A_Different_Drummer Have a friend who is a MA buff.He has strong views.He says that Chinese film makers often get confused between the pure fighting and the costume budget. Sometimes they emphasize one when they should emphasize the other.He is also harsh with the Japanese studios, saying that over the years they have given in to the exploitation market by doing films about hi--kicking karate girls, karate sisters, karate high school students, etc.So this one is a jewel. Amazingly pure to the original notion of what MA are supposed to be, a simple yet powerful script, great acting and direction.Almost the Asian equivalent of SHANE.

rdmottern-708-147387 Awesome flick. I have nothing to add to the other reviewers comments, except that with 40 years of studying Goju Ryu Karate (the martial art depicted in the film) - I LOVE IT! No, the ending fight scene isn't the most realistic, but I think we're dealing here with an artistic representation. This I a piece of cinema, not MMA. Kuroobi joined After the Rain as one of my favorite Japanese films, and favorite films, overall. Great spirit in the film and it poses a number of philosophical questions that we, as karateka, daily struggle with as we try to make karate an integral part of our lives. Karate is life, life is karate. This is part of the struggle depicted in the film. While this definitely isn't a kid's night movie (the themes are a bit too mature for that), it does lend itself to peer discussion or use as a teaching tool with adult students.

kobushi Not sure what the other guy is talking about, but the movie is awful, and I speak from the perspective of one who has almost 10 years experience in the art presented in this movie.Plot (minor spoiler alert): The chasing of a piece of cloth has so little to do with karate that it's silly to even make a movie where this is one of the central plot items. The two characters, Taikan and Giryu compete for their teacher's black belt, which is one of the silliest things that karate people work for. Karate training, actual hard work, body development, and realistic self-defense take a back seat to the competition for something to keep your uniform closed.Acting: For some reason, people seem to think that posing and sulking is acting. It's not. Yes, I suppose the two main characters' acting is better than, say, that of the Military Police in the film or what you see in previous karate movies like Black Belt Jones, but I wouldn't be proud of it. At the best of times it's wooden, and at the worst formulaic. Granted, the script didn't give them much room for much acting, but it didn't sell me. The military police were absolutely terrible - they might as well have walked on and said nothing but "I'm eeeevil, mwahahaha..." Not even a wooden performance, a melodramatic cartoon that would have been better acted by Muppets. (Actually, that might have made the movie more watchable.) This may be what people are calling the Asian style, but so many other Japanese films over the years manage much greater subtlety of character and motivation, and can convey wrongness of character without resorting to overstatements. It's like saying fried Mars Bars are cultural cuisine - they're not, and there are many better things you can do with the ingredients.Direction: Much more emphasis on poetic scenes of people doing karate in tall grass or meditating in windy areas or looking tense and conflicted. The scenes are beautifully and clearly directed, which is the only reason that this gets two stars rather than one. However, the red balloon scene after the beating of Giryu is unrelated to anything and doesn't actually have anything to do with the plot, showing that the director is just trying to play up the "beautiful poetry of Asian cinema" aspect of the film rather than actually trying to make a good movie. More like "Look! Look! This is pretty! Ooh, this too! Look! Imagery..." Basically worthless to the story, but then, they couldn't make a decent movie, so they might as well make it look nice.Fight scenes: JKA Point Kumite is not a fight scene, and techniques from said kumite do not make for good fight scenes. I've never seen anyone in any real fight ever jump in, punch, and jump out again. Not going to happen. Likewise, the "block only" circular patterns that are supposed to cover the Goju-ryu part of the movie does not make for interesting fighting, or any sort of powerful set of techniques that we can believe. Finally, the lack of grappling, tegumi, locks, and throws show just how bad karate is being misrepresented in the film. It's simply a bad sport karate demonstration with no relation to the real art.Overall, this movie is not worthy of the title of karate movie, and I feel should be struck from the record.

orochiklan It was a pleasure to see on screen the true soul of one of the more traditional martial art. The story is great and the masters who play the lead characters do a great job, but for me, what the film was all about is simple as one word: Karate, the soul of the art, the realism of the fights, the Kata, just everything in the movie looks so real and pure. I think in some ways this film reminds me the works of Yoyi Yamada (the hidden blade - the twilight samurai) who also show the realism of the samurai warrior in his last days. For all of you who has practice some kind of martial art, this is a must! but like another comment said, don't expect tony jaa kind of fights, but the simplicity an power of the karate art. great film