Ah, Wilderness!

1935 "The play that startled the nation!"
Ah, Wilderness!
6.8| 1h38m| NR| en| More Info
Released: 25 December 1935 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

At the turn of the century, a young man graduates high school and realizes the joys and sorrows of growing up, with some loving help and guidance from his wise father. A tender, coming-of-age story, with a wonderful look at a long-gone, but fondly remembered, small town America.

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atlasmb Released in 1935, when the era before WWI held a nostalgic place in the hearts of viewers, "Ah, Wilderness!" relives a spring and summer in the lives of a small town American family, especially one son who is the high school's valedictorian.Adapted from the play by Eugene O'Neill, the film is filled with vignettes that recall life in 1906. The bandstand on the town square, the new-fangled Stanley Steamer, playing the piano in the parlor. Although some characters are more like caricatures, there is a sweetness to the film that culminates in the final, poignant scene.Mickey Rooney plays the younger, rambunctious brother. In 1948, he will appear in the musical version of the story, "Summer Holiday", as the graduating student, Richard.The cast is excellent, with Wallace Beery playing Uncle Sid, a lovable souse without the willpower to live up to the moral standards of the times. You can't have a film about turn of the century America without including healthy helpings of moralizing. Things were changing quickly in newly industrialized America and society seemed very concerned about pinning down community standards for decency and probity.Eric Linden does a fine job as Richard, full of potential and full of youthful earnest, so sure that only he--having read certain books--sees truth.
bkoganbing Eugene O'Neill's gentle nostalgic comedy got the full blown MGM treatment with Clarence Brown guiding a topflight cast in the standard interpretation of Ah Wilderness. My only complaint is that George M. Cohan who played the father of the Miller family did not repeat his role for the screen. Cohan could not/would not do the film and his loss was an opportunity for Lionel Barrymore who did the part with a sure hand.According to a book on the Barrymore dynasty, Lionel was upset with Louis B. Mayer for whom he was usually a loyal employee when Brown under Mayer's orders tilted the film and the billing toward Wallace Beery's showier part of Barrymore's alcoholic brother-in-law. Watch the two of them in scenes together as they try and top the other. It must have been one tense set. On stage Gene Lockhart did the part of Uncle Sid.The young protagonist about whom the action swirls is middle son Eric Linden. Barrymore does some creative interrupting at his son's valedictorian address filled with radical notions. Linden is rather clumsily courting Cecilia Parker and when she puts him off he goes out on one tremendous toot, taking his uncle Beery as a role model.If there was one thing Eugene O'Neill knew from this life it was alcohol and the effects thereof. Think about all the works he did where substance abuse is at the center. His greatest play, The Iceman Cometh is set entirely in a bar.Ah Wilderness is like the rest of O'Neill's works, no real plot to them, but deep character studies from a slice of life. Ah Wilderness being a comedy probably was easier to translate to the screen, even so the play which is set entirely in the Miller living room gets moved to the graduation and later to the tavern where Linden ties one on. On stage Elisha Cook, Jr. played the clumsy son.Mickey Rooney played young son Tommy in this version. Thirteen years later when he was the other side of too old for the part he played the Eric Linden role in a musical version Summer Holiday which proved that O'Neill should not be the basis for a musical even his only comedy.After 75 years, Ah Wilderness holds up very well and I think O'Neill probably approved of this version with the caveat that it had to conform to the Code. Helen Flint's part as a prostitute who gets Linden drunk and probably gives him a tumble was cleaned up by the Breen office. Given the code parameters, Ah Wilderness was as good as it could get.
Ron Oliver In a small American town, a young man from a good family faces some of the realities of maturity.Clarence Brown's fond recreation of Eugene O'Neill's popular stage play AH, WILDERNESS! makes a wonderful celebration of basic American virtues. Attention to detail, coupled with excellent performances & MGM's best production values, results in a film full of quiet joys & sorrows.The story follows young Eric Linden (in his best film role) during the one month period from his 1906 high school graduation until the Fourth of July, as he deals with the pangs & confusions of puppy love. His yearnings for his pretty neighbor and his experimentation with an older, much rougher sort of female, perfectly underscore the angst so often found in young adults regardless of the era. This is brilliantly displayed in the film's most hilarious sequence, the graduation ceremony which Linden hopes to sabotage, which reveals the honest insecurities and mawkishness of the senior class.Wallace Beery, playing Linden's dyspeptic bachelor uncle receives top billing, and he is a scene stealer with much experience, but he acts alongside an equally good Lionel Barrymore, as Linden's father, who quietly underplays his role as head of the family. Each actor had a powerful screen persona, however neither attempt to dominate what is in effect a prime example of ensemble acting from the entire cast.As Barrymore's spinster sister, Aline MacMahon is especially fine, her romantic feelings for Beery barely canceled beneath her prim exterior. Spring Byington, as Barrymore's wife, shows a touching sensitivity in her sometimes flustered, nervous concern for her brood.Playing Linden's collegiate brother, Frank Albertson is good-natured and sturdy, and in a poignant moment gives a gentle parody of his own considerable musical talent by crooning ‘When Other Lips' from The Bohemian Girl. Bonita Granville & Mickey Rooney portray the youngest siblings in the family, with Rooney in particular having some very funny moments.In smaller roles, Cecilia Parker is all innocence as Linden's sweetheart, while crusty old Charley Grapewin almost spits vinegar as her cantankerous father. Helen Flint gives a forceful performance, considering Production Code restrictions, of the wanton woman who attempts seducing the much younger Linden.Movie mavens will recognize an uncredited Eily Malyon as the family's Irish maid.The title is an ironic reference to a line from The Rubáiyát of Omar Khayyám. Will Rogers was originally pegged to play the role which ultimately went to Barrymore, but he backed out in order to make his tragic plane flight to Alaska.
bucksix I love period movies and this one captures the time and place as well as it is possible. The humor is gentle and very touching. The scene of the 4th of July morning, when all the young boys come out with their firecrackers never fails to put me on the floor laughing.Wallace Berry's delivery of the one word line "soup?" is almost worth the price of admission by itself.I heartily recommend this movie to anyone who has a heart. It will be touched