G.B.H.

1991
G.B.H.

Seasons & Episodes

  • 1
  • 0

EP1 It Couldn't Happen Here Jun 06, 1991

Firebrand Labour leader Michael Murray is swept into office on a tide of rhetoric. His first act is to "reform education", but it looks suspiciously like a personal vendetta against Mr. Weller, the headmaster who had once sent him, as a boy, to a special school for disturbed children. When Murray is summoned by the renowned political theorist, Mervyn Sloan, he is told that great things are expected of him. But Sloan also firmly insists that a general strike be called in Murray's city to challenge the Conservative Government. When one of Murray's council members, who has a weakness for the bottle, fails to ensure pickets are sent to one particular school, a disastrous conflict ensues between Murray and Jim Nelson, who is unfortunately headmaster of a school for special needs children.

EP2 Only Here on a Message Jun 13, 1991

Michael Murray is beginning to realise that his new-found political "friends" are not being entirely above-board with him. Jim Nelson, meanwhile, gains some respite from Murray's persecution when he becomes a local hero in a tragic accident. Though his attempt to save his pupil, Robbie Burns, is not successful, his efforts earn him the undying loyalty of Robbie's father, Norman, and his formidable brothers. After a time, however, Murray resumes the pressure and Jim begins to come unravelled, manifesting as a new phobia for bridges. His doctor refers him to a psychiatrist, Dr. Goldup. At the hotel where Murray is carrying out most of his plotting, his eye is caught by a new arrival, a beautiful and poised woman called Barbara Douglas.

EP3 Send a Message to Michael (105 min) Jun 20, 1991

Sloane and Barnes announce matter-of-factly that explosive racial violence shall be provoked in the city. When Murray denounces them and begins to storm out of the room, Barnes asks if the name Eileen Critchley means anything to him. Murray freezes on the spot and starts twitching. Jim Nelson decides he needs a holiday at term break, to get away from the pressure of Murray's pickets, and plans an itinerary that avoids crossing any bridges. Murray is falling under the spell of Barbara Douglas, who keeps him at arm's length. Meanwhile, she visits Michael's mother, pretending to be a social worker, and leaves a note for Michael--signed "Eileen Critchley". Franky has finally had enough. He abandons Michael and drives off with the council car, in order to take his wife and children, as well as his mother, on an impromptu holiday to the seaside.

EP4 Message Sent Jun 27, 1991

Michael Murray has reached panic level, and sends the researcher, Philip, on a mission to find three people: his missing brother Franky (along with the council car), his mother, and Eileen Critchley. Frank Twist catches up with Jim Nelson to tell him that an important local party meeting has been called. The meeting is to be packed with "new members" consisting of the trouble-makers under Peter's direction. Barbara's attempt to obtain Mr. Weller's old school records for Michael Murray and Eileen Critchley fail, and Weller deposits the incriminating evidence with Jim Nelson, on the night before he leaves on holiday. Lou Barnes tells Barbara that they now have Murray at breaking point, but because they do not yet have Weller's documents, Murray must be "relaxed" a bit, and Barbara will have to do the job. It looks like it's Michael's lucky night.

EP5 Message Received Jul 04, 1991

The Nelsons finally arrive in North Wales, thinking they have escaped their tormentors. Trouble is pursuing them, however, and mein Host at the holiday camp isn't without his problematic side, either.

EP6 Message Understood Jul 11, 1991

It starts to dawn on Michael and Jim that they are pawns in a much bigger game. Barbara questions who her real allies are.

EP7 Over and Out Jul 18, 1991

Friday is the day designated for the showdown. Michael has had the local Labour Party meeting called to have Jim Nelson removed from membership; Lou Barnes has decreed this same day for Michael Murray's destruction.
8.6| 0h30m| en| More Info
Released: 06 June 1991 Ended
Producted By: Channel 4 Television
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.

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Reviews

fortean2 This is Alan Bleasdale at his very best - 'GBH' ranks up there with other outstanding drama series such as 'The Singing Detective' and 'Edge of Darkness'. While GBH is a drama it's not all deadly serious - as with real life, 'lighter' situations develop naturally from circumstances that are anything but, yet the situations are so natural, the script so flawless and the performances and the direction so perfect that everything flows together beautifully.GBH is a very analytical and well observed view of politics, power, and how it affects the people involved.It's first class - I wish that more TV drama was as good as this!
pgilchrist1 This is British drama at it's ultimate. There has been little to touch it since it's release. Bleasedale's script is full of twists and turns taking you from outright hatred and revulsion of the main characters through pity, sympathy and finally on to adoration.The story is truly mesmerising, on the face of it a plain story of extreme left-wing politics in local government. So very typical of the late 70's and early 80's Britain and led to the phrase "Loony Left".As the story progresses we learn that not all is quite what it seems. Michael Murray (Robert Linsay) is shown to be just as much of a pawn of the system, as the wretched Jim Nelson (Michael Palin) who he tries to take down in the first few episodes.The acting is powerful, and way beyond what is expected of a TV drama. Look out for many of Bleasedale's favourite actors throughout the story.Sadly this was one of the last real dramas produced and funded by UK Channel 4 before they were forced by the UK government to produce more 'popular' programming. A move that eventually forced C4 from becoming the major source of funding for British film, into nothing more than a proud sponsor.
Lupercali GBH is a remarkable miniseries: superbly written, directed and acted. The characterisations are especially outstanding, with some of the most genuinely nasty bad guys I've ever seen; though many of the main characters are multi-faceted, and evolve before your eyes as the series unfolds.In part it's a story about how The Left can be manipulated by the Far Right; in other ways it is a character study, particularly of Palin's character - even if occasionally the comedy sits just a little uneasily with the drama. Given the series' intensity though, it's faintly amazing that they were able to get with some scenes at all.I do have a few criticisms of GBH. At times it can be painfully slow, with some scenes which are stretched out for minutes, to no real purpose. Also, the eccentric, obnoxious hotel owner is obviously inspired by Basil Fawlty, and his antics get just a little distracting.I would give GBH about 8.5, but to quote a record review I remember reading (actually it was of an Elvis Costello album, and Costello provides background music to the series), "by the standards of mortal craftsmanship, this is a wondrous thing indeed."
Dotman GBH is an excellent view of the would-be overlords of local government in the UK, using everybody (whether within or without the overlord's grand plan) to achieve the goal of power.The situation is viewed through the eyes of the elected local government official who is played like a puppet by the would-be power-mongers of the day (pseudo-socialists trying to hijack every situation to make the tory government of the day look ridiculous) regardless of the casualties caused by their actions.The elected official starts out as a hard character, whose weak spots are exposed by the puppeteers through a relentless barrage of political and psychological attacks, gradually exposing the child within the hard exterior - and ultimately concluding with the deposition of said character - who departs with most of (if not all) of the audience's sympathy.This is a riot of a screenplay, placing first our hatred, and then our sympathy with main character - often with bizarre & humorous consequences.