mark.waltz Jackie Moran and Edith Fellowes are two bratty adolescents who fight like a dog and a cat and utilize their antagonism to prevent their single parents (widowed father Melvyn Douglas and divorced mother Mary Astor) from getting married. But each scheme they concoct only serves to bring the adults closer together and of course create an understanding between the children who, like a dog and cat, really adore each other, just too stubborn to admit it. Some of the funniest situations involve a soap-consuming dog who makes the entire ski resort lobby think he's "mad" and Moran's use of bee-bee spitwads in a crowded dining room. This is so sitcomish that I am surprised that Columbia didn't do a sequel, "And So They Were Siblings".

banker-4 I enjoyed this little bit of fluff movie for its story line and the stars portrayals of their characters. But I most enjoy seeing the location shooting of the snow walls along the Lincoln Highway (old Hwy 40) ascending to Donner Summit in 1935 and the views looking down upon the snow encrusted Donner Lake and the serpentine highway with an auto driving up with tire chains. Yes, tire chains used in snow in 1935. Enjoy the movie for what it is as light holiday entertainment but if you've ever skied on Donner Summit or traveled over the summit in the winter en route to Reno you can also enjoy it for the 1935 views of winter travel.

Richard Burin And So They Were Married (Elliot Nugent, 1936) is a fun romantic comedy set over the Christmas season, with divorcée Mary Astor falling for widower Melvyn Douglas at a snowbound hotel as their boisterous children (Edith Fellows and Jackie Moran) plot to keep them apart. Though the production values are a bit low - and there's little utilisation of the festive setting - the kids are great value and Douglas shows the deft comic touch and ability to subtly evoke emotion that saw him spread his screen success to stage and the small screen. There's a lovely moment where he shrugs off his broken heart by ruffling his son's hair and murmuring: "I just need a little time, son."The film is more realistic, and therefore less escapist, than Columbia's usual sparkly fare, as it effectively paraphrases the difficulties of single parenthood. There's a slight over-reliance on visual humour and the title is shamefully generic, but you can't fail to enjoy a film that features both Donald Meek as an exasperated hotel manager and Douglas Scott (young Hindley in Wyler's Wuthering Heights), scene-stealing as a breakaway mummy's boy. Once you've explored the more obvious genre gems from Columbia (It Happened One Night, A Night to Remember, Together Again), it's worth giving this one a go.

Bob F. Recent divorcée Mary Astor (Edith Farham) and daughter Brenda, spend Christmas at a fashionable mountain hotel - ski lodge. At the same time, Melvin Douglas (Stephan Blake) a long time widower arrives awaiting his ten-year-old son, also to spend their Christmas holidays together. Brenda is a man hater, apparently because daddy left her and mommy. When Steve's son (Tommy) arrives both children take an immediate dislike of one another -- to the point of physically beating each other up! Both children can't stand the fact that Edith and Steve are becoming attracted to each other, and both are determined to derail any chance of Steve and Edith becoming a couple. In most romantic 1930's comedies kids are not as mischievous or in fact, as delinquent as this pair is, but it's done in funny ways that keeps the kids from becoming obnoxious. A good cast with fine supporting actors drives this film merrily along. Columbia Pictures was good at making comedies. This is worth a look, if you like that genre.