SnoopyStyle Samson Shillitoe (Sean Connery) is a frustrated poet and a ladies' man in NYC. He's hounded for alimony payments and threatened with jail. His live-in supportive waitress girlfriend Rhoda (Joanne Woodward) gets him a poetry reading gig at a high-class ladies group and it goes badly. She sends him to psychiatrist Dr. West to fix his writer's block. Samson wants his money back but West directs him to a sanitarium for some peace and quiet. Dr. Menken wants to perform a lobotomy on him.Samson is bitter and angry. It's very unBondlike. In other ways, he's very Bond. He's not likable either way. The movie has a couple of slapstick scenes that border on comedy. It's a strange little film showing Connery in a different light.

slightlymad22 A Fine Madness (1966)Plot In A Paragraph: Samson Shillitoe (Connery) a genius poet, who is irresistible to women but is plagued by writer's block. I hate this movie. I bought a copy from France when I hadn't seen it, but wanted to complete my Connery collection. The collector in me is glad I did, but personally I wish I hadn't wasted my money. If you find Connery using his wife (Joanne Woodward) as a punching bag funny, you may enjoy it, but I don't find anything to laugh about here!! I will applaud Connery for trying something totally different in an attempt to move away from Bond, but I wish this wasn't the movie he chose to do so!! This is only the second time I watched it, and I have turned it off. A Fine Madness tanked at the box office.

flipshoes "A Fine Madness" is a very strange movie. It stars Sean Connery (with a very strange performance, one of his worst - somewhere between Bond and a plain ruffian; frankly, I don't think Connery is apt for any comedy at all) plus a lavish supporting cast consisting of renowned character actors - but, still, the film is horrible.It has an absolutely inane screenplay, and Irvin Kershner's (lack of) direction leaves a most confusing impression, even considering the somewhat strange Sixties style which was "en vogue" then. (John Addison's score, however is quite enjoyable.) You never know what's going to happen, and worse, you're not even interested in any of it. Nothing is truly funny, and some aspects are merely annoying (at least by today's standards), e.g. the jocularity of a man beating up his female companion. Samson Shillitoe is a despicable character, so you don't really convey any empathy for him or his needs. - What a waste of talent.

Oblique Devon A largely underrated film. Released in 1966 (a year after Thunderball), Connery obviously wanted a departure from the static James Bond debonair and so took on the volatile character - Samson Shillitoe (erratic poet). The transition is not a complete alienation of the Bond character. He still gets the girls, though there is some poising and strutting. If you think of this movie as a precursor to Kubrick's "A Clockwork Orange" it is brilliant in sort of a "The Odd Couple" sitcom vein. Those looking to see "action hero" Sean Connery will probably be disappointed. "A Fine Madness" looks to be inspired by the antics of Charles Bukowski and the revival of the dialog between pyschotherpy, psychopharmacology and brain augmentation in the early-mid 60's.