiro Kishida. They go on a mission to stop the Manticore, a flesh eating shape shifter. They run into Boogiepop Phantom, who destroys the Manticore. However, the Manticore isn't gone forever...

EP9 You'll Never Be Young Twice Mar 02, 2000

This episode revolves around three people, the first of which is Saki, a pianist. She is determined to make it into a music university, but she just can't make it. Then, Poom Poom gives her a balloon. After she let go of it, she killed herself. Quite a few people are now getting strange phone calls urgeing them to 'Come play with us.' Yoshiki, the one making the calls, gets taken in by Boogiepop Phantom and dissapears.

EP10 Poom Poom Mar 09, 2000

This episode revolves around Poom Poom, Manaka, and Paisely Park. More and more people are getting red balloons, making Nagi go to the park to see what's causing it. There are children versions there of everyone that had recieved a balloon. However, Boogiepop (not the phantom) arrives on the scene and causes Manaka to fall from the Ferris Wheel. All the lights in the park go out, and Manaka appears to have aged quite a bit. Apparantly, her powers made her age, and now that she used them like crazy, she aged greatly. All the phantom children dissapear, along with Poom Poom, leaving Manaka with Boogiepop.

EP11 Under The Gravity's Rainbow Mar 16, 2000

This episode revolves around Manaka. It explains about her past, her mother, her grandmother, and her ability. After the flashbacks are done, Manaka starts to run from Boogiepop when Boogiepop Phantom interveins and tries to kill her. Boogipop frees her, stating that she hasn't enough power to cause a threat to this world, and Manaka runs off to the house of mirrors. Boogiepop finally meets Boogiepop Phantom. Manaka tells herself that she will not die; rather, she will become light. And so she does. A great light composed of the golden butterfiles engulfs the land, causing time to skip. People start to see phantoms of themselves, events of the past long forgotten. Manaka makes one last visit, to her mother in the hospital. Since Manaka was born, her mother had lost her short term memory, and could not remember anything for a long time. She even forgot that she had a daughter. However, Manaka arrived as light, and restored her memory using the butterflies. For just a moment

EP12 A Requiem Mar 23, 2000

One year after the 11th episode, these events occur. Toka is going to take an entrance exam when she detects trouble. Indeed, as the manticore is still alive; it possessed the writer when the manticore was originally destroyed by Boogiepop Phantom. Boogipop comes and destroys both the manticore and the writer, who had actually died a long time ago. Boogiepop then says, ""I feel sorry for Toka Miashta. She was supposed to be taking an entrance exam now."" Thus the series comes to the end, with us only just knowing who Boogiepop really was.
7.3| 0h30m| TV-14| en| More Info
Released: 06 January 2000 Ended
Producted By: Madhouse
Country: Japan
Budget: 0
Revenue: 0
Official Website: https://web.archive.org/web/20070608193553/http://www.vap.co.jp:80/boogie/
Synopsis

Five years ago, a string of grisly murders shook the city to its core and now the rumors have begun once more. Boogiepop... Everyone knows about Boogiepop: meet her one dark night and you are taken. People tell each other the stories and laugh: no one believes that she can possibly exist in this day and age. Still, strange things appear to be going on and the darkness is taking on many forms. Something is out there.

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Reviews

sophiavladimirovna Why is it that anime always sounds so much worse than it really is? You may think you've seen it a hundred times before: a group of teenagers being stalked by a murderous supernatural entity. But believe me, you haven't.'Boogiepop Phantom' tells the story of the most ordinary group of high-school students whose lives are all changed by a series of grisly murders (the suspect is Boogiepop, a modern Angel of Death) and a mysterious light appearing in the sky. That is all I can say without giving away too much. The plot twists and turns fiendishly, constantly challenging the viewer's brain. Perhaps that is the series' downfall: it is at times very confusing, and the non-linear narrative takes some getting used to. I have heard of a live-action prequel, but I am not the only one who cannot even dream of finding something like that in their country. However, those who do not mind giving what they're seeing some thought won't have too much trouble.However, where 'Boogiepop Phantom' truly excels is in its handling of its predominant themes, the first being death. Virtually all the main characters have in some way been touched by it, and Boogiepop herself is a personification of it. Yet she is far from evil: at one point, a seemingly happy girl muses something along the lines of, "I hear it comes for special children. I wish it would come for me too." This may sound a touch overly pessimistic, but such is these children's desire to be 'special'; as well as to simply escape reality.Which brings me onto the second theme: that of growing up in an entirely adult-orientated world. The way this series depicts the pains and joys of adolescence is simply a wonder to behold. All the issues modern teenagers have to contend with (from sex and drugs to schoolwork, from friendship and love to continuous pressure to excel) are shown as vivid, sometimes heartbreaking metaphors: a girl who can grant wishes becomes enslaved to her brother's destructive impulses; a girl who fails a piano exam is magically given innocence and happiness, only to commit suicide on seeing her piano. The world of 'Boogiepop Phantom' is a dark and cruel world: a world where the only true escape may be death.But in the midst of it all, love and innocence still survive. Such gems as the previously mentioned boy carving a charm for his sister, nearly moved me to tears. Or, in one of the final episodes, three of the characters who played a key role in the unfolding of the events settle down to write their final exams. Without any bells and whistles, this bittersweet episode strikes just the right chord: we all have to grow up, but how much of our childish hearts we retain is up to us.Add to that some philosophical questions such as 'What is consciousness?', 'What is reality?', and 'Why are we alive?', and you get a truly magnificent narrative.Lastly, there is the style. Some reviewers have criticised the dark palette, but in my opinion it suits the dark, creepy atmosphere perfectly. Please note, however, that 'Boogiepop Phantom' is not horror per se. There are several bursts of truly shocking violence, but these only serve to emphasise the internal anguish of the characters. In conclusion, I recommend this series to anyone with an open mind and a willingness to think. The series is more geared towards adults, but who knows, perhaps teenagers would understand it even better. This is, after all, a far better reflection of their lives than High School Musical.
csi_yellowknife I must admit I giggled when I heard the name "Boogiepop Phantom" at first. It had the sound of a cheap 60s cartoon that combined Scooby Doo's ghosts and Archie's bad music. Nothing could be further from the truth.BPP is an anime, but much more than that. It is a show that is rather difficult to describe, but I'll try. "Boogiepop" is something of an urban legend, like the Boogieman, a being that takes people at the end of their life, or something like an angel of death. However, people living now claim to have seen Boogiepop. In addition, there was an unexplained column of light that appeared, people missing, a serial murderer that suddenly stopped years ago, and an abandoned Amusement Park that is suddenly coming to life. That just scratches the surface.What is impressive about BPP is the way the story is told. The 4th episode happens before the first three. We are introduced to major characters in the first episode who do not appear again for a few episodes. Things happen on screen out of time with the rest of what's going on. Overall, the show should be one that fans of X-Files, The 6th Sense, or the Twilight Zone should enjoy. That's a challenging show that will make you use your rewind button more than once.
marxisdead If you liked «Lain», you will LOVE «Boogiepop phantom» which is, in my view, much more interesting. Every episode has its own story, and can be watch by itself. As the story progresses though, it all fits together to form a larger plot. One last thing; the music is excellent and very well used to create intensity.
Brian Camp "Boogiepop Phantom" (2000) is a 12-part TV series that takes Japanese animation into some of the new psychological dimensions pioneered by "Serial Experiments Lain" back in 1998. Like "Lain," it focuses on a cast of troubled Japanese high school kids, but steers clear of the earlier series' cyberspace trappings, drawing instead on the more subtle horror stylings found in such live-action Japanese successes of recent years as RING and UZUMAKI. Most of the teens highlighted in "Boogiepop" are visited by imaginary characters or "see" things or people that their classmates can't. The elusive female title figure, a self-proclaimed "Angel of Death," appears on occasion to try to intervene on behalf of the tormented kids. One seemingly normal girl, Nagi Kirima, emerges as the series' sole heroine. Not untouched by trauma herself, she is aware of all the weird goings-on and actively tries to investigate and do something about them. Based on a popular series of novels by Kadono Kouhei (as yet unavailable in English), the series plays interesting tricks with time, jumping back and forth between past and present incidents in the teens' lives, often presenting certain events from different characters' viewpoints. Five years earlier, strange phenomena occurred in the small Japanese city where the series is set, set off by an inexplicable beam of light that burst forth at night from the city up to the sky. A series of unsolved killings took place around the same time. All of the characters in the cast were irrevocably affected by that time and experience frequent flashbacks to those events. Eventually, in the course of the 12 episodes, it becomes clear, at least to this reviewer, that the series is really about the psychic pain of growing up in the Japanese social system. Children are not adequately protected by the adults in their lives and their childhood dreams are inevitably shattered quite early. One fanciful imaginary character, Poom Poom, who seems to have emerged from the psyches of two separate wounded souls, acts as a Pied Piper to all the troubled kids, inviting them to an abandoned amusement park that comes to spectacular life at his command. One riveting scene, arguably the key to the whole series, involves a confrontation at the park between Poom Poom and the indignant Boogiepop herself. The stories behind Poom Poom's creation are particularly heart-wrenching and reflect the kind of everyday trauma that creative, sensitive kids experience quite frequently, not just in Japan, but in almost any large, faceless bureaucratic school system. The live-action film BATTLE ROYALE, a major Japanese hit of 2000, offered a similar message of indictment of Japanese society and its treatment of children, but the longer form "Boogiepop" takes a less visceral, more multifaceted approach, relating the kids' stories one by one and detailing exactly what went wrong and at what point."Boogiepop" has been accomplished via the digital animation process that dominates Japanese animation today. While the digital process is often simply a lazy substitute for the greater complexity of hand-drawn artwork, it is used quite creatively here and is well-suited to the particular psychological mood created by the shifting points-of-view and subjective storytelling. This is a far cry from traditional Japanese animation and its stylistic advances should be judged on their own merits. "Boogiepop Phantom" stands out as an extremely demanding and challenging piece but one that will strike the more serious fan as an anime work of art, employing technical skill, visual imagination and keen insight to illuminate the hidden layers of the human condition.

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