Argemaluco It's a well known fact: the event which provoked the collapse of the video game industry in the early '80s was the release of E.T. the Extraterrestrial, such a bad game, but with such high sales expectations, that its failure ruined the company Atari while also caving the whole industry. But, how true is that fact? Filmmaker Zak Penn seeks the answer to that and other questions in the documentary Atari: Game Over with the help of fans of the company, the original programmer of that fateful game and even some defenders of E.T. the Extraterrestrial (such as novelist Ernie Cline). And all that happens while Penn tries to clear out the big mystery about the final destiny of the millions of cartridges which were never sold. Were they really buried in some remote place of the desert? The search of that mythical place forms the narrative structure of Atari: Game Over. According to testimonies of witnesses, old documents and the personal investigation of historians such as Mike Mika, it has been determined that the likeliest place of that collective grave of cartridges is a huge municipal dump in the outskirts of Alamogordo, New México. But it won't be that easy: the dump covers many hectares and the modern archaeologists contributing to the search lack of verifiable data regarding the exact site, or even the veracity of the legend; and besides, the local government doesn't think it's a good idea to dig randomly, due to the possibility of finding toxic or radioactive material (Alamogordo had a big prominence in the first nuclear tests made in the United States during the '40s). While Penn solves the legal and logistic problems of excavation, we can learn a lot from the interviews to ex- directors of Atari, former employees of the company and analysts with enough experience to adopt a more sober and less reactionary about the authentic effect of E.T. the Extraterrestrial over the collapse of the video game industry. Many of these points were superficially covered in documentaries such as Video Games: The Movie and and Indie Game: The Movie, but Penn deepens on them like no other, and he could even create an atmosphere of nostalgia and suspense I didn't expect in a tale about something so specific and, at the same time, trivial. But besides of seeking old cartridges or defending the bad decisions of "stoner" programmers, Atari: Game Over is a tribute to "geek" culture on each one of its manifestations. Penn understands the inherent irony in his mission, and accepts the implicit humor in taking such an absurd search seriously... but he never becomes it a joke against "geeks"; on the opposite, this is a genuine tribute to the passion all these ephemeral manifestations of popular culture wake, and even though they didn't change the world, they were (and keep being) important for many people. The reason of those obsessions might need a deeper analysis, but that isn't the purpose of Atari: Game Over; its purpose is entertaining and illustrating us about a famous (maybe apocryphal) chapter in the History of video games, and it fulfills that mission with a lot of style and enthusiasm. Those interested in the general History of video games should check the previously mentioned documentary Video Games: The Movie; but for those who are fans of Atari, Atari: Game Over is the definitive film... at least until someone makes a deep academic dissertation about the "easter eggs" of Pitfall.

Michael_Elliott Atari: Game Over (2014)*** 1/2 (out of 4) Entertaining documentary from director Zac Penn about the fall of Atari and how many people blamed the disaster sales of the video game E.T.. The documentary talks about the rise of Atari and of course it's fall from grace as well as goes into details about the making of the video game based on the Steven Spielberg movie. We also get current footage of them digging up a landfill where legend has it contains millions of copies of the game that didn't sell.The term video game nerd is used several times throughout this documentary but you certainly don't have to be one in order to enjoy this film, which is without question a fun little gem that makes you realize how the truth is often very far from the legend. We're told about the history of this video and we get interviews with video game experts as well as the man who designed the game. They discuss what kind of pressure was on for it to be released by Christmas and why something just went wrong along the way.If you're a fan of video games or familiar with the legend of the E.T. game then you're really going to love what's offered here but I think those unfamiliar with the legend will probably enjoy it even more because it's just fascinating to think that one video game brought down a billion dollar industry. Of course, the truth is eventually revealed. Video nerd or not, this is a very entertaining documentary that's worth watching.

Theo Robertson What's the worst video game ever ? I'm rather lost as to how you'd even go about using criteria for worst video game ever . As someone who plays video games on my laptop I'm often frustrated as to how in-depth they are these days . Where as playing a football management game from 15 years ago such as CHAMPIONSHIP MANAGER I could complete a season in about two hours where as playing FOOTBALL MANAGER 2015 I have to sacrifice closer to two days to finish a football season . Likewise a real time strategy game like AIRLAND BATTLE is breath taking in its dedication to units , maps and tactics but by the same token the gameplay and micro management needed to play in order to win on a consistent basis is off putting so it's very subjective as to what qualifies as a bad game . This documentary tells the story of the Atari game E.T which we're told to believe is the worst video game in the history of humanity Again we're asked to buy in to the S word - subjectivity - and this is where everything falls down . Atari once had an absolute monopoly on video games both in arcades and home consoles . Everyone remembers Pong , a tennis like game involving two players knocking a ball in to their opponents space . Then you had Space Invaders and the likes taking up the market in arcade games and I often remember as a child popping in to the local amusement arcades in Rothesay watching patrons play these games wishing I had the money to play . When I did arcade games had moved forward slightly and grown more intricate and visually better and just all round more fun . It wasn't until I consulted Wikipedia that I found out something important which GAME OVER fails to mention and that is how very few games in the mid 1980s arcades were Atari games . And this means this documentary must be taken wit a large salt mine . By the mid 1980s other consoles by the likes of Sega were eating in to the market and despite what the interviewees are claiming it simply wasn't a bad press revolving around a single game that ended Atari it was simply market forces and more innovative rivals that beat them This is a pity because this selective rewriting of history damages a very interesting documentary that gives us the story of how video games came in to being . Where it works best is with the visuals . Director Zak Penn best known for his Hollywood superhero screenplays uses the documentary as almost a literal comic book cum video game which works very well in what could have been a boring docu featuring talking head interviews . The history of Atari is also fascinating where game developers were allowed to get stoned at work , think outside the box and makes lots of money . As the laws of evolution show however hippies become yippies become yuppies and there's distinct lack of irony involved when people who have done so much to make a corporate company an absolute minority thinks it's a good idea to dig up a land fill site in Alamogordo causing possible environmental harm as a bit of an ego trip while blaming all the world's problems on a video game that didn't sell . Modesty like truth isn't exactly in evidence here but it still makes for an interesting documentary

Steve Pulaski If you're into retro video games, or in the video gaming community in general, there's little chance you haven't heard of the widespread story of the video game crash of 1983, which lead to Atari, one of the most recognized and popular video game companies of the time, losing millions in revenue and causing the entire industry to almost collapse as a whole. The crash was eventually attributed to numerous different things, such as inflation and, most notably, the oversaturation of the home console market because nearly every technology company tried to create its own video game console, yet one myth still stands tall amongst the truth. That myth is that the video game crash was because of Atari's video game adaptation of E.T., a video game that is widely considered to be the worst video game ever made.Such a compelling and unorthodox story owes itself to be covered in a documentary, and thankfully, there's Zak Penn's Atari: Game Over, a sixty-six minute documentary available for free on Microsoft's Xbox 360 video application. The documentary works to establish the story of Atari's rise to fame before it all came crashing down in the early-to-mid eighties, as well as articulate the real reason for the company's financial troubles instead of reiterating the common myth. In addition, Penn covers the fabled story of the cartridge burial in the Alamogordo landfill in New Mexico.For years, rumor has had it that hundreds of unsold E.T. cartridges were buried deep in the Alamogordo landfill before being smothered by a thick layer of concrete. Spliced in between interviews with people close to Atari, and those who worked for the company during its heyday, Penn covers the excavation of the landfill, as he works with the landfill's employee Joe Lewandowski. Lewandowski is almost certain that beneath the surface of the dump lies the cartridges so much so that he has created an intricate map that reveals the location of where they'd be.One of the souls interviewed during the film is Howard Scott Warshaw, who was a video game programmer and creator for Atari during its rise, creating the console's classic games like Yars Revenge and the video game adaptation of Raiders of the Lost Ark. Warshaw was also tasked with creating the aforementioned E.T., a task he was only given five weeks to complete because Atari wanted a presumably hot title for the forthcoming holiday season. Warshaw tirelessly worked to try and complete the game, but the end result was a game that was widely panned for its cryptic, often frustrating structure and layout among other serious problems. Following E.T.'s release, Atari experienced enormous profit declines, a fact later attributed to not only the oversaturation of the video gaming market but because Atari kept funneling advertising money in their flagship console, the Atari 2600, in a time where it commanded the market share and the next generation consoles were already on their way. Warshaw, among over 7,000 other employees, were eventually let go in the mid-eighties, following continuously abysmal performances and small profits.Atari: Game Over chronicles all this in a delightfully compelling manner, giving us history and the contemporary excavation in a way that will not only please fans of video games but anyone looking for a quirky, offbeat story. Penn is also careful to note why Atari and the video gaming industry are so significant in the world, affirming the idea that the early video gaming consoles turned the Television, a once exclusively passive medium, into an active medium, where one could control their actions and enter alternate worlds with untold possibilities, only limited by one's imagination. In addition, it's also nice to see some affirmation of E.T.'s legacy and quality rather than harping on mindlessly-uttered derogatory statements concerning the game's quality. Humbly emotional scenes come when Warshaw, who now works as a psychotherapist, discusses the imprint E.T. has had on him during his presence at the landfill's excavation and we see the effect one's panned art has had on him over the years. It's a tender scene in a very well done documentary.Directed by: Zak Penn.