Michael Ledo Ralphie (Mark Drake) has bad dreams and undergoes life regression conducted by his friend Claudia (Rosie Akerman) reading from a book. Unlike most people undergoing regression and being the King of Atlantis, he was a Nazi. He was involved in a project called "Operation Community" which was designed to create terror in England prior to the invasion. Meanwhile Ralphie's girlfriend Andrea (Sophie Barker) a Brighton girl, is cheating with Lucas (Miles Jovian) who is Chloe's boyfriend,Ralphie's visions takes them to a rural area of England as they search for his past life and giving Lucas and Andrea to do their rabbit thing. In a subplot, there is a unseen man contacting demons(?) through a black mirror with Nazi symbols so he can enact revenge. The two come together in a slightly unexpected manner resulting in a torture scene that was so-so.The film incorporates a unique script, but fails to deliver the goods. The intensity wasn't felt. And PLOT SPOILER what was that scene where we see Lucas' junk as he is clearly naked, and then later he is wearing underwear? Plot continuity, Please.Guide: F-bomb, sex, brief Miles Jovian's junk.

vanmcoonn 7 words, what a beeeeping meme. Yes that is 4 words, so that probably makes as much sense as this beeeeeeeping movie. personal fav quotes: 'beep' 'are you serious???????????????????????????' 'you talk too much' (default filler line of text) (default filler line of text) (default filler line of text) bon ap the teeth

mjsreg The subject of this film could have been interesting, but the production leaves a lot to be desired.It is certainly not the worst film I have ever seen (keeping in mind I am talking about several oh-so-long decades) but it is not a film I would watch twice.The main problem with it seems to be the editing. Several scenes linger far too long without relaying anything to the viewer - they just hang there wasting time. One gets the feeling they were left this long just to fill up the time available.Also in the edit, scenes which seemed about to lead to something interesting just lead to nothing much at all. One is left wondering what the implied drama was all about. A bit like waiting for a big rocket on firework night only to be treated to someone lighting their fag.Continuity is another big problem. Someone (or some people) were not paying detailed attention! If you watch it you will see. Inexcusable in the modern age when a simple mobile phone is capable of recording details of a scene which can be used to set up the next scene.As for the acting, well it is what it is. The cast seemed to stutter along like planks in a fence. A shame, because I am sure there is talent there - it either wasn't brought out because of the lack of director's skill (and editing again) or they didn't have the freedom to interpret their characters.Overall I wouldn't bother with this film unless you have nothing better to do or are distracted by eating a very nice takeaway.

nabokov95 Wow! just wow. Two mismatched Brighton couples travel into the deepest darkest depths of the South Downs in search of their Nazi war criminal pasts and meet the locals, who have long memories. Yes, you did read that correctly. If they had a dog this could have been the Famous Five novel that Enid Blyton always wanted to write but never did. Throw in a perpetual quest to find the village pub and ale, references to the Battle of Britain, Spitfire fly pasts and "strange" locals and you have a truly weird and wonderful mix. I found myself actually laughing out loud at some points which I'm sure were unintentionally funny. I defy anybody to watch the tractor and tent scene and not chuckle. The greatest mystery to me is how Julian Glover, a veteran of the Royal Shakespeare Company and an actor, got roped into this. Julian plays his part very well, as you would expect, but only adds to the problems of the film by acting, underlining the fact that he is the only one of the cast who can. I couldn't help thinking that he was probably more annoyed at the other cast members than anything the Nazi invaders might have done but it no doubt helped him get into character. As one of the characters memorably says "There's no point in pretending this isn't happening." Regretfully, I can but agree. For the unintentional but genuine pleasure it brought me my score 4/10.