Get Lost!

1981
Get Lost!

Seasons & Episodes

  • 1

EP1 Worried about Jim Jun 12, 1981

The first of four Alan Plater plays concerns two teachers, Judy Threadgold and Neville Keaton, and their hopes for a peaceful half-term break. But they become involved with missing persons, crocodiles, strange policeman, yellow beetles, anonymous threats, and with each other. And they don't even like each other.

EP2 The Vicar Did It Jun 19, 1981

Teachers Judy Threadgold and Neville Keaton encounter a vicarage without a vicar, a sinister motor car, and the strange organization known as Disappearances Anonymous. Is it really connected with DH Lawrence lectures? And was Neville's mother right when she said: 'Bruises and blood... that's natures way of curing things...'

EP3 Kiss Me Quick Jun 26, 1981

Judy and Neville continue their search for a missing Jim in downtown Filey, Bridlington's lower west side, and the Sleepy Lagoon Holiday Village. They solve the riddle of the yellow Beetle... enjoy some fish and chips... and survive intimidation.

EP4 Not A Proper Ending Jul 03, 1981

In this final episode Sergeant Tomlin pursues his quest for flashers, safe blowers and vagabonds, Judy has a pile of essays to mark and Neville wonders if there really is a Mr X.
7.9| 0h30m| en| More Info
Released: 12 June 1981 Ended
Producted By:
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Leeds schoolteacher Judy Threadgold investigates the disappearance of her husband with the aid of her colleague, woodwork teacher Neville Keaton.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Trailers & Images

Reviews

Andy B This show helped set us on the road to the excellent Beiderbecke Trilogy, and there are signs of the brilliance to come! Get Lost! is rich in quirky dialogue, and hilarious moments - a car chase whilst keeping to the speed limit is one that is simply unforgettable. The mystery throughout is "Where's Jim?" - husband of teacher Judy Threadgold. He's disappeared. But there's no intense drama. The story is beautifully low-key and intelligent. This show was intended to have a sequel after its successful broadcast in the summer of 1981, but the fact that Alun Armstrong, one of the two lead actors, was unavailable, led to a reworking of the idea and the creation of Jill Swinburne and Trevor Chaplin, schoolteachers like Judy and Neville of Get Lost, for the 1985-1988 Beiderbecke Trilogy. Like Judy Threadgold, Jill, played by Barbara Flynn, was a keen environmentalist, but she was a somewhat better humoured, less astringent character. James Bolam, of course, brought his own acting style to the character of Trevor Chaplin. Get Lost! is not Beiderbecke, nor are the events of Get Lost! pertinent to the trilogy, but it's a fascinating precursor and well worth viewing.
Phil Aypee Hi,This was Alan Plater's first screenplay about the Leeds schoolteachers who quickly became Jill Swinburne (Barbara Flynn) and Trevor Chaplin (James Bolam) in the Beiderbecke trilogy (The Beiderbecke Affair, The Beiderbecke Tapes and The Beiderbecke Connection). You can easily tell from references in the Beiderbecke trilogy to things that happened in Get Lost!.Though it is entirely reasonable to mark this lower than the Beiderbecke trilogy (singly or as a trilogy) it is still very good. Quirky and dry, it is both a love story and a mystery - as are many of Alan Plater's own plays (and screenplays).One thing that comes through clearly in this, the Beiderbecke trilogy, Misterioso, Last of the Blonde Bombshells and several other Plater works (including some for radio) is his love of jazz. He also loves history - but that isn't evident here.The thing that most of these have in common is a lack of violence (not quite total here, though there is no visual violence - there is gunfire in Oliver's Travels but nobody gets hit). He has written for many other series (Z-Cars, Dalziel & Pascoe, etc.) but his own works are often lighter and much less violent.But here his love of music, particularly jazz, is clear, his principal characters real, his situations eccentric - and ciné verité could have been invented for him. His principals are played by Bridget Turner and Alun Armstrong here - and very well too.His radioplays are excellent too. As with the TV shows he uses the medium beautifully - in fact some of his radioplays could only be adapted to video with radical rewriting.Take care, Phil."Time wounds all heels."