a_chinn Although not Robert Mitchum's best film (that would be the brilliant "Night of the Hunter" or "Out of the Past"), but it's one of my favorites of his films. Mitchum plays a moonshine runner (think a young Boss Hogg and Uncle Jesse) caught in the middle of moonshine war with the mob and some hard-nosed feds. The film was co-written and produced by Mitchum, and is rumored to have also directed much of the film. He also sang the film's theme song! The film had a chance to be even cooler with the part of Mitchum's kid brother being written for Elivis, who reportedly wanted to appear in the film, but Colonel Tom Parker demanded a huge salary that exceeded the entire budget of the small production. If you have to ding this very likable film, the story is a pretty corny one of Mitchum trying to keep his kid brother (played by his dead ringer real-life son instead of Elvis) while fending off Federal agents, rival moonshiners, and romancing nightclub singer Keely Smith.Still, Bob Mitchum running 'shine is pretty hard to resist, especially when you have some amazing stunt work from legendary stuntman Carey Loftin, the guy behind the car chases in "Bullitt," "Vanishing Point," and "The French Connection." This is easily THE definitive moonshine picture and a must see for fans of this type of picture.

Robert J. Maxwell I understand this was Robert Mitchum's baby from the beginning. He wrote the music, sang the songs, chose the cast and crew, did Princess Aurora's pas de seul in the Sleeping Beauty sequence, and managed to shoot down four Zero fighters in one pass.I grew up in a subculture where cars and courage were much admired and this film has plenty of both. But I didn't enjoy it that much the first time around and, more recently, have found that my appreciation of it hasn't increased much.As the defiant, whiskey-running hero with the hopped up 1950 Ford, Mitchum is fine. He strides through the movie in that bulky, slightly swaybacked way of his. But he really doesn't get much of a chance to show his chops, as he did in, say, "Night of the Hunter" or "Farewell, My Lovely," or "Cape Fear." He's more of a monument than a human figure.Nobody else rises above "below average" -- certainly not Mitchum's son, James, who seems to be suffering a serious case of exopthalmia. Keely Smith has a smooth voice that's weak but polished. I like her. There's something anthropological about her features, but she can't act. Most of the supporting cast are embarrassing. I winced, watching the old timers sitting around, whittling wood, and trying to decide whether to defy the corrupt criminal organization that's trying to invade their generations-long enterprise in the North Carolina hills.Worst of all, the director has almost completely failed to capture the ethos, the atmosphere, of the Appalachian hill country. In the 1950s, Asheville had an accent that nobody could make up. Tomatoes were "maters", and bread became "braid." It's absent here. You get a much better feeling for the South in films like "Cool Hand Luke" (shot in California) and "In the Heat of the Night" (shot in Illinois).I wish it had been better. The script should have included some exposition on whiskey making and whiskey running but much of that is just plain skipped over. Someone flips open the hood of that Ford and men gaze lovingly down at the engine (the "mill", which has a "racing cam"). The engine appears to have three carburetors, but we don't know what we're looking at, or why it's so special, or why extremely high speed is necessary on twisting mountain roads. I expect even racing car enthusiasts may be disappointed. At any rate, there is a spectacular crash at the end.

jjnxn-1 Decent if unremarkable drama of a moonshiner and the feds who are trying to shut him down. A real study in star power with Robert Mitchum commanding the screen with seemingly little effort. An interesting contrast can be made between him and his son James, making his screen debut here, their appearance is so similar that you would think their performances would have a hint of the same similarity. The senior Mitchum owns the screen with an easy charm and magnetism while the young Mitchum is stiff with a vacant stare. Keely Smith contributes a couple of terrific numbers sung in her unique style but she also comes across as uncomfortable and mechanical in any scene which doesn't require her to sing. A huge drive-in hit in its day, it's easy to see why since it has a very laid back, low budget feel.

thinker1691 In the back woods of Kentucky, Tennessee and Macon Georga, there is a tradition of making moonshine which dates back to when these towns were first founded. However, the fact that distilling alcohol is no longer illegal, most of the fun has been taken out of it. But back in 1958 a movie came on the silver screen which made its star a national icon and a household name. The movie was called " Thunder Road" and stars Robert Mitchum as 'cool driving' Lucas Doolin. His job in the film is transporting untaxed moonshine from one county to another. Although sought after by Treasury Agent Troy Barrett (Gene Barry) who plans to put all of the moonshine distillers out of business, it's a new criminal faction who becomes more dangerous than the law. The new organization, headed by Carl Kogan (Jacques Aubuchon) plans to take over Relow Valley by force and make the mountain people go back to raising Bumblebee Cotton. The night time, high speed chases along some of the hottest roads in the back woods, makes for exciting, shoot-em up, roll-over action and Mitchem is superb as the ex-army veteran, turned moonshine runner. Not to mention the movie's title song which he wrote and later became a radio hit. Robert Mitchum's on screen persona is what makes this 50's film a true Classic. ****