Jon Ryberg It is mostly Asian films that take me were this lovely low key love story go. Composed of everyday moments and sentiments. Tempered in tone of voice and in lighting.Note: As I grew up on french love drama as "Un coeur en hiver" and the like of it, I used to think of love stories as earth shaking and tragic affairs and longed for just that dark kick.But lately I think that it is evident that the assuredness that the characters convey in this movie, in being shy and unsure but in being true to this they and the movie convey this: they doesn't exclude me from their universe, their life is like mine. They are like ordinary people, they just do it very beautifully.For me the story is carried by Meng Kerou's (in a sense not fully completed) coming-out, as a hb-person, process. In comparison to European variants of this theme, and I've seen quite a few this last week, I am truly grateful to the auteurs and actors that the movie is so light, in that it doesn't focus severely on guilt or shame, but on the life and sense of life in its characters.After seeing it i feel very warm, although not totally hopeful, and kind of wish that I were Kerou in her coolness, sharpness and quiet honesty. See it, and see it again!

hypersquared Upon seeing it at the AFI Fest, Yee Chin-yen's "Blue Gate Crossing" instantly became one of my favorite pictures of 2003.The premise is very simple, and yet it is one of those about which the less is said, the better. Simply put, it examines the effect on two girls, best friends in high school, when one has a crush from afar on a boy, and the other actually starts talking to him. The writing is delicate, the performances completely natural and real. Even the look of the movie -- echoing Wong Kar-Wai's elegantly composed, florescent-lit romances -- is stylish without being over-stylized. The narrative is never forced, and yet the ground covered encompasses the awkwardness of a first kiss, the vagaries of sexual orientation, the safety of fantasy over reality, and the nature of friendship -- both the kinds that just happen and those that come about because they've been earned. Finally, the last minute of this movie made a mess of me, I haven't gushed so hard since "Whale Rider."

zetes "A fantastic film about adolescence"Unfortunately, I doubt many in the U.S. will ever see it. I'm also unsure as to whether U.S. audiences would like it much anyway. I myself loved it - it's very beautiful, one of the best films on that age group I've ever seen. The story revolves around three teens in a Taipei high school, two girls and a boy. The girls like to think of themselves as BFFs ("best friends forever!") and, like any two best friends, they talk to each other about boys. The third character is the boy one of them likes. The two girls look for him one night and the girl who doesn't like him approaches him to tell him that her girlfriend has a crush on him. The second girl, however, is too nervous and flees the scene. The boy then thinks that the girl who approached him actually likes him but won't say it straight out. I won't go on with the plot. If I am wrong and it does get a U.S. release, I don't want to be the one who ruins the surprises (I'll let the professional critics do that). Suffice it to say that, unlike American films about high school, Blue Gate Crossing remains simple and honest all the way through. There are no subplots or melodramatic developments. No one gets knocked up or dies in a tragic drag racing accident. We are just left to witness the sweet and beautiful events in the lives of these three characters. The reason that I believe it will never be officially released in the United States is this: it'll seem far too innocent. These kids are meant to be between 16 and 18 years old. For a U.S. audience, their actions and attitudes will seem like those of sixth graders. Perhaps even in Taiwan it will be seen as quaint. One of the film's producers, Peggy Chiao, was present at the screening I attended and she said that the director himself (Yi Chih-yen) was afraid that the film was too sweet. It's really up to 1) distributors and 2) film critics. Let's face it, the first obstacle for U.S. distribution will be nearly impossible to overcome. As for critics, people love to flaunt that critics in this modern day and age are meaningless. That may be true for the latest teen sex comedy, but for foreign films they are of the utmost importance. I am afraid that they will see little but an after school special in Blue Gate Crossing. Let's all hope I'm wrong and that this'll be the biggest foreign hit since Crouching Tiger, Hidden Dragon. 9/10.

up_and_out Yes, this is a Taiwanese "art film"; and it does explore an old and worn theme - coming of age in high school. However, it does so in a tender, unusual way. Additionally, it tells a teen lesbian awakening, still now quite daring material for film from that part of the world. But, it is a sweet film, which really does not come off as being neither artsy nor gay. The characters are common people, yet sensitive and well developed. They come across as average, normal people one can relate to. In short, this is a little gem: simple, very believable, well told, leaving one full of good feelings at the end.