Artimidor Federkiel There's a mystery buried somewhere: Somewhere between an embittered, hospitalized writer, suffering from a debilitating skin disease, and the overconfident detective of the pulp novel he once wrote. There's mystery surrounding a betrayed father, a suicide, a son having to cope with the contradictions in his young existence, trying to break free. There's also a dame and a body, there always is in a noir scenario. And there are all those memories, fantasies and nightmares of a tortured soul. Unable to move from his bed, our writer becomes the focal point of the story, who sees, hears and struggles with things between reality, fiction and hallucinations, slowly connecting the dots along with us: Down at the docks a foghorn blares, though it sounds like a whistling train... Make sure to bring your imagination to help him solve the puzzle! Dennis Potter's masterpiece "The Singing Detective" is as good as it gets when it comes to creating intelligent television. Not only does he manage to successfully combine film noir, musical, comedy and drama, he also injects existential depth into it that makes one feel deeply for a cynic on the way to his redemption. Suspenseful and entertaining, the multi-layered spectacle draws the viewer in, a viewer, who might feel lost from the very beginning, but will see sympathy grow, despite or maybe because being thrown around between the hospital reality, a constantly changing book plot, flashbacks and escapist adventures of the mind. Potter's wizardry lies in gradually expanding the context, allowing themes to transcend their confines, bleed into threads of seeming parallel worlds, and resonate more and more with each episode. Actors play multiple parts, scenes are repeated in variations - and we are reminded to look for more than just a plot. Thus "The Singing Detective" continues to grow on the inclined watcher with every repeated viewing, for one because of Potter's ingenious screenplay, but also thanks to Jon Amiel's flawless direction and especially Michael Gambon's towering performance. "The Singing Detective" is nothing short of a landmark, controversial for all the wrong reasons at the time of its release, but well deserving to be rediscovered as the pinnacle of Potter's outstanding career.Side note: There's are of course also mysteries buried somewhere between Dennis Potter and Philip E. Marlow (who seems to have misplaced an "e"), between a writer who suffered from psoriatic arthropathy like a certain character he created and his Chandleresque creation. There's mystery surrounding the outright denial that "The Singing Detective" is autobiographical and the dozens of biographical coincidences. Just one more layer to add to a legacy looking for a hobby detective. Feel free to sing along...

werefox08 To put it simply---the best thing to be shown on television ..EVER. Dennis Potters The Singing Detective is six hours of exquisite brilliance. It has sex, humor, drama, action, detectives, whores, spies Etc. Etc........in fact everything that constitutes a great reason for looking into a square screen. This is tripping..but..without the chemicals. Some of Potters writing...or "his observations on humanity" are startling in there depth. This is a pure form of originality by an extremely complex man. Potters mind was always "on the boil"...how else could he come up with this electrically charged wonder of the last century ?? (1986). This is like the birth of a new star ...in a galaxy far far away. This is television gold, and plutonium. This is as good as T.V. has ever been (or will ever be). This is THE SINGING DETECTIVE.

pontifikator This is one of the two best mini-series I've seen.* It has excellent casting, excellent photography, even excellent sound. And the script, by Dennis Potter, is amazing. I'd say there are three or four master's theses in that script for those who are into such things. The series stars Michael Gambon, Janet Suzman, and Patrick Malahide as the major characters, but the supporting cast is one of the best I've seen."The Singing Detective" follows some days in the life of one Philip E. Marlow, the writer of cheap detective novels. Marlow has psoriasis, a skin disease that renders him incapable of motion, keeping him in constant pain and delirium. Marlow drifts in and out of cogency, and we follow his delirious dreams and waking life. In his dreams, Marlow has cast himself as the title character in his first novel, called -- wait for it -- "The Singing Detective." Because Marlow is truly delirious, we can't always tell when what we're seeing is actually happening and what is a part of Marlow's delusion. Interspersed with his delusions from the novel are flashbacks to Marlow's childhood in a rural English village, where his father was a coalminer. While Marlow is in the hospital, he's seen by various doctors, cared for by various nurses, and is seen by a psychiatrist. All of these seens (er, scenes) take on a life of their own, with some of the actors playing several characters. The issues Marlow is dealing with include whether his psoriasis is self-induced, the suicide of his mother (used in his novel "The Singing Detective"), his feelings about sexual intercourse, and his feelings about writing trashy novels instead of literature.Potter breaks down the usual wall between plays/movies and the audience by having his characters address the audience directly. In addition, the character Marlow, played by Gambon, plays the titular singing detective, Marlow's mother plays a German spy, and the actor Malahide plays more characters than I could keep track of. In the novel, a woman commits suicide by jumping off a bridge, and her face is revealed several times, but there are three actresses portraying the dead body, including Marlow's mother.Additionally, fictional characters from his novel interact with Marlow and other purportedly real characters from Marlow's purportedly real life. And two of the fictional characters step into meta-roles, addressing the fictionality of their existence, addressing the facts that they don't even have names and are there just to stand around. They confront the "real" Marlow and attempt to kill him, resulting in a gunfight in the hospital, where the fictional Marlow as the singing detective murders the "real" Marlow, his author. Potter had some very serious problems, and they tumble out helter-skelter in this mini-series.Dennis Potter was born in the Thirties and died in 1994 from panchreatic cancer. Potter hated Rupert Murdoch and named his fatal cancer Rupert. In 1962, Potter was diagnosed with psoriatic arthropathy, which not only caused horrible, debilitating lesions on his skin (worse than was shown on Marlow), but crippling arthritis. His hands were reduced to clubs, and he continued to write by taping a pen to his hand. It may be that the drugs used to treat his disease caused the panchreatic cancer.Potter has written about his sexual abuse by a relative when Potter was a child, and he seems to have been disgusted by sex the rest of his life. Although he denies his works are autobiographical, it's very clear he draws much of his writing from personal experiences. Several scenes in "The Singing Detective" show characters dealing badly with sexual intercourse.The series was directed by Jon Amiel, and he did a marvelous job. The music for the series was chosen from Thirties and Forties classics, and I recommend listening to the series with your best sound system.Potter also wrote the mini-series "Pennies from Heaven," starring Bob Hoskins, which I also recommend. "Pennies from Heaven" is darker than "The Singing Detective." I haven't seen the film version with Steve Martin. Some of the aggravation of Potter's writing the screenplay for MGM spills over into "The Singing Detective."*The other is "Tinker,Tailor, Soldier, Spy."

Judy Lewis Anyone who thinks television is only for the brain-dead should see this drama. Written by Dennis Potter,the most exciting writer to ever work for television, it is a multi-layered story of a writer hospitalised with a disabling skin disease, who retells the story of his most famous book (which is coincidentally being read by another patient), relives incidents from his childhood, imagines contemporary events and the people around him bursting into song. It is hard to describe, but it is sharp, funny, superbly intelligent and challenging - among the best six hours ever made for television.