Sarah-60 I studied this play at school, saw several stage productions, and loved it, so I was looking forward to this RSC production.So first of all - what's with the little boy? I found his presence annoying and distracting. Sadly, the opening scene was delivered with practically no life, and that's where I switched off, too bored to continue.So obviously, you should take this review with a big pinch of salt, cos I only watched a few minutes.But just a few weeks later, the Kevin Kline version was on TV, late one night. I was highly suspicious, but gave it a chance. I was hooked almost straight away, and all the way through. So make of that what you will....

reverbandwhiskey i would it were more forgetable- the garish colors and deplorable acting made it the worst thing I have ever had to sit through and such nightmarish images remain in my head. Between the "hammer pants" that Puck dons and the macauly culkin-esque annoying kid whose purpose is so meaningless as to remind the viewer that someone is watching this thing, the film has all the appeal of a piece of bad corporate art circa 1990.

galensaysyes This film makes the title literal by adding a Little Nemo character dreaming it all. There are a couple of allusions to Alice in Wonderland, as well. It's a cute idea and leads us to see the characters as if through the boy's eyes but he comes to get in the way after a bit. Many of the actors are double cast so that we're led to see one story in the light of another. The film is playful and inventive in its magical use of prosaic settings and objects. The mood sometimes reminded me of "Dr. Who". There's hardly a scene without a visual surprise. The fairies are rather sinister and erotic; some of the stage business is unusually bawdy--too much so to fit with the conceit of the child's dreaming it all. Bottom and the rustics are funnier than usual, but overall this isn't a primarily comic "Dream". But it is an imaginative and poetic one.

TwzzlrFrk After it's been through hundreds of different settings and thousands of different interpretations, it's hard for directors to come up with original concepts for William Shakespeare's "A Midsummer Night's Dream". As a result, we either get productions with highly original concepts that are terribly distasteful or we get a rather conventional interpretation that leaves us bored.Adrian Noble has tried to transfer this masterpiece from the stage to the screen, and I'm afraid that he doesn't do a particularly good job. The concepts are original and quite intriguing, but the movie itself lacks the dynamism that this play has when performed on stage. The concept of adding The Boy is in my mind great, especially for the movie. Otherwise, I find the settings bland and monotonous.The Royal Shakespeare Company does an excellent job in acting (of course they do - it's the RSC!) and I would love to see this performed on stage. As for the movie . . . not incredibly satisfying.