rsquires Syncretism: The amalgamation or attempted amalgamation of different religions, cultures, or schools of thought. Just what I wanted and needed to see on this particular night of viewing.There was no lingering bad aftertaste. Throughout the movie are scenes of people briefly reflecting on, and then reconciling with and dismissing their old lives and actions, and starting completely anew. Landlocked, deep inside a continent, this attitude, way of life, world view, is so hard to relate to, that such a movie is a desperately needed breath of sea air.Sure, there are minor weaknesses; the native (or not native? he looked like a pudgy Chinese mandarin) coffee buyer was badly handled; it doesn't effect the outcome. The efflorescence of the lush vegetation, culture and women from the sand and rain, that's what's important.The simple production emphasizes the fragility of the relationship between the two cultures, and in a good way. Highly recommended.

napierslogs A part Thai film, part U.S. film, "Bitter/Sweet" did a wonderful job of merging the two cultures for both audiences. It centers on Brian (Kip Pardue) a young American, for the Western audiences to connect to, but takes place in Thailand. It even manages to include a small-town girl in big-city who comes back to her hometown storyline, without me completely noticing. That's because "Bitter/Sweet" is comedy first, romance second, and melodrama doesn't even come into play.There's nothing that you haven't seen before, except perhaps Kip Pardue as the leading man. The ignorant American was thankfully down-played and we actually got a fairly real character who was charming and sincere. I quite enjoyed Pardue and his character. The other characters were pretty cliché, especially the "evil" local coffee-buyer who became almost cartoon-ish. Spencer Garrett as the comic relief character was a lot of fun, and of course the girls were all cute.The romance angle was entirely predictable, but it works on its cute and sweet factors. The coffee element was really only there as a plot point and to back-up the romance story. But a plot in a romantic comedy? Hollywood hasn't discovered this yet and it is certainly welcome. "Bitter/Sweet" is light and sweet and an enjoyable trip to Thailand.

NEWYORK75 Wow, I wasn't sure what to expect but my wife wanted to see a rom-com one night so we saw Bitter/Sweet at a festival and were very pleased.Everything from the actors to the setting were beautiful, the directing and acting were spot on - we believed what everyone was saying, feeling and they all looked to part as well. Kip Pardue was good and Borlin too, we did not expect the film to end the way it did. And we felt the connection between the two main characters and the movie made us want to not only go to Thailand but drink the coffee.So if you like coffee, Thailand or just rom-coms - see this film as you will no regret it.

deankmaurer Charming performances, lushly exotic Thai locations and a feel-good spirit accent this award-winning, thoroughly enjoyable romantic comedy-drama crafted by writer-director Jeff Hare.An engaging Kip Pardue stars as work-consumed Brian Chandler, who's drafted by coffee king Calvert Jenkins (James Brolin) to journey to Thailand to explore coffee-field pockets for a potential crop purchase. While there, he encounters the quirky locals, but most importantly he meets Ticha, the percolating female scion of a coffee family. Worldviews soon conflict, commerce clashes with the earnest art of coffee production, and the two immediately lock horns. Yet what is originally bitter can indeed turn sweet, and both Brian and Ticha take a journey of self-discovery amid this paradise spread."Bitter/Sweet" may appear to be a date movie--but it emerges as much more than that (though couples will certainly enjoy it together). Rather, it's a character-driven play complete with a jolting twist, a rich brew that nudges memories of three other quality films. In the vein of "Slumdog Millionaire," it delivers a sweet-and-low relationship stacked against the odds in a mesmerizing land. And just as "Sideways" is a fine-vintage voyage that toasts to wine and vineyard aficionados, so too does "Bitter/Sweet" intrinsically treat is arching theme--coffee and coffee connoisseurs--with care and respect. The film additionally shares the spirit of Bill Forsyth's 1983 winner, "Local Hero," in which an outsider arrives in an insular community, stirring up the local denizens and the regional status quo.Director Jeff Hare continues to display his vibrant cinematic talent while adeptly tackling yet another genre. His 1999 short, "A Perfect Little Man," starring Neal McDonough, was a searing, intensely dark psychological drama about a man's ill-destined spiral into madness and violence. His 2005 dramedy, "Checking Out," was an appealing ensemble piece that featured snap-crackle-pop dialog and, in this viewer's humble opinion, one of Peter Falk's best-ever performances.Now, with this film, Hare sets his keen eye on colliding cultures and the whims of romance--and ultimately he executes a sheer delight that brims with a whole latte love.