gavin6942 After being continually kicked out of boarding schools, Ben (Ricky Mabe) is sent to live with his stern Grandfather in a small town. While there, no one is interested in him with the exception of a girl named Kathrine (Elisha Cuthbert).Really, the only thing going for this film is the cast. Ben Gazzara is always a joy, even if he serves no real purpose in this movie (his role could have been filled by anyone). The real treat is Elisha Cuthbert. There is no way that anyone would have thought within a very short time she would become a sex symbol thanks to "The Girl Next Door" (2004).The story and everything else is rather bland, and seems like it was made for TV, possibly for young adults or children. You probably will forget you ever watched it within days.

tanishashah85 I remember watching this movie 9 years ago and almost forgot how good this movie was ...not scary at all ..a very decent ghost story with good acting especially Benjamin stiles as Ricky mabe ...its sad that these days they don't make movies like they used to make...a perfect movie which can be watched with your family on Sunday afternoon ...watch it if you like ghost stories.....can anybody tell where I can find the movie DVD or can even watch it online as it been ages I haven't watched this movie desperately wanna watch it....loved this movie ..you won't get bored watching this movie again and again ...believe it.

jotix100 Sometimes it takes years to realize how wrong two bitter enemies have been about an incident one party blames the other, when in reality the accused didn't have anything to do with what happened, at all. This is followed by enmity, as neither party seems to be the first one to see the real facts, as they really happened. Such seems to be the situation one witnesses in "Believe", directed by Robert Tinnell, and based on a screen play by Roc LaFortune and Richard Gaudreau.Ben Stiles (Ricky Mabe) a teen ager whose parents are too busy and keep him in private boarding schools, decide to send him to spend some time with his grandfather Jason (Jan Ruber), a wealthy man living along in a majestic estate. No sooner is Ben installed in the mansion when he begins seeing a woman clad in red, a ghost, who seems to be all over the place. His grandfather doesn't want to talk about its existence, at all; yet the mystery continues.Ben meets a beautiful neighbor, Katherine Winslow (Elisha Cuthbert) who lives nearby with an unmarried uncle, Ellicott (Ben Gazzara). Her parents have died in a terrible accident. Ben and Katherine, who also has seen the ghost, try to get to the bottom of the mystery, until they hit a sore spot in both Jason and Ellicott. Both older men live with bitterness in their hearts because each one blame the other for the death of Jason's sister Margaret, the ghost, years ago. Ben and Katherine keep on investigating until the tragedy of Margaret's death is revealed."Believe" has some good moments. Its atmosphere of mystery and eeriness is well executed by the director. The acting serves the story and the film is easy to look at and will entertain anyone looking for a moderately good time. The moral of the story seems to center around the bitterness that can come between the best of friends when there shouldn't have been any.

bsenn Director Robert Tinnell makes "family films," and he makes them well. He has a way of exploring important issues, such as familial communication, trust and loss, by coalescing emotions into a series of subtly potent moments. Oh, and he also loves monster movies. A life-long fan of classic (and not so classic-Believe features two scenes inspired by the 1941 Bela Lugosi Monogrammer The Invisible Ghost!) horror cinema, Tinnell turned his earlier Frankenstein and Me (1996) into a touching homage to growing up with monster movies. So for those of us with children ourselves (or for the monster movie-loving child in all of us), Tinnell makes our kind of movies. And Believe is his even more polished attempt to put some fright (and insight) into family fare. "I wanted to make a film where Hardy Boys meet the Wuthering Heights, and I hope that's what I did," explained Tinnell (who also concocted the film's story line). Indeed he did, with a touch of Val Lewton thrown in for good measure.Believe centers on Ben Stiles (Ricky Mabe), the 14-year-old son of a diplomat, whose absentee parents have put him in a succession of boarding schools. Ben has a very unusual way to liven things up-he stages elaborate fright gags to scare his fellow pupils. After his latest stunt gets him expelled, he's sent to stay with his estranged grandfather (Jan Rubes), a reserved and imposing man who lives in a large, forbidding mansion. As the two try to establish some sort of relationship, Ben comes to realize that the estate is haunted by the ghost of a young woman-something the grandfather refuses to discuss. With the help of a recently orphaned girl named Katherine (Elisha Cuthbert), Ben attempts to unravel the mystery, leading to a confrontation between his grandfather and Katherine's great uncle (Ben Gazzara) over tragic events that transpired long ago and have affected their lives ever since.Tinnell fills his film with nice eerie touches; shots of a shadow on a wall, leaves rustling in the wind, and shafts of illuminating moonlight (not to mention some evocative, prowling camerawork) generate an uneasy atmosphere."My goal in this one was really to find out if I can scare people," explained Tinnell. "I'm not a guy who runs away from that label; if you point and say 'he's a horror filmmaker,' I say great. So my goal was to prove I could do that."But there's more to Tinnell's movie than just scaring young 'uns. "My other goal was to do something that would provide an entry level horror film for kids, with a positive message. And again, there's been a theme that's run through all four of my films pretty much: communication, the family. And I thought what better way to demonstrate how just not talking to one another, the damage it does to families. And I really do believe in that." Believe is really a story of families and relationships and the importance of communication-with an engrossing ghost yarn to hang these ten-gallon emotional hats on.Don't be put off by Believe's so-called target audience. "It's primarily for kids from, say, eight to fourteen-primarily," admits Tinnell. "But I like to think that children of all ages, from eight to eighty, can enjoy this film. I think the best family films-this is not a children's film, obviously-I think the best family films are the ones in which the parents are sitting and watching with the kids, which is what they should be doing anyway, but don't.. I think that it works for all ages." Indeed it does.Tinnell's heart (and, given the finished product, head) is in the right place. "I'm not going to condescend to the kids," emphasizes the director. "They deserve a good scare. Nowadays if they want to see any kind of contemporary horror, there's so much misogyny and just gratuitous bloodletting-and it's just not scary and there's no real supernaturalism. I just wanted to make a film that if I was 12 I would have loved.In the movie, Ben explains why he stages his terror tricks by observing, "People like to be scared." Yes they do, and here Tinnell has offered up his own fright frolic, with some important ideas and involving sentiments thrown in for good measure. Aimed at those monster movie lovers who've grown up and had kids of their own (as well as those who've never really grown up at all), Believe is a sometimes scary, often affecting and always entertaining movie for the whole family. And that is a rare commodity these days.