The Grand

1997

Seasons & Episodes

  • 2
  • 1

7.5| 0h30m| NR| en| More Info
Released: 04 April 1997 Ended
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

The Grand is a British television drama series first broadcast on ITV in 1997–1998. It was written by Russell T Davies and set in a hotel in Manchester in the 1920s. There are two series: eight episodes in the first series were broadcast from 4 April 1997 to 23 May 1997 and ten in the second series from 30 January 1998 to 3 April 1998. All 18 episodes were written by Russell T Davies. The cast included Susan Hampshire, Julia St. John, Tim Healy, Michael Siberry, Stephen Moyer and Mark McGann. The two series were novelised by Catrin Collier, under the pen name Katherine Hardy.

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drarthurwells This series centers on the people involved in a high class hotel: the family who runs it, the staff who work there, and the guests. The setting is Manchester, England, in 1920 and thereafter.There are 18 episodes. I enjoyed it more as the episodes progressed, and increasingly came to appreciate it as special toward the end and to its conclusion. I recommend the viewer stick with it for at list 6 episodes, before rendering judgment on the whole series.This production is first class in all respects: storyline, acting, dress and settings, musical accompaniment, etc. The plots of each episode are quite compelling, while underlying themes that develop in twists and turns across the plots are engrossing. Some very powerful drama is therein presented. If you like psychologically valid human relationship drama this should be of interest.I rank it in the top 10 percent of movies or series I have seen (many thousands).
dan.adams The Grand,it isn't. This series is a sort of,television "monument to sleaze". There are simply no likable characters and some are so evil an average guest at the Grand would have to think twice or thrice before daring to leave their room! If you are into,suicide,murder,wicked ways and weird weird surrogacy, plus heaps of infidelity,"The Grand" will appeal. Set in post WWI Manchester,it is the tale of the decline and fall of a family of erstwhile successful hoteliers,the Bannermans. Downstairs,the Dickensian staff,with a corporate IQ of 40,are getting restless-and into trouble. Upstairs,self interest prevails. The naval gazing Bannermans pursue as many hurtful and self-destructive lines of behaviour their idle minds can conjure up. My advice,stay at the Midland!
Moviegoer19 Having just read most of the previous reviews, I can say that pretty much everything has already been said. For what it's worth I'll throw in my two cents, which is this: Watching the series on Netflix, I've gotten up to Episode 8, I believe it is. I'm into the second season and find now that I cannot continue watching. They lost me after the first episode of the second season with the change of actors in the roles of Stephen and Ruth. I don't recall ever seeing this happen before. Usually if an actor leaves, the character they're playing goes along with them. But to change actors mid-way? It's crazy, to me.At first I didn't know who the new "Stephen" was. I thought he was a new character. Likewise with Ruth. The change of these two ruined the series for me. I had grown to like it; at the very beginning I thought I wouldn't continue watching it, as, someone very adequately expressed in a previous review, the characters are almost all reprehensible. But then I got over it and continued watching, even liking it. That is, until the producers decided that we, the viewers, wouldn't notice, or care, if out of the blue, two of the main characters suddenly looked and acted different.So, it's curtains for me on The Grand. Too bad...
notmicro I rented the DVDs and started watching this series with great interest and high expectations, particularly due to the writer, and the presence of Susan Hampshire. Very rapidly I became turned off by the whole thing, and quit half-way through the second episode, I just couldn't take it any more. I found the characters somehow rather repellent, and felt that the writing was just awful, particularly the extremely heavy-handed emphasis on the leering "evil brother and his nefarious deeds"; I wondered why the producers hadn't given him a long mustache to twirl! I don't mind melodrama, but this one pushed the concept over the cliff for me.