dougdoepke After all the glowing reviews, I guess I'm a contrarian, but I found the 8-minutes maddening. But what's to be expected from 10 decades of movies crammed into the space of a TV commercial. I'm not sure what I was expecting, but it wasn't anything that literal. Each entry gets the space of an eye-blink, and while that's still enough to label some icons (Maltese Falcon; Public Enemy, et al.), the overall effect can be frustrating. I'm not sure what the producers at TCM had in mind, but maybe the best way to take it is as a flash card test on steroids.

John T. Ryan CAREFULLY ASSEMBLED, AND without any visible signs of favouritism toward any period or genre, this one reeler does its best in evoking the steady evolution of the motion picture from humble beginnings in peep show novelty, to the Nickelodeon days, the Silents, the Talkie Era, the Great Depression, World War II and right up through the post-studio system and the advent of the shopping center multiplex.SANS ANY NARRATION, be it flowery and self-congratulatory or not, the 9 minutes of pure cinematic heaven flows by much like a beautiful dream. We aren't sure just how many micro-clips of archival scenes from how many other a film are included and quite frankly, we don't even care to guess.SERVING AS SORT of an audio catalyst in melting all into a single, coherent screen montage, we have a section of the soundtrack of the score for CITIZEN KANE, by Bernard Hermann. The musical quotation used is from the scene where we see a very happy, young 9 year old enjoying his playing in the snow in Colorado. It is repeated several times and is well used in its function in blending it all together.WE'VE LONG BELIEVED that Hollywood oft takes itself far too seriously and tends to exaggerate its own importance as an art form. This ever so brief 9 minutes of shear cinematic pleasure does more than all of the awards shows, red carpet events and gossip could ever hope to accomplish! AS FOR THE rating for this, both Schultz and I say maximum stars allowed!

calvinnme This film was made to commemorate the development of film in the United States, thus you won't see any clips from foreign films in it - that was not what it was intended to do, on the 100th anniversary of the first film exhibition in the United States on April 14, 1894. That 100th anniversary is also the day that Turner Classic Movies began broadcasting - April 14, 1994 - and I believe this short was one of the first shorts broadcast on that channel. It consists entirely of very short film clips in rough chronological order with musical accompaniment that very much conveys the feeling of each era in film. There is no narration other than the words of the actors and actresses in the films in the short. Anything more would have ruined the magic that is this short.Produced by Turner Broadcasting Company, you'll see a heavy dose of the films that Ted Turner owned at the time - the RKO library, the pre-1986 MGM library, and the pre-1949 Warner Brothers library. Also, many silent films are and were in the public domain, so clips of very early films were possible. However, just about every significant film made up to 1994 is present, including films Turner did not own such as "It's A Wonderful Life", "Patton", "Star Wars", and "Schindler's List" at the very end, which actually won the Best Picture award for 1993.In some ways I'd like this short to be updated to include the last twenty years of film, but then they would have to ruin that perfect ending with the films of 1993 being crosscut with the one hundred year old footage of the trolley cars. I highly recommend this short - if you love film it will give you goosebumps.

Gene Bivins (gayspiritwarrior) No great theories to spin here, or trends to notice, or criticisms to unload. Quite simply, this is the most carefully chosen, best-edited, most entertaining montage/tribute to the cinema ever put together. Covering, as it says, the whole first century of the cinema, it consists entirely of clips from a cavalcade of box-office favorites and historically-significant films, edited in roughly chronological order, accompanied by equally-well chosen scores. Some excerpts are as short as two or three seconds, sometimes just a word or a gesture from a film, sometimes a famous line, sometimes a look on a beloved movie star's face, but always one of those indelible moments, those "pieces of time," as Jimmy Stewart called them, that are the shared heritage of everyone who loves movies.