rdanielgodoy I see a lot of criticism on their reviews, it seems people got their feelings hurt or offended bye the perspective that was given predominantly by the two founding members besides establishing the band, they also wrote most of the music... if you liked the album Hotel California it's because they created the theme and the story that the songs would tell-that's in the documentary in case you missed all this). Felder was not kicked out of the band because he had opposing political views, he had a growing dissension that culminated that night in 1980 at a benefit concert. Oh, and also in the documentary, they all stated that after the hotel California album Danny we're pretty much on the way to breaking up and they were burned out and worn out. I thought it was very honest and very revealing since none of them claimed to be the Risen examples of perfection. Put it in perspective kids. They were young, mostly single horny and partying Young Musicians making more money than they ever thought they would make in their lives. All the criticisms seem very personal, as if sensibilities and feelings got bruised. Let's not forget that from 1971 through 1977 they created and released music and songs that have become part of many many peoples soundtrack of their lives. If you are surprised that they are not perfect and they are flawed human beings who happen to have incredible Talent, that you missed the entire point of the documentary. Period.

gregwetherall One might think that should there ever be a Mount Rushmore of country rock, they may well etch the faces of the Eagles into the cliff side. However, they might need some time, for there have been quite a few comings and goings and line-up changes in camp Eagles over the years. This documentary ventures into the first chapter of the band's existence and provides evidence of the rifts, drifts, differences and fallouts that have occurred. It is probably fair to say that the Eagles are one of the most notoriously disharmonious of bands, who inexplicably and ironically orchestrate some of the most harmonious musical harmonies of any group since CSN. It is still a struggle today to meet a band that matches up vocally.Although they may not straddle the earth with an omnipresence that marked their original inception and 1970s heyday, the reformed country rockers are still synonymous with classic radio and the rock album format.Running at 2 hours, there is a lot of ground to cover. For a casual viewer, there is a mercifully breezy skip through respective childhoods and the pace is pushed with momentum towards the inspiring and prolific late-60s underground music scene of LA that homed residencies of Poco, Buffalo Springfield, Joni Mitchell, Jackson Browne, Linda Ronstadt et al. There is acknowledgment as to the creatively incestuous backdrop of the times, of the area and of the era. The sort that enabled artists to shift, move and collaborate seemingly at will. As the late 60s moved into the early 70s and success increased for the bulk of the aforementioned artists, it is clear that all look back with giddy rose-tinted glasses of nostalgia. The creativity was clearly as intoxicating as the drugs that they were recreationally self-medicating.The Eagles were always a band that stood apart from their peers. They did so for a few reasons. One, is that they were massively successful in a way that the others could only dream of, another is that they had a steely core that made them efficiently consummate and business-like. Both of these aspects are highlighted by the documentary. The band reflect openly upon their motivations and inclinations, with a mix of new interviews and footage that dates back to the period. To see how much and how little they've changed is part of the joy of the feature. Around the mid-point, Joe Walsh arrives into the frame and is spotlighted in both the past and the present as an impassioned guitarist who is part-talent, part-court jester. His phrasing exudes a humorous hybrid of Keith Richards and Stephen Stills along with a healthy dose of his own breezy personality. For a music film, the tone is more or less consistently serious throughout, so his appearance offers some light hearted respite.On the downside, there is not as much insight into the studio processes as a fan may want, but the band members are all given a fair hearing from both time periods and talk candidly about being in the epicentre of the Eagles whirlwind.Understandably, Part One ends on a decisively sour note; their downfall and break-up. Although the pressures of topping the totemic Hotel California engulfed them all to a certain extent, it is clear that decisive fractures of the intragroup relationships had crippled the band. It is also evident that the distractions around the process was a demon that gobbled them up. Power may corrupt and absolute power may corrupt absolutely, but I am sure there is a pithy equivalent for success. Life in the fast lane had brought this group crashing into a ditch.This is a tale that has enough acrimony to give Pink Floyd a run for their money. They may have been back together since 1994, as they will happily testify, but in case you're wondering, they only speak to Don Felder through lawyers. Some things don't change and won't be taken easy.

dunsuls-1 Maybe the best "American"band in history.They started in the late 60's broke up in the 80's reunited in the 90's and are still around today.Only the Rolling Stones are around longer and they are not American. Showtime has put together a great 2 part documentary totaling 3 hours of the story of this bands history and turmoil and the music.There are now 4 members and 3 ex members.Not bad for this super group that still counts its 2 songwriters as there through it all.Glenn Frey, Don Henley.Their personnel life and relationships are not delved into,but the story doesn't shy away from drugs and booze. They may not have be as edge as other bands but their music was unique in the harmony and melodies unlike the harder edgy songs of the times.As someone said in the film,what the country also needed was someone saying"Take it Easy"which had a great lyrics and romantic overtones that everyone needed and that song provided.The solo artist and close friend of Frey contributed to the song with the lyric, "Well, I'm a standing on a corner In Winslow, Arizona "and Frey added "And such a fine sight to see It's a girl, my lord In a flatbed Ford Slowin' down to take a look at me "and thats also when I became a fan back in the day.Nostalgic ? Yes. Important,hell yes. If you like the music from the are 60's and 70's you'll flash back to as someone else said in the film,the 70's as you remember them even if thats not the way they really were.

glaterre Eagles - History of the Eagles (2013) All songwriters and musicians should see this Eagles documentary. Seem like they tell the truth however it does feel like Don Henley and Glenn Frey decided what goes in the film. They barley talk about Henley feeling that songwriter should get their monetary share if they are not in the Eagles, but does not apply to Eagles members. The whole time Don Henley sounds like William Shatner with his expressions and flowery words. Don Felder is the outcast that Glenn Frey cannot stand. Bernie Leadon just wants to play country music and like Don Felder cannot expand their talents. This is one of the best documentaries out there. (2013) 10-Stars.