Shawn Watson I love film noir. The aesthetic, the mystery, the cynicism; it all really appeals to me. In this Animatrix short Ash, a private detective is hired to find Trinity. All other PIs have failed to locate her, either winding up dead or crazy. But Ash perseveres and meets with Trinity on a lonely train, where the Agents are waiting to apprehend them.Although featuring modern technology the rest of the animation design is of 1940s vintage. This is my absolute favorite look for movies. I wish my whole life was a film noir. If I could go into the Matrix I'd ask the Agents to make that wish come true. One of the better Animatrix shorts and a great short in its own right.

william (willsgb) This is one of the periphery stories told by the Animatrix that isn't directly relevant to the war stopping One glorifying plot of the films, but Trinity, voiced by Carrie, does appear in it. it features a private detective who is hired for big money to look for a hacker named Trinity. we see his search which features other PIs, only one who he meets, who has seemingly gone mad from his own experience trying to track Trinity down. eventually he makes contact with Trinity who he assumes to be a man of course - told in the narrative and something that firmly puts us in his own perspective despite what we already know - on a hacker chat-room, and solves a riddle which forces him in a hurry to catch a train. he forgets his hat but his faithful cat throws it to him in a moment of ludicrousness so absurd it's hilarious.he meets her on the train but the ruse is thereby revealed when agents attack; the agents were using him to get to Trinity and Trinity was trying to free the PIs sent after her, which he doesn't know of course, and which isn't explicitly stated in the animation itself, something common to film noir titles, which often hint at plenty of interesting back-story, subplots, developments etc. but don't show you more then the core story and a limited point of view to create an extra air of mystery and intrigue.almost everything in this short is in black and white, the music is reminiscent of film noir and the offbeat, old fashioned yet dedicated detective is the perfect protagonist for a film noir title. the trivia section of this title's entry on IMDb also helpfully presents a few references this title makes to hardboiled literature, something it also borrows heavily from, a genre of mysteries for detectives, gangsters etc. who engage in challenging conflicts readily and often. animated aptly by Studio 4°C and directed by Shinichiro Watanabe, it is an enjoyable variant on the usual matrix story.

bob the moo Ash is a private detective who is down on his luck. Tired of investigating cheating wives for suspicious husbands, he stares at his empty bank account and empty fridge and he decides that this business is not for him. It is then he gets a call and payment from a mysterious employer who asks him to find the hacker `Trinity'.Opening with a great atmosphere of noir detective thrillers, this film continues in this vein until it turns into a confrontation on the train with some agents. Part of the series of animations making up the Matrix companion piece `The Animatrix', I saw this as a stand alone piece recently at a festival of shorts and animations and it stood out for me thanks to this same style. However the substance is also engaging even if it takes liberties at times, the length of time it takes the agents to come down the carriage for example, or the sudden semi-understanding that Ash seems to have near the end. Despite this, the plot still works pretty well - certainly enough to hold the style in check.Visually, the short is great. It creates a sense of period that isn't undone by the agents, guns or Trinity. It feels like it was charcoal drawn (it wasn't) and it really feels moody and dark. Also, out of all the entries in the series, this is the one that gets the look and feel of the agents down best. The voice work is good as well with good input from Moss; who's incarnation here manages to look feminine - a feat she failed to accomplish in the last two of the films!Overall this is a good film even if it loses it's way substance-wise at times. It is dark and brooding and has a conclusion that befits the look and feel of the film. All round one of the best of the series.

rbverhoef This is the fifth part of 'The Animatrix', a collection of animated short movies that tell us a little more about the world of 'The Matrix'. This time they introduce Trinity (Carrie-Anne Moss) in a story about a detective who is hired to find her. With great black and white animation and an interesting story this is again a great animated short from 'The Animatrix'.