Woodyanders Gorgeous and voluptuous redhead knockout burlesque stripper Blaze Starr checks into the Sunny Palms nudist camp in Florida so she can get a much-needed break from her overbearing low-rent agent and various nightclub engagements. While at said camp Blaze meets and falls for camp director Andy Simms (strapping hunk Ralph Young). Writer/director Doris Wishman presents the abundant nudity in the most pleasant and unabashed manner possible; because of this the sight of assorted folks in the buff comes across as wholesome and inoffensive instead of as dirty and objectionable. Moreover, it's a riot to see naked people casually participate in such activities as swimming, practicing archery, and playing checkers, volleyball, and even the accordion. The careful avoidance of potentially objectionable lower frontal nudity rates as a prime source of unintentional hilarity, with all the gals going out of their way to cross their legs so the viewer doesn't see any naughty bits. The obvious post-production dubbing and hopelessly wooden acting further enhance this honey's overall kitschy allure. While Blaze Starr isn't much of an actress, she nonetheless sizes up as quite the deliciously ample eyeful cavorting around in her birthday suit. Raymond Phelan's vibrant color cinematography provides an attractive look. The groovy jazz score and infectiously jaunty'n'catchy theme song keep things bubbling along. Good dippy fun.

andyforwang from the pictures of the film, I think it's a good film. not because it is a good look ,but it's a nudist film.Also, if you look very closely, almost the entire dialog in the film is dubbed and very badly too. In fact, the same company that did much of the dubbing for films in the Godzilla series.Still, the movie is a lot of fun to watch; even though there seems to be so much tedium and is slow moving. The scenery is beautiful and you feel you are seeing what Heaven would look like in 1961. There are some fine looking women who always seem to be carrying around hats, towels, and magazines over the more "controversial" private parts. Also, Davee Decker is quite lovely; even though her voice is dubbed. http://www.nudistonly.com

bill-1377 To me, this movie is really charming as a period piece. Even though Blaze Starr had been, at the time of this movie, an established stripper of national fame, she could hardly be called a movie star. But she was perfect for this movie. She had the ideal lush 50's body, along with the hair, makeup, and clothes (in the few scenes where she's actually wearing clothes). There are a couple of scenes where she's walking (clothed), and we get the full bombshell treatment: chin up, hips swaying, projecting her boobs out, and on high heels, yet! There's a real innocence to this movie; partly, I think, to get it past the censors of the day. Blaze, and all the other naked bodies in this film move about and act as normal as anybody - except, of course, they ARE naked. Which makes it funny to watch at times. And all the frontal nudity is from the waist area and up. But what is refreshing is that even with all the skin, there's none of the overt sexuality that exists just about everywhere today, where every 15 year old Paris Hilton wannabe wears a t-shirt that says 'Porn Star'. The era that this film was shot in may not have been a simpler time, but it makes me wish I'd been around back then. This is by far Doris Wishman's best work. The film flows from one languid scene to the next, with unimportant plot devices thrown in here and there. And Blaze really does have a great body. Most of the other women in the film are decent looking, but when they're in the same scene with Blaze, they seem pedestrian. I could watch Blaze all day. The DVD version of this movie is crisp and clear, with little or no sign of age; the colors are rich and spectacular, a joy to watch.

Eegah Guy This film is from director Wishman's less interesting early period of nudist camp movies before she totally wigged out later in the 60s. The unintentionally experimental compositions and editing that Wishman later indulged in are rarely in evidence here. One typical Wishman device that is on display here is the repeated technique of focusing on the person being spoken to during dialogue scenes which makes dubbing a lot easier. Blaze is all physical presence, with little personality and way too much make-up. Look for a cameo appearance by Doris as one of Blaze's agents.