JohnHowardReid In 1951, Bud Abbott and Lou Costello enjoyed a moment of glory when voted by British cinema exhibitors into second place as the previous year's top money-making stars. Only Bob Hope sold more tickets in 1950. The distributor quickly adjusted to the team's sudden surge of popularity and began releasing A&C efforts such as this one as well-promoted "A" features. In Australia, the absolute reverse was happening, whilst on their American home front, A&C were still raking in good money but not the windfalls of the early 1940s. (Available on an excellent Universal DVD).COMMENT: After a none-too-promising opening, this Abbott and Costello comedy gets into stride once the comedians reach the land of Lost in a Harem. Charles Lamont's direction improves, the script becomes genuinely amusing, the photography is A-1, and we are introduced to two very personable villains, admirably portrayed by Walter Slezak and Douglass Dumbrille. There is a good climax, starting with a wrestling match which the comedians deftly turn into a free-for-all before the villains' dumbfounded eyes and ending with a glorious chase in which our heroes in a stolen jeep are pursued by a commendable number of dress extras mounted on camels. Although the sets are nowhere as lavish as those in Lost in a Harem, art directors Bernard Herzbrun and Eric Orbom have created settings that are reasonably beguiling. Love the towels in the Sheikh's bathroom: a great big His and numerous small Hers. Our comedians are given plenty of mirthful opportunities to shine, what with verbal gags, slapstick, wild chases and mishaps galore. We love Costello loose with a machine gun and all the other Beau Geste legionnaire mayhem. Yes, plenty of action. A fast-paced, brightly photographed 79 minutes. And it's all stylishly narrated by Jeff Chandler! What more could any fan ask?

utgard14 Slight Abbott and Costello comedy has them playing wrestling promoters whose star attraction has quit and gone home to Algiers. The duo follow after him and are tricked into joining the Foreign Legion. This is not one of the boys' better efforts but it's still a decent way to pass the time. Most of the gags are pretty stale but I did laugh here and there. Walter Slezak and Douglas Dumbrille are good heavies but the script doesn't give them a lot to do. Patricia Medina looks like a Hedy Lamarr clone. Wrestlers Wee Willie Davis and Tor Johnson are fun to see. The wrestling gags are some of the movie's best. Maybe Bud and Lou should have made a wrestling movie instead and forgotten all this Foreign Legion stuff. Like I said, not their funniest but enjoyable enough to pass the time.

Natron You've see it before, because other movies copy a lot of its gags. From the comedy team lost in desert, one short & fat, and one skinny & at times mean, it's like seeing R2D2 and C3PO before they ever existed.Then there's the fight scene in which get chaotic and next thing you know everyone is fighting.And Costello, he's trying to make out with every girl he can. These scenes are very clean, yet suggest that he's up to no good in the best way.If you like watching old movies that get copied over and over then you'll like this one.

gridoon "Abbott and Costello in the Foreign Legion" never quite manages to approach the level of "brilliant", but at least it manages to stay fairly consistently on the level of "mildly funny". The best bits include the opening sequence (kind of surprising to see a 1950 movie so openly admitting that pro-wrestling is scripted), the mirages in the desert, and the "Oui" - "We" puns (the French lady: "O-U-I means Yes". Lou: "What does I-O-U mean? No?"). And, thankfully, there are no unnecessary songs to bog down the action. I would describe the film as a pleasant time-passer, but there is one troubling aspect: too many people (Legionnaires as well as Arabs) get killed - not graphically, of course, and mostly off-screen, but still....(**1/2)