swedeboi
I've seen and compared them all--Watercolors, Departure, For My Brother, Latter Days, Monster Pies, Brokeback Mountain, Newcastle, A Single Man, Sons, L.I.E., Beautiful Thing, North Sea Texas, Mysterious Skin, Milk, Closet Monster, Hidden Kisses, The Boys, Hidden Away, Holding the Man, The Way He Looks, Dream Boy, The Journey of Jared Price...you name it, and THIS movie, Akron, ranks above them all. In virtually every category imaginable, it shines. It has extremely attractive young actors who understand their trade. It features passion and frequent heart-wrenching emotion. The plot is well-conceived and carries tension throughout. The filming and production are professional. It has everything, really, except a lot of nudity. It doesn't even become tiresome on a second or third viewing, because the acting is so superb and the emotional power so strong.Edmund Donovan and Matthew Frias are brilliant in their portrayal of Chris and Benny, two college freshmen who fall in love at the University of Akron, but who prove to be as star-crossed as Romeo and Juliet, though unwittingly so at first. By the worst luck imaginable, they learn that they are linked by a tragic event involving their mothers that occurred 12 years before they met.Don't be fooled by the rural settings used in the movie. It's not an apple farm yawner like Fair Haven. This film has pace and is supported by powerful chemistry between two young and very talented actors. The supporting cast members, especially Andrea Burns and Amy Da Luz who play the boys' mothers, bring extra power to the script.Akron's IMDb rating of 6.0 (and lower in the recent past) kept me from watching it until recently, and what a huge mistake that was. It's every bit the equal of Departure and Brokeback Mountain and moves at a quicker tempo than either. You'll wonder, as I do, why its IMDb rating isn't closer to 8.0. Clearly, it suffered from under-promotion upon release. It is one truly beautiful film.
Mike Mondano
The movie has a captivating plot (with an amazing coincidence that is a characteristic of usual Korean dramas). But I couldn't help but feel a backdrop of sermonizing, self-delusion, and undeveloped morality.It's pretty clear that we are supposed to sympathize with the mother, and later admire her for her forgiveness. But whom is she forgiving, and for what? She is angry at everyone but herself about the tragedy that occurred when by rights she was the person most responsible for it. She was the caretaker of the children that day and I fully expected her to have an epiphany that she was blaming everyone else because she was unable to forgive herself or acknowledge her ultimate blame. But that never came - we were left with her being some sort of hero of forgiveness when the people she forgave never deserved blame in the first place. Forgiveness is an act of condescension, a putting of oneself into a position of judgement. We are supposed to admire her act of self-aggrandizement. The movie ends without any resolution of her guilt and the message that sometimes we just need to forget. A bit of insight by the people involved would have raised the jejune level of human psychology displayed.
jm10701
If you saw every gay movie made since 1950, you'd never see one as good as Akron. It's not only the best gay movie made so far, it's one of the best movies period. You have to look at the very best ever--movies like Gone with the Wind and The Godfather--to find any that are better than Akron.Benny and Christopher meet as college freshmen. They get very close very fast. They're both extremely comfortable being gay, loved and fully supported by their friends and families, and they freely demonstrate their affection everywhere they go. It's marvelous to see.There is no homophobia anywhere in this movie, thank God. No bullies, no bashing, no parental disapproval, no coming-out angst. No hiding. No HIV. None of the other "curses" that most gay dramas wallow in. Critics may say Akron is unrealistic, but it's no less real than the negative crap we've already seen plenty of in gay movies.Akron shows a beautifully healthy and positive side of the gay experience that has been completely neglected in movies until now. There ARE families like this--lots of them--we just haven't seen them on screen before. There also is no melodrama in Akron, which is even more remarkable. Nobody overacts or over-reacts. Nobody ever does anything that doesn't feel completely genuine and true and natural and normal.There IS drama, but it's not centered on being gay. It turns out that the two families' paths had crossed in a terrible tragedy many years earlier, and when they discover that connection everything blows apart. The last half of the movie shows how each person in the two families (not just the lovers) deals with the newly-awakened pain.Small, unpretentious movies like this, about human beings relating to each other, don't win awards or sell tickets any more, but they're the only movies worth seeing. If you love blockbusters, you'll hate Akron; but if you love movies, you'll love this one. It's as nearly perfect in every way as a movie can be.
