udar55
Singer/stripper Delilah (Jessica Mark) is stalked by a creepy ex- mercenary (Jimmy Broome), who likes to leave severed fingers in her dressing room. Justifiably spooked, she hires private eye Brit Alwood (Charlie Spradling) for protection but that ends rather quickly when the psycho shows up in Brit's office minutes after the hiring and kills her. So it is up to Jo Alwood (Maria Ford), Brit's stepsister, to take on the job and stop this killer. Not only that, but she has to deal with sleazy mafia type and former adversary Sonny Luso (Bob McFarland), Delilah's funder who is upset she is too racy and wants her to be more "like Peggy Lee" (what!?!). I can't believe how long this B-movie masterpiece has eluded me. I don't want to oversell it, but this is about as perfect an exploitation film as you can get with director Charles Philip Moore (DEMON WIND) cramming in everything he could. Essentially a riff on 1992's popular THE BODYGUARD (and essentially a remake of Moore's earlier BLACKBELT [1992], a BODYGUARD ripoff with Don "The Dragon" Wilson that went into production when news of Costner's vehicle hit and beat it to release by 6 months), the film ups the violence and nudity to insane levels. If a fight isn't happening on screen, most likely one of Delilah's nudity filled shows is. Moore reaches the pinnacle during a nighttime assassination attempt where Ford thwarts the goons with her kickboxing skills while clad only in a g-string. It is the type of thing you would expect from a HK production (ESCAPE FROM BROTHEL did it in 1992), but not readily seen in US stuff. The bloody shootouts (done in glorious slo-mo) also echo the HK style at the time. The production tried to get the Philippines to stand in for Hawaii but it doesn't really work.
kimberlymhn
I love this movie. Maria Ford is beautiful and deadly and god knows why she did not make more martial arts movies like this. I read here that she was only cast in the film when the original star Charlie Spradling refused to do a topless fight scene. I applauded Spradling at first for making an ideological stand, (and I was quite anti Ford at first) but then found Spradling has actually done nude sequences which are far less empowering than the scene she supposedly objected to. Spradling's character Britt appears early in the film and is an irritating swaggering imitation of a 'tough guy' male. She defeats several guys with martial arts but is easily beaten up and killed by a giant psychopathic soldier called Kell. Enter Ms Ford as her sister Jo. Everything Spradling does wrong, the talented Ms Ford does right. Her character is not trying to act 'male' in any way - she is confident, sexy and totally feminine. However when she fights nothing will stop her. Ms Ford must kill about 20 men with firearms and her body in this movie and what is satisfying is she has no 'super powers - she is just trained, fit and ruthless. The most famous scene is where Jo stays over at the house of the irritatingly fake 'female pop star' and her 'lesbian' lover . Several goons enter the house to kill or kidnap them but they don't count on the presence of Jo, who leaps from her bedroom dressed only in a thong and proceeds to destroy them with her hands and feet. Some have claimed that this scene was exploitative, but the thugs attacked at night – it's 99% certain that in a hot climate Jo would sleep in her underwear or nude. A friend of mine told me how she was awoken in her home when she heard an intruder. She was in bed naked at the time but confronted the startled thief and chased him out of her house without getting dressed! Regarding Ms Ford's body she is unconventional and refreshingly real for a 'B' actress with her then small breasts & untanned skin. The fact she is topless with her buttocks exposed makes her destruction of the attackers even more explosive and satisfying – here is an unarmed almost naked woman who uses deadly force to defend herself, crushing one man to death with her bare foot and snapping her final opponents neck with a beautifully executed roundhouse kick. I'm pretty sure it was not the intention of the director to produce a scene which appealed to me, but watching Maria Ford fight so powerfully and convincingly in attire which we normally associate with female passivity and the oppression of the 'glamour' industry is amazing. Straight afterwards she has a sex scene, but it's notable that she initiates the encounter and dominates it.It's not all good news though – there are a couple of embarrassing 'pop videos' which feature topless women for no reason other than 'eye candy' and Ford herself performs a silly and pointless striptease, but these obvious inserted scenes of titillation do not spoil the whole experience. I also liked that Jo is not invulnerable - she takes a beating in the final confrontation with Kell and realistically needs help to take him down. I heartily recommend this movie to those who want to see a powerful, uninhibited performance from an under appreciated star. It's a pity Quentin Tarantino didn't cast her as 'The Bride' in 'Kill Bill' as apparently he (like me) is a huge fan.
aloep
Spoilers included:First things first, this is not as "good" movie by any stretch of imagination, but it's so campy and Maria Ford is so sexy in the lead that it holds tons of entertainment value.It starts with one guy and a woman heading up to an apartment. He tells her he's left something in the car and she flashes her breasts out and says "You better be quick". That is just the start of the nudity, and the start of how silly this movie gets. This guy proceeds into a room of around 7 guys and proceeds to attack them, and says to the last one standing "You left me and my men in Angola, I didn't like that." or something along those lines and proceeds to throw him out a window.It then moves onto showing 2 "controversial" female performers on stage. Shortly afterwards, Delilah (the main performer) receives a womans finger with an odd looking ring on it. She presumes it's a death threat, and hires female cop Brit Alwood as her bodyguard. However, the hit-man that her boss has hired for her, has followed Delilah to the location of Brit Alwoods office. After the 2 girls have left, Brit gets a phonecall from her sister Jo (Maria Ford) and she's thrilled to tell her that she's been hired as Delilah's bodyguard. However, while deep in conversation the hit-man comes in and strangles Brit on the phone cord. So now the work of the hit-man Robert Kell is PERSONAL! As usual, there has to be some personal insult against our hero(ine) to make a revenge movie.After Delilah finds out Brit is dead, she decides to hire her sister Jo (Maria Ford), as her bodyguard. Meanwhile, Jo meets Aaron, Brit's ex boyfriend/partner and just notices the ring logo resembles that of a local sleazy bar. Together, they visit the bar, and Jo asks the barman for info, he's as you predicted, rude and unhelpful, she then asks a customer who tears the sheet of paper up. She explodes at this guy, and what follows is a hilarious barfight of a sexy blonde taking out a bunch of redneck thugs. The fight scenes aren't very convincing as she successfully takes out guys far bigger than herself with no problem, but it's great fun to watch and it is more believable than garbage like Charlie's Angels!So later on, a bunch of guys appear at the door of Delilah and her performing parters house, while Jo is in the bathroom just getting ready for sleep. Just while their arriving, she catches on and proceeds to take them down while TOPLESS. I loved this scene, it really made me laugh VERY hard. The sheer silliness of it, and the fact it's so obviously exploitive.In between her and Aaron checking out Robert Kell's hideout from the help of a mercenary friend of his and Aaron getting the crap beaten out of him by Kell, Kell kidnaps Delilah and blackmails Jo into going onto the stage naked or else Delilah dies. Oh please! So afterwards, we get another bunch of guys failing to take out Jo, this time in a gun battle, in which her boss who hired Kell to get her killed dies. Afterwards, she heads to the house of Delilah and Reena (her performer parter) to find her tied to a chair, she then tells her where Kell has taken Delilah, which is to an old disused prison. What follows is a bunch of inept guys who fail to use their weapons properly and Jo finally reaching Kell, and Aaron checking himself out of hospital in order to help Jo take down Kell. In a brief fight between Jo and Kell, she comes off worse and then Aaron shoots at Kell, while Delilah unties herself and hits him over the head with a plank of wood. Now dazed and weak, Jo spin kicks him a few times, knocking him down a large drop and sending him to his death and says "That was for my sister." Yep, not a cliché in sight.Overall, this is NOT a good movie but it sure is fun. The acting is over the top, the production values are simple, and it doesn't make a whole lot of sense. However, it gave me a great laugh, partly to see a sexy blonde bimbo taking out a bunch of redneck thugs, and partly because it was so stupid and campy. However, for a Corman flick it could be so much worse.I'll let you work out a rating from your point of view. If your stuck in on a Friday night while all your friends are out and this is on TV, then go and watch it. If you're ever bored and there's nothing else, hell, just watch it. It'll be the greatest fun you've had looking at your TV screen in a while. If you've got something big planned on a night it's on TV, then don't bother.I still can't figure out what rating I'd give it, it's badly made, silly and rather predictable, but it's fun, and I suppose that's all that matters in the end.I'd love to see Maria Ford do more stuff like this!
