Au Revoir Taipei

2010
Au Revoir Taipei
6.5| 1h25m| NR| en| More Info
Released: 02 April 2010 Released
Producted By: Atom Cinema
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Budget: 0
Revenue: 0
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Synopsis

Kai (Jack Yao), who works at his parent's noodle shop by day and spends his nights in a bookstore to learn French, decides to go to Paris after his girlfriend, who recently left for Paris, dumps him by phone. Then the local neighborhood mafia boss offers Kai a free plane ticket to Paris if he takes a mysterious package with him.

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Gordon-11 This film tells the story of a man who has an eventful evening in Taipei with a bookstore staff before he goes to Paris.I thought this film would be romantic and funny, but it is the exact opposite of what I imagined. The plot tries to be funny with the different subplots, but they all fall flat. The orange suited gang is not funny and the heist is not funny either. The score is repetitive, and uses the same sound effects over and over again. Acting is flat, as most characters are wooden and convey no emotions. I was thoroughly bored by this film.
EyeDunno Au Revoir Taipei is simply a balanced, fun, light-hearted movie that you should share with someone. Make sure that you both can live with reading the subtitles (unless you know the language). One can nitpick at any plot holes, or whether something like this could ever happen in real life. But throw all the suspicions and unnecessary skepticism out before you watch. It's simple fun with the premise that love can happen if one isn't blinded by what's around. Fun can happen if you immerse yourself into the cinema world of Taipei... and you feel as though you're truly a visitor. I hungered for street cart dumplings, myself, at the introduction of one character who can't get enough of them. There was very little, if any, CGI involved. No explosions or gratuitous violence, either. No one really wanted to hurt anyone else, and one character apologized when he actually did strike another a little too hard. The story line was not at all thick. Just a neat yarn about a guy in love, who's heart is misplaced. Yet the tale becomes intertwined as he gets involved with others who have their own ambitions, and through them, you understand that the main characters are in different stages of love. The result goes farther than anyone bargained, and all parties have to adjust to how each other reacts. A number of the characters were more interested in watching Asian soap operas on TV, and they don't realize that they're missing out of one with people they know! Not many have gravitated to Au Revoir, Taipei (at this writing, it has less than 1,000 votes), but if you like international cinema, find this film, a date that likes the same kind of movies, and share it with a bag of fresh-popped.
vince4953529 Au Revoir Taipei reminds me of some Western romantic films where love affairs are often thrown in with gangsters, cops, chases etc. But this film clearly is a lot more light hearted contained some hilarious dialogs between the characters. I laughed out loud during the interactions between the cops and between the real estate agents. The colors in this film are vibrant, contrasting the night sky, which is very pleasant to behold. There are many locations in the film which I recognized that only added to the realism. I wish there will be more movies like this coming out from Taiwan where intelligent plots and genuine comedic moments dominate.
moviexclusive As a filmmaker, a sure way of winning your audiences would be to make a crowd pleaser which has the power to leave viewers smiling from ear to ear once the end credits roll. Come on, who would want to be cooped up in a depressing enclosure all day long to ponder about the unhappiness around us? Once in a while, it is healthy to go on a breezy journey where all things happy and unthreatening happen to everyone. This film does just that, and for 85 minutes, you'd be taken on a gratifyingly wondrous trip around Taipei, where you secretly wished that you are one of the protagonists, fleeting from one spot to the next without having to worry about a sad ending.First time feature director Arvin Chen brings you a somewhat frivolous tale of an idle young man who wants to visit Paris to hunt down his girlfriend who has unfortunately dumped him recently. He needs money for the trip, so he gets involved with a mobster boss who asks him to help deliver a package. Things go haywire along the way and his goofy friend, the boss' ambitious nephew and a cute bookstore employee get entangled into the web of misadventures. Adding fun to the crowd is a gung ho plainclothes policeman, a motley crew of minions and a group of lindy hop dancers (you have to see the film to understand the importance of their roles in the story).The first thing that grabs you is how fluffy the plot is – discovering what love is all about in one night? Sure. But who are we to be cynical about the film when it nabbed the NETPAC/Asian Film Award at the recent Berlin Film Festival? Which is why we let our guards down and went along for the ride, leaving all skepticism and scorn behind us. And guess what, it isn't such a bad thing to feel light as a feather once in a while. If people want to be chirpily entertained, we are not stopping them.Kudos also goes to the cinematography department for capturing the appeal of Taipei. The technical package is commendable, especially for a debut feature film. The warm, loving and charming, dare we say it, personalities of the city are engagingly caught on camera lens to complement the story plot.Just when you thought the film was lightweight enough, we have equally lovable male and female leads to complete the package – Jack Yao translates enough goof into charisma to appeal to the female audiences while Amber Kuo is so adoringly cute just by pushing the book cart. The best bits of the film go to Frankie Gao (more affectionately known as the Frog Prince to fans of yesteryear's Chinese pop music) as the mobster "villain". The character seems to be tailor made for the iconic pop star, and you have to experience his performance to understand what we are getting at. Elsewhere, look out for familiar faces of Taiwan cinema, including Joseph Chang (why is he sporting a strange hairdo as the plainclothes cop?), Jack Kao (a competent fatherly figure) and Tony Yang (who gets beaten up by Chang in an unintentionally rib tickling sequence).Without giving too much away, we are guessing that ss the film's end credits roll, you may just get the urge to pick up lindy hop, and dance those worries away.