Scott LeBrun Many years before the more recent 'Bates Motel' TV series, this television movie was made to cash in on the "Psycho" brand name and try to kick start a series. It's the kind of sequel that both ignores previous entries and fudges with the original mythology a bit. Bud Cort stars as Alex West, who'd been incarcerated at the same mental asylum as Norman. When Norman dies, he leaves the infamous motel & house to Alex. Alex, despite having been in this institution for most of his life, vows to make a go of things, helped by people like Henry Watson (Moses Gunn) and a tough talking young woman named Willie (Lori Petty). While the motel is given a flamboyant makeover, strange & supernatural occurrences take place.For a while, this is a fairly appealing story (concocted by director / executive producer Richard Rothstein), anchored by Corts' engaging performance, although it wouldn't be for "Psycho" and Hitchcock purists. It threatens to derail upon Petty's introduction into the picture, although after a while it's clear what her purpose is, and the character becomes more tolerable. The part where it REALLY begins to derail is in the final third, where Rothstein and company waste time with a subplot about a depressed "older" woman named Barbara Peters (Kerrie Keane) and her interactions with various youngsters, including one played by a young Jason Bateman. It truly goes to pieces with the hysterical, 'Scooby Doo' type ending. (Followed by Cort breaking the fourth wall just before the end credits roll.)When you see the makeover that the Bates Motel gets, you'll likely cringe, and realize that progress (a big theme of this tale) isn't always a good thing.The acting is sincere enough to keep the thing watchable, along with solid performances by such familiar faces as Gunn, Gregg Henry, Robert Picardo, and Lee de Broux. Kurt Paul, who plays Norman here, was a stuntman on the second and third "Psycho" features.Certainly worth a look for curiosity's sake, but it in no way compares to other entries in this series.Five out of 10.

Mike Saltzman Hmmm...what would Norman Bates say about 'Bates Motel?' Perhaps, "We all go a little mad sometimes." Except I really don't think it was all that crazy to give the TV audience a taste of Psycho. I have to admit, I've been fascinated with the character since the first time I saw Psycho in the '80s and I loved the crazy sequels that followed. I also liked Jason Bateman as an actor (still do). However, I think this show was somewhat doomed from the start. I think it's hilarious that 25+ years later, I am hooked on the 'Bates Motel' TV series, which is better because I think a prequel is a better way to go. You know what they say about hindsight though. In any event, I'd like to see this again as I only saw this version in 1987. I think in light of the fact that the new show on A&E has done so well, why not show it for giggles? I'm sure Anthony Perkins won't mind...now.

loripetnut-1 I saw this just once on TV years ago. I wish I could find it somewhere on DVD, even if it didn't have extras, just so I could see it again. I can't even find it on tape to transfer to DVD on a borrowed machine.I liked that it tied up the end of the story of Norman Bates, who died and left it in his will to fellow inmate Alex in the asylum. Would be very nice to have this to add to the entire Psycho movie collection I have.The performances of the actors was good, especially Bud Cort and Moses Gunn. The hotel itself was recreated beautifully for this, complete with cobwebs, rundown, house, and all sorts of damage you'd expect for an abandoned building that hasn't been occupied in years. You just have to suspend the knowledge that the original house was burned down at the end of the fourth Psycho movie (they never did explain why the house was still standing in this one--did they put the fire out?).

emenon This was as scary as the first Psycho movie made in 1960, with Anthony Perkins, Janet Leigh, Vera Miles and John Gavin. It was full of suspense. A young guy Bud Cort, took Norman Bates wish, after his death in his will, to have the Bates Motel and Mother's House. The Psychiatrist thought it would be good. He did go and with help from a young girl named Willie and Moses Guinn helped him restore the Bates Motel. The young lad had financial trouble. However this Banker was trying to scare him away from the Bates Motel. Dressing as Norman Bates Mother and telling him scary stuff, about a murder that took place years ago. At the end the Banker got caught with some help from Willie she came in dressed as Mrs. Bates and got a confession. After all the excitement was over Bud got to keep the Motel. Norman Bates house behind the motel, should be made into an attraction for visitors. Make it into a Bed and Breakfast, your not going to get stabbed. It should be on the historical register.