Nightmares & Dreamscapes: From the Stories of Stephen King

2006
Nightmares & Dreamscapes: From the Stories of Stephen King

Seasons & Episodes

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EP1 Battleground Jul 12, 2006

A professional hitman, Renshaw, finds himself the target when he kills a toymaker and the victim’s mother sends Renshaw a present: a toy foot locker filled with toy soldiers equipped to kill.

EP2 Crouch End Jul 12, 2006

Lonnie and Doris Freeman, an American couple honeymooning in London, go to a friend's house for dinner but end up stranded in the mysterious Crouch End district. The area is strangely abandoned except for some bikers and children, and the couple soon realize they are trapped in a place where the barriers between dimensions are weak... and they may be the next to be sucked in to somewhere else.

EP3 Umney's Last Case Jul 19, 2006

In 1938, private eye Clyde Umney has it all – a successful career, adoring clients, and a beautiful secretary. But the arrival of the building owner, Sam Landry, throws his life into chaos when he arrives and tells Clyde that he’s evicting Clyde... permanently.

EP4 The End of the Whole Mess Jul 19, 2006

A young genius, Bobby Fornoy, comes up with a chemical cure for human violence. With the aid of his brother Howie, he comes up with a way to implement it worldwide. But the “cure” comes with a horrible side effect.

EP5 The Road Virus Heads North Jul 26, 2006

Writer Richard Kinnell is on a way back from a check-up where he's found out he may soon be facing death. On his way home he stops off at a garage sale and is intrigued by a painting of a vicious killer driving a car. Kinnell buys the picture, but as he heads home he realizes that the painting is...changing. The car in the picture is following his route, and getting closer with every minute...

EP6 The Fifth Quarter Jul 26, 2006

A con gets out of prison to find his former partner in crime was involved in a new scheme, one that got him shot and killed. Now Willy has to collect four quarters of a map leading to the hidden loot...but the other three men have ideas of their own.

EP7 Autopsy Room Four Aug 02, 2006

A businessman on vacation, Howard Cottrell, plays a game of golf and is bit by a snake. He is taken to the nearby hospital's autopsy room, but the staff is unaware that he is in a deathlike coma but not dead. Now Howard will have to be a silent but fully conscious witness to his own autopsy unless he can somehow manage to communciate with the doctors.

EP8 You Know They Got a Hell of a Band Aug 02, 2006

A wrong turn on a lonely road turns frightening for Clark and Mary Willingham as they stumble upon a town not on any map - Rock and Roll Heaven, Oregon. There is a free concert every night, but the price of admission is high - once the audience enters, it can never leave.
6.8| 0h30m| en| More Info
Released: 12 July 2006 Ended
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Country: United States of America
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Synopsis

An anthology series based on the works of Stephen King.

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Reviews

wigandjm Many reviewers have never read any of the Stephen King short stories made into these 45 minute pieces of torturous boredom. My problem was I had very much enjoyed "The Road Virus Heads North." Seeing it there on the screen as a tedious emotionally-hollow piece of garbage was the final straw.I tried to get through the whole set but couldn't force myself to do it. Not everything King wrote was horror but he writes compelling stories and make you want to keep turning the page. These adaptations merely make you sleepy.For the five of the eight that I could get through: 1) Battleground: This is the only reason it is a 2 instead of a 10. This one was absent any dialog and was an entertaining visual battle between hit-man Renshaw and the green army men of his last victim, toymaker Hans Morris. Intense and worth a watch. The same can't be said of the others.2)Crouch End: A nod by Stephen King to his predecessor H.P. Lovecraft becomes second rate with terrible actors and bad visual effects. The newlyweds stumble into another dimension through a thin spot and encounter nightmarish things in this other place. There is nothing suspenseful about it and it goes on far too long.3)Umney's Last Case: The fictional private eye and the writer who created him switch places after the writer loses his son. Escaping from reality, the writer regrets his choice by the end while the private eye tries to get back into the fictional world with no easy routes back. In 2006, William H. Macy (who is great in so many other things) actually got nominated for this hammy role. Its a cheesy character in many ways and feels forced. It is a fair episode at best.4)The End of the Whole Mess: Howard Fornoy describes how his genius little brother, Bobby, destroyed the world. They altered the water of the world to make everyone more peaceful and end war BUT gave everyone Alzheimer's Disease as a side effect. TEDIOUS. The whole unwatchable episode (not sure how I got through it) focuses so much on describing the genius brother that the mass Alzheimer's Disease outbreak is barely shown.5)The Road Virus Heads North: An author (played by Tom Berenger)picks up a disturbing painting at a yard sale and begins to realize that the thing in the painting is following him and intends to kill him. They added a subplot involving a colonoscopy and iffy test results... By doing this and a slight romantic subplot, they take a hard edged story about a man running from a monster from "the basement of the universe" into a tiring tale of mortality with the thing pursuing being unimportant until the end. BORING, NOT SCARY.The Bottom Line: These did not transfer well from King's short stories. They were short punchy stories that were stretched too far in most cases. I know the End of the Whole Mess and Umney's Last Case weren't meant to be scary but the other three were supposed to be and failed miserably at it. They became the worst thing in horror: boring. If a story meant to frighten comes off as repetitive and boring it clearly isn't holding your interest as a good piece of horror does.Short stories CAN become good television BUT Nightmares & Dreamscapes fails to do this.
Dr Jacques COULARDEAU A miniseries of eight short TV films adapted from Stephen King's rather recent short stories. They are all in the style of the famous Twilight Zone serial but never as dark as the old model. In fact Stephen King in these short stories was trying to use different styles from what he is most known for, horror and terror. So most of the time he did not try to terrify his audience, at most horrify them, but often gross them out, and barely more. So hardly any real violence and extreme fantastic violence. Rather soft estrangement from standard life and the ordinary world of ours. We are thus surprised, disquieted, worried, but never anguished nor frightened. This softening goes along with a theme that is quite common: death and good old time nostalgia. The mind behind these stories has put quite a few years behind his forehead and his probably pot-bellied stomach. The vision is no longer that of a young child, a teenager or a young man who discard and rejects the wisdom coming from older people and for whom older people are danger, the devil, evil, something to get rid of before it dies in their hands. Here we have the vision of an older man, or woman, looking back at the world the way it was when they were young and they compensate the fact it is gone by making it evil. That old time and its characters do not come back into the present to haunt it. Rather the older people of today are transported into that old time of their youth. So it is not Sometimes They Come Back, but Sometimes They Drift Backwards. At time the danger comes from toys, hence children, the next generation, but the danger is seen from the point of view of the older man. The short stories and these short TV films are from an older author who is following the call that comes up from his muscular fiber. He has aged but without really deepening his vision. He has shifted points of view and the present vision is that of an older man probably produced and directed for television in the line of the baby boomers who are starting to get off the labor market and have a lot of time to spend and the desire never to let themselves die into and from inactivity, idleness. So let them have the good old stories about the good old time when they feared nothing but in which they would be absolutely frightened ****less if they had to go there again. Well done but rather too mild to be considered as horror or even fantastic stuff.Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
guin36 I am addicted to these great episodes - the production values are excellent and they are done almost to perfection. Two quibbles with "The Road Virus Heads North," though. They are pretty good with signs like "Route 1 North" and exterior shots of Boston, such as the Zakim Bridge, etc. However, when Tom Berenger checks into the Windsor Hotel, supposedly in downtown Boston, you can clearly see palm trees in the background (uh, not too many of those around here.) Also, he stops for gas at a "Caltex" station - definitely NOT a New England brand (only Mobil and Exxon around here, folks.) Anyway, it's too bad they didn't quite nail the details.
LindaM72 /1/ Battleground had great production values and excellent cast in William Hurt. The first half was slow but it made up for when the doo-doo hit the fan later in the movie./2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week./3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD./4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.