sv_gc_jaycee The Car that is in this movie is by far my favorite car ever for any car enthusiast you would like this movie for that specific reason. (It's an Olds 442 with A big Nitrous Bottle) Cars are my life so that is why I love this movie so Much Hopefully you will enjoy the movie as well just keep an open mind about all of the poor acting but there are some up and coming Stars such as Jake Busey, who is in the new Road House 2 movie. As we all know Jake Busey is the son of Gary Busey the wacky but extremely good actor Who has stared in numurous movies with some of my favorite being another Black Sheep in which he plays a really crazy war veteran but can you really imagine Gary Busey playing any other character but a crazy one? I really like him on celebrity fit club too he was the heart and soul of the whole program during that season.

Ed Temple Don't stay up late to watch this film as I did. In the morning, you'll be left both disappointed and tired as well. This film's a compilation of tired, well-worn subplots that totally suspend reality. Roadside chain gang is unchained and escapes of course. Boy's girlfriend is taken hostage. Whassup with the ending? Deputy takes multiple gun shot wounds in the chest, but refuses an ambulance. Instead he rides off with the boyfriend to rescue the girl. Later on, the boyfriend takes a 44 magnum hollow-point in the leg while rescuing the girl, but doesn't even register pain. Folks that bullet can stop a moving car! And what the heck is a truck driven by two Deliverance-types doing carrying plastic 55 gallon barrels of gas on an open highway? What happens to tank trucks you ask? The couple-dozen barrels of gas explode for a spectacular ending, while the boy and girl hug each other from 50 feet away without so much as a singed eyebrow. All I ask for in an action film is a little realism. Well, careful what you ask for, you might just get it. In this case that's very little realism.

Christopher T. Chase Okay, so maybe the budget wasn't quite that miniscule, but you can tell this isn't one of the pictures that would be "big" enough for a Joel Silver or a Jerry Bruckheimer to bother with. But that's fine, because even with the tried-and-true action sequences, the execution is well-done and fast-paced. Frank Darabont contributes some solid character development, a real change for an action picture, so anybody out there with ADD may want to fast-forward through the first third. Of course it won't make any sense without the initial set-up, but since when did that bother the majority of the audience this flick is aimed at?And to paraphrase the old saying, what's the most important thing about a low-budget action flick? Casting, casting, casting. You'll never find nastier or more dependable villains than the ones that Peter Greene (THE MASK, PULP FICTION) and Kevin J. O'Connor (DEEP RISING, THE MUMMY) specialize in. Not to mention Russell Means, for that extra touch of "desert ethnicity." Patrick Muldoon and Jake Busey were castmates in Paul Verhoeven's STARSHIP TROOPERS, and character favorites Rex Linn, Jeffrey DeMunn and Lois Chiles round out the lineup. Can't go wrong with a roster like that.Not a movie that pretends to be anything but what it is, so when you want high-speed chases and shoot-'em-up, blow-'em-up-real-good sequences, fire up the VCR with this one, pop the popcorn and have at it.

Gary Imhoff Black Cat Run has a plot that could be written on a napkin, and drives down a well-traveled road, but generates more excitement than many "better written" movies. It's a chase film -- the hero tries to overtake and rescue his captured girlfriend before he himself is caught by pursuing policemen. But in it car stunts that we've seen many times before seem fresh and exciting, and the bad guys, who are almost as uniformly menacing as the monsters in a horror movie, are still authentically scary. The closest parallel is Spielberg's Duel, in which the characters are monotoned, the plot is straightforward and simple, but the thrills are real. In both cases, the director deserves the credit for knowing how to pace, time, frame, and present simple material in order to involve the audience emotionally.