Annie Hall

1977 "A nervous romance."
8| 1h33m| PG| en| More Info
Released: 20 April 1977 Released
Producted By: United Artists
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

New York comedian Alvy Singer falls in love with the ditsy Annie Hall.

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WubsTheFadger Short and Simple Review by WubsTheFadgerFirst off, this is my second Woody Allen film, the first being Midnight in Paris which was very good. After watching this film, I hate Woody Allen. His character is narcissistic and rude. He always thinks about himself and his voice made me want to kill myself. The story is slow and boring. The characters constantly talk about sex and there is no way Woody Allen would ever get that much puss. He sleeps with at least five women throughout the film. That in and of itself is impossible. He is a short, ugly, and annoying man. The film is so shapeless and it repeats itself so many times, it is an utter chore to watch.The acting is bad. Woody Allen casted himself in a film he directed (He has an ego problem). He is really bad also. Diane Keaton is quite good though. She plays a quirky yet cute woman.The pacing is horrible. The film is slow and the runtime feels so long.All in all, Woody Allen sucks.Pros: Diane Keaton performs wellCons: Woody Allen plays a narcissistic and annoying man who thinks that he knows everything, Woody Allen would never get that much puss, the story is boring, the characters suck, bad acting, slow pacing, and a long runtime.Overall Rating: 3.0
mike48128 Nothing has changed in the 40 years since this film was made. Everyone is still against Jewish people who basically just want to be left alone, judging by the recent idiotic "rant" by the White Supremacists. Woody Allen's very autobiographical and neurotic self-portrait with his lifetime love Diane Keaton. Her character wants to be a White "Billie Holiday". Her Hollywood friends are into lines of cocaine and constant parties. The best "gag" of all is when Woody sneezes and spoils about $2000 of cocaine. Alvy Singer (Woody) makes love to several neurotic "skinny" women. He is a stand-up comedian and writer. He has appeared on TV and with Johnny Carson. It features a ton of "stars" like Paul Simon. Also future stars like Christopher Walken, Shelly Duvall, Carol Kane, and many more, all so very young. Allen carries tons of "Jewish Guilt" around with him. He eats an Easter ham dinner with Annie Hall's family and imagines himself a Rabbi. A doctor suggests that pork and shellfish might have made him sick (non-Kosher "forbidden" foods). Annie Hall (Diane Keaton) is kind of a ditzy character and can't get aroused by Woody's character unless she is high. What women find attractive about him remains a great mystery to me! It starts out slowly and builds into a comedic classic. Of course it will not appeal at all to Millennials and Blue-Eyed "Wasps". It's a acquired taste, just like The Marx Bros. and W.C. Fields comedies. Either you find it hilarious or ya' just don't "get" it at all!
blumdeluxe "Annie Hall" is what you consider a typical Woody Allen movie, although he'd probably hate this classification. It centers around the concept of love and human relationships, expectations, fears and needs. In the typical mixture of comedy, drama and stylistic elements we follow a couple falling in love and growing out of it, learning about themselves through the other.I really like how unconventional this movie deals with the topic. A movie about love and relationships is really not on top of innovation, yet it feels like this film has a sense for the undertones of love. In many ways philosophical, it raises questions and searches for answers, not always finding the right ones maybe but matching the complexity of human relationships.I found it interesting to learn that Allen himself doesn't think highly of this film. Indeed I also liked other of his films, especially "Whatever works" more, that seemed to be even more on point to me. "Annie Hall" sometimes takes quite a lot of time to make a point and at times gets lost in itself.Nonetheless this is a movie you should see. It leaves you with a lot to think about.
chaswe-28402 One is when Marshall McLuhan makes a personal appearance. No memory of what he said. I saw this film several years ago, but could only remember this scene, and when Woody turns into a Rabbi at the Hall family dinner table. The jokes come thick and fast, but they are not really very funny. American one-liners. They don't travel well; and some are quite old and re-cycled anyway.It's highly self-referential. Embarrassingly self-pitying, I fear. There isn't a lot different between this Woody, and the unfunny comic he makes fun of. He used to write jokes for other comedians, and I suppose that episode reminded him of the tedious, unrewarding business. What he's doing here is putting us, the audience, in the place of the psychotherapist, and then stretching out on a cinematic couch and telling us all his problems. In fact, that's what he says in the opening scene, when he addresses the viewer directly. But are his problems of more than passing interest to the world ? Reminds me of Two-Way Blacktop, where the hitch-hiker says he doesn't want to know about GTO's history.Still, I did watch it all the way through. Perhaps I was waiting for it to improve. But it didn't. Critics have called it dated, although I don't associate it with any particular date. Other Woody Allen films that I've seen are streaks better. The Purple Rose of Cairo is a very good, inventive, moving example.