SnoopyStyle This is an investigative documentary about Republican operative Lee Atwater. He's a blues-playing hyper-competitive southerner from South Carolina rising to be GOP Chairman. Supposedly, he picked Republicans because of their inferior state and therefore greater opportunity to advance. He interns for Strom Thurmond. In 1973, he becomes the head of college Republicans with his protégé Karl Rove beating the expected winner by challenging every vote and handed the victory by George H.W. Bush. He is able to tap into southern white resentment using every trick possible as long as he gets the win. He is instrumental in Reagan and becomes the favorite hired hand of the Bushes. However it's George W. Bush that is his true soulmate. Both men have been in the rougher street-level world unlike the high class Bush family. He is unrelenting in his drive and remorseless to his enemies.This is a damning indictment on politics and a compelling personal study. It's easy to understand the Democrats hating the man and his methods. It is more fascinating to hear it from his former Republican colleagues like Ed Rollins. That's behind the scenes from somebody who was actually behind the scenes. It probably needs to expand on his childhood. Of course, the right has bones to pick about this movie. It has a point of view and it's not a fluff piece of Lee. The funny thing is that Lee would probably be secretly proud of this assessment of his work while railing against it as all lies.

Nat Williams I expected this documentary to lean left. I expected it to show all of Lee Atwater's warts. I expected it to shine a harsh light on the dirty campaign tactics that define modern politics. However, I wasn't prepared for the severe leftward tilt of its content. Goodness, if only we had known how angelic Michael Dukakis was, we wouldn't have elected him president, we would have proclaimed him pope! Viewing this film it becomes obvious that his political views and poor campaign had absolutely nothing to do with his landslide defeat. It was all because of that awful man from South Carolina and the millions of sheep who were tricked into voting for the vice president! It's a shame there couldn't have been more balance instead of a litany of complaints from defeated opponents and a condemnation of many of the same tactics used by Democrats. I would have preferred a more rounded look at the man and of politics in general, where both sides have committed their share of bashing, scheming and pandering.

abcdewey The film is a fascinating look at a man who profoundly changed the tenor of modern political campaigns. Stefan Forbes does an excellent job of charting Lee Atwater's political life, and you get enough of the personal to get a sense of the complexities of the man. As you hear stories told by people who are still very active in politics today—Ed Rollins, Terry McAuliffe and Tucker Eskew —it's easy to make a connection between Atwater's political legacy and current election dramas . . . It's something to see Tucker Eskew speak with such glowing admiration of Lee Atwater knowing that he was recently hired by the McCain campaign!!!I really enjoyed the film—found it entertaining and enlightening.

corinne calesso Terry McCauliff introduced this mind blowing film at the Democratic Convention. The Starz sponsored "Impact Film Festival 08" showed Boogie Man at both political conventions. That says everything about the conflicting legacy of Lee Atwater, presented with heart and humor in Boogie Man. The filmmaker Stefan Forbes is brilliant in his storytelling. Where did he find those old clips of Atwater, in a creepy, sweaty trance.....performing funky blues on his electric guitar. Atwater's raw passion and his demons were in the room when he wailed into the mic. Bill Clinton playing saxophone looks darned angelic in comparison. Forbes' bluesy, gritty music track is so intertwined throughout that is seems to ooze out of Lee Atwater's crazy pores. When you see this film, you'll know what the Democrats need to do to get Barack and a new Congress elected in November. And beyond. I promise!