Murder Slim This one was often called the "lost Scorsese movie" but thanks the joys of DVD and YouTube, we can finally check it out. This is one of Scorsese's verite documentaries, this time focusing on the guy who played the gun-dealing "Easy Andy" in 'Taxi Driver'. Steven Prince was Scorsese's roommate for a while, and was also a music promoter (mostly for Neil Diamond) and drug addict before he turned to acting. American BOY catches up with him a couple of years after 'Taxi Driver', with Prince relating tales from his storied life.The verite style of the documentary doesn't add too much to 'American Boy'. Scorsese pops up at the start, as the cameras start to roll. He looks high (this is from Scorsese's coke years), but who cares? Equally, there's an annoying guy in the background who keeps goading Prince to open up. But these are minor, short irritations. The joy of 'American Boy' is just Steven Prince sat there, telling his stories in a pretty masterful way. He has a good idea of pacing, drawing the audience in and out. You'd happily read a book of this guy's short stories.What's also nice about 'American Boy' is that Prince doesn't fall into the pitfalls of the vast majority of drug literature. Half of the many tedious drug books are whines about how terrible it is to be an addict. The other half tediously aggrandise how insightful it is to be an addict. In doing this, taking drugs become the focus of the tales, and are therefore mechanical and repetitive.The drugs in Prince's life are only the background to his interesting tales. He's high, but the drugs aren't the story... genuine events are. Accidentally frying a kid with wires from his TV van. Cops busting in on him and his dealer, but managing to escape arrest by bursting out crying. Shooting an armed robber as he works in a lousy job at a petrol station.Prince is likable and consistently interesting, and the 50 or so minutes of 'American Boy' pass very quickly and pleasingly. There was another documentary made about Prince made in 2009 called, fittingly, 'American Prince'. Here's hoping 'American Prince' is as interesting as this one. And, of course, it's great to hear Prince is still alive.At the end of 'American Boy', he relates the story of talking to his dying father. Prince's father - despite all of his son's mistakes - was impressed by his ability to survive. At first Prince glosses over the magnitude of it, but Scorsese eventually draws out the truth. It's a touching and positive way to end a documentary about an interesting and likable guy.

A_Minor_Blip Steven Prince, who played the gun-dealing babble-mouth "Easy Andy" in the Martin Scorsese classic TAXI DRIVER, has his hour to shine.This, a documentary involving Prince, Scorsese, and actor George Memmoli (the really fat dude in MEAN STREETS and the guy who reluctantly allowed Stallone to ice-skate in ROCKY) sitting around a living room, is really a gloriously-glorified home movie, adding images of the subject as a child while he's bantering - with a more grating voice than Horseshack from WELCOME BACK KOTTER - about gorillas, drugs, bagels, working for Neil Diamond, and his suburban-dwelling parents.Few of the diatribes are interesting and some seem a bit forced. But it's during the last fifteen minutes, as he shares about killing a man in Arizona by shooting his six times, where things pick up.The standout tale of madness involves Prince saving an overdosing girl's life by injecting her in the chest with an adrenaline shot while reading instructions on how to do so. Sound familiar? Neil Young's obscure track "Time Fades Away" envelopes the piece nicely.

MisterWhiplash From the start of this hour-length documentary/interview/candid profile on road manager and sometimes actor Steven Prince, director Martin Scorsese sets up the show with him and Prince in a hot-tub, followed by a (not too aggressive) fight with Prince and another guy. This shows to not be a typical one-on-one, as the interviewee goes into specifics in anecdotes, incidents, and memories that usually end with a great laugh (Prince is a wonderful, if a little tired out, storyteller), or with something that's very much revealing on his life (in other words, saddening). For myself, I knew very little about the man before the interview (not the least of which that he was road manager for Neil Diamond, got hooked into a particular section of the drug community, and had a good view of life in NYC involving various types), except that he made an unmistakable impression as the traveling salesman in Taxi Driver. But by the end of the (hard to find, most likely it can be found underground or on ebay) interview, with concise, hard, but fascinating questions from Scorsese, American Boy turns out to be just that, a guy who's gone through the good times and bad times of this country's bounties and dis-pleasures. It's even worth watching twice, especially for Scorsese fans (though there isn't a terrible amount of visual flair he can exercise here), in case something flies over one's head in the storytelling. Favorite stories include the Marijuana-Gorilla bit, Jack the Cop, a particular tale of a drug bust, and a certain recollection of a revival of a woman after an OD, later to become the primary influence on the climax of Tarantino's story Vincent Vega and Marsellus Wallace's Wife. Cool Neil Young song too.

Jeff Dantowitz Although the movie is simply a document of an interview with Stephen Prince, the film becomes so much more. Scorsese truly gives the viewer an in depth view into the man's life; mostly due to Prince's wonderful role as a story teller. Some of the tales he tells are fascinating, some silly, some so outlandish you have to doubt their sincerity. Extremely entertaining, and a prerequisite for any Tarantino fan -- see the film and you'll see what I mean.