Exiled_Archangel 27 Missing Kisses is a good pastime if you want a different film that drags some folklore along it. It's funny, but tragic too. I can't say I loved it to the bone, but I found it interesting for sure. What happens in a little town in Caucasus when a teen girl falls in love with a teen boy's father and the teen boy with her? Such an interesting subject. The director doesn't get stuck on some particular frames, yet he still fails a little when trying to make the film flow. So it could have been better. But I would still recommend it to those who are bored or Hollywood garbage. Don't expect a masterpiece, and don't expect to to laugh your rear off either. But you still won't regret watching this flick anyway. 7.5/10 from me

Phroggy At the time, this movie came just after the schock that was "Amelie". Not as technically perfect or original, this movie shares some of Jeunet's masterpiece poetry with a sense of the grotesque typical of this director (he or she ? Who cares ?), with lots of eccentric touches, and another late, great role for the underrated Pierre Richard. This one really went straight to the heart, by some impossible-to-explain chemistry. I'm still wainting for a DVD. video. anything !

hbraun I'm very disappointed. First of all, the German synchronization is bad. Maybe in the original version (with subtitles) it would have been better, but the whole movie looks like if the director saw Luna Papa and Black Cat White Cat and tried to produce something in this style, too. But failed in every aspect. It's an incongruent mixture of a weird unbelievable story and very childish gags. No atmosphere, no life. Extremely primitive sex-humor. I voted 2, because 1 is the worst, and the other point for 'Sybilla', she's really cute. Sorry - I like 'eastern' movies, but this one is really superfluous.

hugueshelbo I saw this movie lately at Brussels's intenational film festival. It felt quite amazing because I had the impression there was some common points between this and "Luna Papa" which was presented last year. Then the director came to speak about the movie and I learn both films had the same scenarist who was also the director's husband. But there's something more in that new movie, something near of what I would call perfection! You know, the kind of movie in which you find everything you can expect from a film: poetry, in the images in "clair-obsur" but also in the way the actors act and look, laugh and joy, which seems to be a characteristic of movies from Eastern Europe, a wonderful use of Goran Bregovic's music (which is actually the same as in Arizona dream, but it doesn't matter because it's very fitting...I think it was simply the best movie I saw for the last five years!