Karen Eyo I saw this movie while visiting Liverpool, England last year. The movie captured the feel of Liverpool and its streets, hotels and bars. Most of the streets in Liverpool especially downtown still have that grand stylish era. The cinematography was beautiful which added to the fine acting of the cast. Hats off to the crew. One of my favourite scenes was the Jazz club in which they had a wonderful Jazz vocalist who really added to the time and era. I made enquiries in Liverpool to find out who she was. She is a jazz diva from Liverpool who goes by the name of Sueyo. Its an excellent movie just to feel transported for a while to another era.

misterslow Forget Lock, Stock and Two Smoking Barrels, Al's Lads delivers old-school gangsters with spats and tommy-guns. Okay so it's not got the flair of The Sting and it's not got the set pieces of The Untouchables, but this film's heart is in the right place.A fish out of water tale, based on real events apparently, three friends from Liverpool get drawn into the shady underworld of Al Capone's Mob in 1927 Chicago.What transpires is a fresh, but somewhat unrealised perspective on a classic genre. The script gets a little muddled but provides the necessary beats in the end. The sets, lighting, wardrobe and makeup are all solid, as are the majority of the performances, most notably Marc Warren in the lead and Richard Roundtree as his mentor. Sadly, what is lacking is a clear vision. Ultimately, it is the director who should have made more out of the material.

slbwrite "Al's Lads" is not one of the best films you'll rent, but it's an unpretentious bit of fun that is elevated by the excellent performance of its charismatic lead actor, Marc Warren.The story is about a trio of Liverpool lads looking to make good in 1920's Chicago when they fall under the auspices of Al Capone. Marc Warren stars as Jimmy, a feisty, but goodhearted boxer. Comic relief is provided by his mates, Danny (Ralf Little) and Eddie (Stephen Lord), who spend most of their time running away from thugs, trading banter and canoodling with baby-voiced prostitutes.Brilliantly photographed by Nic Knowland, many scenes have a rich, glowing quality that accentuates the wonderfully detailed sets and costumes. The fight scenes, in particular, are beautifully lit. Director Richard Standeven keeps things moving at a fairly energetic pace and most of the actors turn in spirited performances.Unfortunately, all of this is in service to a very mediocre script by Marc Gee. There's nothing much original here and there's a lot that's cliched, including one nonsensical plot development that occurs only because two characters must be thrown together if the rest of the story is to proceed. At the risk of sounding like a prude, there is way too much use of the "f" word " (the IMDb doesn't like profanity, but you know which one I mean) which seems to be integral to every sentence uttered by every gangster. By the end of the film, it becomes very boring and even distracting, as you begin to ponder exactly how many times the word has been used in the entire script and consider watching the film again just so you can make an accurate tally.Another flaw lies with Edith, the gangster's moll. She is the least fully realized character in the film and Kirsty Mitchell's wooden performance doesn't help matters. Although she looks gorgeous, Ms. Mitchell delivers her lines in a barely modulated monotone, a far cry from the fiery personality Edith should have. The fact that Edith appears to be nothing more than a beautiful, bored flapper makes it hard to understand why Jimmy is willing to risk his life for her.The best scenes in the movie occur once Jimmy is placed under the tutelage of grizzled trainer, Boom-Boom, played with appealing world-weariness by Richard Roundtree. The crucial chemistry missing in the romantic storyline lies here, between Warren and Roundtree. Consequently, the relationship between Jimmy and Boom-Boom is the most affecting one in the film, as the characters bond over sit-ups, roadwork and sparring. It's obvious that Marc Warren put his heart and soul into training for the film. He's in extremely good shape and handles the many physical demands of the part with seeming ease.As an actor, Mr. Warren has always had a feline quality - a sense of controlled power lying in wait behind a graceful stillness - and it serves him well in this film. Whether bursting with raw energy in the convincingly staged fight scenes, sharing a moment of quiet intensity with Roundtree or subtly revealing his character's vulnerable side in romantic scenes, Warren never hits a false note. He is completely mesmerizing onscreen, but has yet to find a film vehicle worthy of his prodigious talents. He should be getting a crack at the kind of parts Jude Law and Ewan McGregor seem to have cornered. Marc Warren is one of the most talented and compelling actors of his generation and I hope a role comes along soon.

jefski Having read the blurb about this picture, I was expecting a knockabout English period farce at a very low budget. I was wrong. This is a nicely written, well shot (in Liverpool) period drama which transcends its meagre budget. The characters are well sketched and their working class backgrounds counterpoint the slick American peformances offered up by the likes of Al Sapienza ('The Soprano's') and Richard Roundtree (The original 'Shaft'). The story develops from a simple gin scam on board The Mauritania into Marc Warren (Jimmy) becomming a prize fighter for Al Capone's gang and in turn solving the kidnapping of Al's Son (Sonny). The gorgeous Kirsty Mitchell gives a very polished American peformance (she's Scottish!) and Ralph Little (Royle Family) and Stephen Lord excel also. Slow in parts, this film is well worth seeing and is beautifully lit by Nic Knowlands. A good low budget movie that can hold its head up high!!