Hitchcoc Other than the enjoyment of looking at Carol Alt in her business suits, this is a pretty good cast wasted. To start with, I couldn't care less about her rich girl persona and her snot son. The kid looks like a refugee from Leave It to Beaver. He is so happy all the time. Even when he punches out the big kid in the principals office. Rutger Hauer is hired to go retrieve the boy from his Arab father who is an aspiring Emir in a desert colony. Boy, it's hard to watch what the likes of Omar Sharif became. Anyway, they blast their way in and attempt the rescue. She comes along, of course, because she is an Alpha female, rich, corporate executive, which qualifies her to fight against Arabs with machine guns. Mostly she hides; but she is there. I'm sure a fair amount of money was spent on this. There is some nice desert cinematography. It's just too many deaths, done easily, to get back that little jerk kid, who, in actuality, couldn't fight his way out of a grocery sack. Too much shooting and not enough plot.

cbabbot The first time I saw this movie I was on a bus in Mexico. It was a sweltering 110 degrees, the air conditioner was broken, and I was battling amoebic dysentery. When this movie came on, my world changed. Elliot Gould, Omar Sharif, and others give breathtaking performances as the kidnapped American child is reclaimed by an unorthodox hero. 15,000 dead Morroccans later, the child is rescued and brought swiftly back to his mother. For those two hours, I forgot about my perils in a foreign land and simply enjoyed the show. This film take you to the edge of your seat, doing the wave with your friends, and sharing the beauty of one of the most wondrous creations to grace the silver screen. Bravo.

Pepper Anne The synopsis on the video box hardly do any sort of justice to this movie, depicting it as more of a regular kidnapping story where a mother hires a rather unorthodox agent to trail her strange husband. But this movie has none of that. Filmed in Morroco, it is more like a modern tale of adventure in the deserts of Morroco complete with sword fights and camel rides. A rich woman's husband, son of a Morrocan Prince, takes their son to Morroco with plans to live in grandfather's palace. While the grandfather declares the grandson heir to the throne and prepares him for living in the Holy Land and ridding himself of the life he once knew, the woman hires a few men (including Rutger Hauer) to get her grandson back. And it turns out to be a very dangerous mission. This is a fantastic adventure film, though a pretty violent one, since it's a deadly mission and one that, although the main premise involves a kidnapping, continues on to involve all sorts of wild intrigue including that of a feuding Morrocan tribe. It seems so unusual because it is an ancient tale told in a modern setting when the family is taken away from their modern conveniences into a highly hostile desert scenery with completely different customs and culture. These Italian filmmakers have given us something that I would less consider an action movie and more of an adventure tale. I would definitely recommend this movie if you're in the mood for something really different.

jamil-5 A rich, bossy executive's son is kidnapped by her ex-husband, an arab who has been warned to return to his people or face the consequences, which could include her death. When he and the boy arrive at the settlement of his father, the Emir (Omar Sharif), he is informed that, because he has been a bad boy who transgressed against his society's precepts, he will be bypassed and his son, now thirteen, will eventually rule the Emir's people. Meanwhile, the frantic mother (Carol Alt, looking quite elegant) has been put in touch with a specialist in "dirty" operations (Rutger Hauer), who agrees, for a price, to rescue the boy from the Emir's clutches. At this point, the movie begins to slow down as Hauer and his associates penetrate the Emir's lair. There's a lack of imagination and flair to the filming. They just crunch it out. One gets tired of seeing people diving off camels or rolling down sand dunes after they get shot. The film score sounds as if it were written for some other, equally pedestrian movie. And just when you think everything is about to be tied up in a neat package, there's a twenty-minute coda of more gunplay. When you run out of dialogue or plot twists, get out those AK-47s. Does the father pay for his "crime"? Does the kid get saved? Does the Emir say "It is written....?" Does Hauer end up with Alt? Have you ever seen a movie?