Paul Magne Haakonsen "Ashes of Time" is a definitive movie in this particular genre that should be on the shelves of any movie collector - especially those who are interested in Asian movies.The movie, though it is labeled as a martial arts epic, is driven more by the storyline, the acting and the dialogue, than it is by the actual swordsplay and martial arts. And this was a risk on director Wong Kar Wai's part - but a risk that was well worth it in many ways. Because the end result is a heavier movie that punches harder and leaves a lasting impression.Not only is the movie driven by an appealing story that is riveting and captivating, but the movie also has a good amount of iconic Hong Kong actors and actresses on the cast list; Leslie Cheung (playing Ou-yang Feng), Tony Leung Chiu Wai (playing the blind swordsman), Bridgette Lin (playing Mu-rong Yin/Mu-rong Yang), Tony Leung Ka Fai (playing Huang Yao-shi) and of course Maggie Cheung (playing the woman). It is indeed a grand ensemble of acting talents put together in one movie. And especially the performance of Leslie Cheung - whose death was a hard blow to Hong Kong cinema - really put on a marvelous performance in "Ashes of Time".The dialogue is good and fluently, keeping the movie well up in pace. And the dialogue is a great core of the movie, so it is an important aspect of the movie, an aspect that just has to work out. And it did!"Ashes of Time" is also a visually spectacular movie, filmed on location in the harsh deserts of western China, near Mongolia. And the scenery tells a thousand tales in this movie, and it is in itself a major center piece for the movie.If you haven't seen "Ashes of Time" by now, I can only encourage you to get to it, because this is a very important and defining movie in Hong Kong cinema. This movie is breathtakingly exceptional in many ways.

Enchorde Recap: A lone swordsman, living in the desert and acting as an agent to other swordsmen, recollects how his life turned out to be as it is. It started with that the woman he loved chose to marry his brother instead, causing him to leave his home town. One of the swordsmen is Huang who is himself in the middle of a complicated love story, where a woman wants to have him killed for having ran away from a promise to marry her younger sister. But the sister wants to hire a swordsman to have Huang protected, and everything is put to an edge when the woman and her sister is really the same person.Comments: I've seen the Redux version released in 2008 of the original that was released in 1994. How the two versions differ I can't say, but the Redux is very heavily stylized in the way of Chinese Wuxia action. That is unfortunate as that style to me seems to have forgotten one of the most important elements of a successful and entertaining movie. A comprehensible story. But true to its style scenery and visual elements seem much more important and much more in focus of writer and director Kar Wai Wong. Therefore there are lots of colorful, very beautiful scenes, that are completely unrelated to the story.The editing and timeline of the story is also mishandled. Much is left out in the scenes, the time line is broken and rearranged in a confusing way. Very slow and calm scenes are suddenly relieved by surprisingly brutal and seemingly unmotivated fights, only to themselves being relieved by something else and unrelated. The result is a confusing and very uninteresting movie.Thanks to these brutal but very few fights, the movie is put into the action genre. The poster and photographs also imply this but could almost be regarded as false marketing. Only a few minutes out of the 90 could be considered as anything like action, the other couldn't be farther away from it. The movie in its entirety is very slow, dull and hence very boring. Not even the rare action filled scenes help since they are so disconnected from the rest of the movie.I might say that I'm not a fan of this Chinese style, since they often seem to be afflicted of these same problems, most importantly that the visual is more important than the story, but Ashes of Time Redux is perhaps the worst example I've seen.3/10

poe426 There are movies that, by dint of their measured mood alone, can draw the viewer in and hold the attention. VAMPYR comes to mind, as does RASHOMON; SEVEN SAMURAI; STRAY DOG; HIGH AND LOW; THE WINDOW; REAR WINDOW; CLOSELY WATCHED TRAINS; ERASERHEAD; THE BLACK STALLION; TROUBLE IN MIND; others. Add to that select list ASHES OF TIME. Like CROUCHING TIGER, HIDDEN DRAGON after it, ASHES OF TIME comes across as a profound meditation on Love Lost, of opportunity missed. The performances are all of the highest caliber- as is the direction. The cinematography by Christopher Doyle is jaw-droppingly beautiful. The music wrings the heart. (And, lest one forget: the fight choreography by Sammo Hung is absolutely spectacular.) I read somewhere, once, that it's not the Love we've lost that's important: what's important is the fact that we Love at all. I think that's about right. It sure feels right.

NMFilmgirl "Ashes of Time Redux" is Wong Kar Wai's venture into the martial arts genre. However, energetic action and narrative clarity take a backseat to the visual poetry that contemplates wounded hearts, loneliness and the memories of lost love that cut deeper than any sword. Best appreciated as a sensory experience, "Ashes of Time Redux" unfolds as a series of beautiful yet melancholic images like the soft brush strokes of a Chinese landscape painting. Even the sword fights are shot as swirling, hallucinatory dreamscapes. The haunting desert landscape gorgeously captured in saturated colors by cinematographer Christopher Doyle, a brooding cello score by Yo-Yo Ma and the beauty of the actors (an all-star Hong Kong cast) contribute to a movie experience that both pleases the senses and engages the heart.