desertsailor Sorry, lots of whining about how slow the pace of the series is. If you have read the source novels you should know that Alan Furst takes his time. They're all about mood, and ambiguity, shadows, and wheels within wheels. I think the series, while not great, catches, visually, a lot of Furst's writing, and ambiguity. If you are expecting Skyfall, don't bother. If you are willing to let the thing roll at it's own pace, it is well done. My review is generally positive despite BBC America's decision to do the thing in four parts in On Demand, with an endless series of exceptionally low rent commercials that break the mood considerably.

Michael Dixon Sorry, but it is the leading man who mainly disappoints. David Tennant is totally miscast and is not helped by a poor script, awash with clichés.I have been to Warsaw three times and there was more tension in the air during my visits than here with spies all over the place.It may have worked with a different lead, as Tennant sleepwalks his way through the scenes and physically has an uncanny resemblance to John Laurie when playing the crofter in the original version of the 39 Steps.When he twitches those eyebrows he also looks like a mad scientist rather than the smooth Frenchman tempting every woman from Paris to Warsaw to jump into bed with him. Add to that a non-existent personality and you are left with a problem.There is absolutely no chemistry between Tennant and Janet Montgomery who is very unenthusiastic throughout. Some decent efforts by a few of the supporting cast, but poor old Julian Glover was given a bad hand with some awful lines.And the continual movement from Paris to Warsaw and back again several times over was very confusingSadly quite ridiculous.

Mouth Box Spies of Warsaw (BBC Four) was probably meant for BBC1, but then someone at the BBC sat down and watched it.As we know, it's not currently very fashionable for BBC executives to take an interest in BBC programmes, but on this occasion it's just as well one of them looked at it before making the mistake of showing it to a larger audience.Adapted by the usually brilliant Dick Clement and Ian la Frenais from a novel by Alan Furst, the first episode was actually only about ninety minutes long. It felt, however, like it was on the air for about 12 weeks.Even in the first ten minutes one could have timed the action by calendar. Sorry, did I use the word, "action"? Slip of the pen. At one point, near the end of the episode, I found myself asking the question, "Is this still on?" It's difficult to say what happened, the plot being revealed at such a painfully leisurely pace. The gist of it appeared to be that David Tennant – a French spy in bright red pantaloons with stripes down the side – fell very slowly in love with Janet Montgomery, the mistress of a dull, whiskered Russian exile.Then we were very slowly introduced to a mysterious Countess, who very slowly turned out not to be a Countess, and was then very slowly strangled by some Nazis. Oh, there was a brasserie with a bullet-hole in the mirror above table 14. I think this might have been significant in some way. Or maybe it wasn't.There was certainly great attention to period detail, which helped to slow down the action even more. Then there was the usual confusion when it came to who should speak with which accent. The Nazis spoke in German with subtitles in English. The Polish spoke English with Polish accents. The French spoke English with 'Allo 'Allo accents. Everyone spoke very, very, slowly indeed.Tennant was wasted as the enigmatic, complex and conflicted Mercier. He doesn't really do enigmatic and complex, does he? He does quirky and eccentric. About twenty minutes in, he had a stab at being deep and conflicted, but all we really wanted was to see him whip out his sonic screwdriver and pull one of his funny faces.Did I mention that it was quite slow? I still have episode two of Spies of Warsaw on my TIVO. I think it's going to be there for a very, very long time.Read regular TV reviews at Mouthbox.co.uk

geoffcoo What a marvellous 2 parter. The acting and settings were very good indeed. The story moved very nicely, building the appropriate tensions throughout. Based on a novel by Alan Furst, of whom I had never heard, it was historically accurate(with the exception of some British beer mugs in Prague). I hope the makers will give us more of the novels in the same format.The first part was sufficient to make me buy the first of the Night Soldiers novels by Alan Furst. Having already read it, I shall now read the rest of the series, in sequence, so a way to go before I reach Spies of Warsaw.