OllieSuave-007 This is the first sequel of the iconic and fantastic Hong Kong ghost fantasy, A Chinese Ghost Story. This time, humble tax collector Ling Choi Sin (Leslie Cheung) meets rebel sisters Windy (Joey Wang) and Moon (Michelle Reis) after his escape from prison. He gets himself stumbled onto a plot where the rebels' father Lord Fu (Siu-Ming Lau) was framed for a crime. While waiting at a villa to rescue Fu from the convoy, the rebels encounter an awakened demon.Like its prequel, this movie is fast-paced and full of action scenes and surprises, which gives the plot momentum and suspense. There is a good balance of drama and romance, as the character of Windy reminded Ling Choi Sin of his beloved tragic ghost, Lip Siu Sin, from the first movie - bridging a touching connection between the two stories.This film also has a beautiful music score composed by James Wong and Romeo Diaz and crazy special/visual effects of the magic spells seen in the film you would have to suspend your imagination to believe. Though very wild, the magic somehow works very well and fits in this story. Lastly, the acting was great, provided by a cast of very memorable characters.While this film does not surpass the original Chinese Ghost Story in story and quality, this movie is still entertaining and fun and certainly one of the better sequels to come out of Hong Kong.Grade B+

Billy Edwards Although a little shorter on plot than the first movie, this one might be a bit funnier. With the welcome additions of Jackie Cheung as a wandering ghost fighting Monk and the lovely Michelle Reis to the cast, the movie has even more Hong Kong star power than the last. Of course the chemistry between Leslie Cheung and Joey Wang is still there, and the film is funny and fast paced. If you liked the first movie, then put this on your must see list.

keala SINNUI YAUMAN II isn't bad at all, but it's disappointing. It isn't as funny, exciting, touching or visually inventive as its predecessor. The device used to reintroduce Joey Wong into the story is just plain wrong; if they didn't want to bring back her original character ( I have to admit they probably couldn't) they should have come up with a new love interest played by a new actress. Limiting Wu Ma to such a brief appearance limits his chemistry with Leslie Cheung, which is one of the things that made the first film such fun, and there's just about no one else here, except Cheung, who has as much charisma. It is a novel way to bring back the two actors, but it's a letdown.As for Cheung himself, he just isn't as disarming here as in the original; he doesn't fit his character as well. There's also what seems to be some kind of political allegory near the end that doesn't fit the rest of the story - maybe you have to be more familiar than I am with China to appreciate it? Oh, maybe I'm griping too much; it has its good moments (especially a scene concerning a slowly 'thawing' monster)...just not nearly as many as 1987's SINNUI YAUMAN. It waters down the impact of that jewel a bit, and frankly, I wish they'd taken all the good stuff in this film and used it on some entirely different project.

alice liddell Not entirely sane mixture of martial arts, supernatural tomfoolery, adventure epic, picaresque, Eastern philosophy and religion, and monster movie; featuring cowardly, yet devilishly handsome scholar-heroes, potty priests with magical nous, fearsome, yet cute, highkicking heroines, fat evil fake Buddhas, mendacious high priests, lumbering trolls, hairy gurus and noble warriors. You can choose either THE PHANTOM MENACE and George Lucas, who stole many of these elements to create an enervating sticky gloop that goes on way too long; or this, directed at a breathless pace, full of fun, joy, energy, terror, invention and wonder (and socio-historical critique) which ends far too soon.